Absurdism In The Stranger

“As if that blind rage had washed me clean, rid me of hope; for the first time, in that night alive with signs and stars, I opened myself to the gentle indifference of the world. Finding it so much like myself—so like a brother, really” (Camus 122-123). On the dawn of his execution, the hopeless and confused Meursault understands the universal truth and meaning of life. Albert Camus’s The Stranger summarizes the themes and messages of the entire novel in these forty-eight words. In these final words, Albert Camus is able to point out many ideas and philosophies that could enlighten man. This final quote from Albert Camus’s The Stranger reveals absurdist philosophies and illuminates an universal truth that is simple yet difficult to comprehend.

The Stranger by Albert Camus focuses largely on the concept of absurdism. Camus uses family and personal relationships, or the lack of it thereof, to show the isolation that the main character, Meursault, undergoes in the novel and it’s effect on him overall. Camus utilizes the protagonists’ character development as a tool to further his plot of the novel. The absence of family and personal relationships tied in with the particular recurring topics of the novel are crucial in both the development of the protagonists’ characters as well as the plot as it affects the portrayal of the main character.

Not also that but Meursault is also constantly stubborn with others opinions and beliefs. It's not just the life of the main character, but it also views our lives as well. It can be cruel, unusual and rebellious if it’s not to society's laws and the absurdity of the human behavior has us doing these type of actions. The world and the point of being alive may not be entirely meaningless but conventional. Throughout the whole book, he is brutally honest about everything and his interpretation of virtues falls right into Camus’s category of his absurd ideology. Even though the author was an Existentialist, hes has more of an Absurdist thought put into his novel. Both of these beliefs are different yet the same because both relate to the point of being yourself. However, one rejects humanity and the other goes along with individual experiences and actions that are basically making your own

Albert Camus’ The Stranger explores the philosophic ideology of existentialism in the character Meursault. Meursault is a man in the 1920s in French Algeria going through life seeing and acting through the lens of an existentialist. Without explicitly stating that he lives existentially, his life hits on many key characteristics of an existentialist. Perhaps the most defining of these key characteristics is that he does what he wants, because he can. He also does this because in existentialism there is emphasis on individual choice and freedom based on the assertion that there is no universal right and wrong. Meursault doesn’t always take into consideration what would be polite, or kind, but rather only

The solitude of man with the innate endeavoring nature to incessantly find passion, be fruitful, and embrace the tangibles causes us to lose focus of the scornful end. The condemnation we find ourselves in subsequent to the impotent attempts to satiate our inexplicable questions, is the puncture to our ideal notion . The disenchantment the truth of our obscure being offered is masqueraded with the absurdity through which we seamlessly wander through this life. The irrefutable desire to numb the conscious is the bittersweet burden which we carry to suppress the abyss of disparity which we are floating amidst. Monsieur Meursault in Albert Camus’ The Stranger is the blaring anomaly. Fortifying himself through his indifferent nature and blunt honesty, Meursault is ostracized. Deemed with a psychosis he finds comfort in the unruly inescapable solace of life, death, which morphs into his gradual declination. The sun tracing his unusual circumstances, catalyzing his imminent reactions provides itself as the only paradigm to symbolize Meursault. The intricacies which unfold are reiterated by the Sun which juxtapose the indigenous contingency to find meaning. Meursault’s paradoxical compel and abhorrence to the sun highlights the idea that the what we choose to learn may not be abiding in beauty. Our choice in this duality sets forth the invitation to introspection offering its only absolute form through our own willingness. Meursault understanding himself is bonded to the sun

The core idea of Albert Camus’ philosophy of absurdity centralizes upon the idea that humans exist in a meaningless universe, and follows that humans must simply accept this fact to live life to the fullest. In addition to this absurdist notion, Albert Camus also uses The Stranger to show how humans still strive to create superficial meaning to fulfill their own personal needs. Through the experiences and interactions in Meursault’s life, Camus illustrates that in spite of how events in life follow no rational order, society attempts to futilely create meaning to explain human existence.

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

The opening phrase of a scene of William Shakespeare’s play, Hamlet, poses a serious question: “To be, or not to be.” Although the quote is widely known, many who have not read the book do not realize the full extent of the quote. At this moment, Hamlet contemplates death and suicide. This is a crisis millions of people go through, including Albert Camus, a journalist and author. According to French Philosopher Camus, the world was innately absurd.

The theme of absurdity can be seen through three different lenses in The Stranger, by Albert Camus: life, decisions, and reflection. The first lens in which the reader can see absurdity in the novel is when the protagonist lives for the sensual pleasures of the present moment. The second lens in which the reader can see absurdity in the novel is when the protagonist absurdity of the protagonists decisions on how he does or doesn’t decide to kill the Arab. The third lens in which the reader can see absurdity in the novel is when the protagonist how he reflects back on his decisions and life and concludes that life means nothing between birth and death. The changes in the lenses of Meursault ‘s absurdum are projected through the author’s choice of different language.

All societies have societal norms and rules that citizens are expected to follow. Those who don’t, are either labeled as defiant or as a non conformist. One who defies societal rules doesn’t necessarily disobey deliberately, but rather because one’s own beliefs don't parallel. In the novel The Stranger by Albert Camus there is a prevalence of characters breaking societal rules, but as a result these characters face the consequences. Albert Camus connects these actions to the overarching themes of the books in order to convey his message more effectively. To what extent does the topic of defiance of societal rules in The Stranger convey the theme of Absurdism in the novel? The sub-themes of femininity, individuality, and isolation connect

Life is often interpreted by many as having meaning or purpose. For people who are like Meursault, the anti-hero protagonist of Albert Camus' The Stranger, written in 1942, the world is completely without either. Camus' story explores the world through the eyes of Meursault, who is quite literally a stranger to society in his indifference to meaning, values, and morals. In this novel, this protagonist lives on through life with this indifference, and is prosecuted and sentenced to die for it. Through Meursault and his ventures in The Stranger, Camus expresses to the reader the idea that the world is fundamentally absurd, but that people will react to absurdity by attaching meaning to it in vain, despite the fact that the world, like

An absurdist tries to find meaning in a meaningless world without entirely accepting and understanding that every life eventually ends. Without fully accepting this fact, people solely contain themselves among the absurd walls desperately applying any type of meaning to their life. Partaking in these naive decisions ultimately implies that this person will never truly live and will ignore carpe diem despite realizing that every life eventually ends. Defying the philosophy of the absurd inevitably creates the absurd man. In the three works that will be discussed, by Albert camus tend to deal with the philosophy of the absurd and how the absurd man abides to this philosophy. Through three characters each example of the absurd man is evidently present among each work. However, with these three characters not all aspects of the absurd correspond, as they tend to transform with each character. But in order to fully understand the absurd man, people must first understand why these people exist through Absurd reasoning. Furthermore, aspects of the absurd partake in an ongoing transformation throughout Camus’ works, as each character represents their own versions of the absurd man.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.

In Camus’s major works, ‘absurdism’ was a frequent subject. The term ‘absurdism’ refers to a feud or conflict between our expectations or ideals and reality. Among his widely praised works, the “The Stranger” and “The myth of Sisyphus” can be read as an example of the absurdism. “The Stranger” is a story of an insensitive individual man, who lives for the

Albert Camus, born in colonized Algeria, a father to absurdism, and author of The Stranger confronts the philosophical themes of purpose, integrity, and passivity. The Stranger’s main character, Meursault, is a laconic man whose passive actions and brutal honesty lend to connections in his court trial. Those of which condemn him to execution. Meursault falls victim to his complete honesty, complete passivity, and disregard for the purpose of action. He is straightforward, and his actions usually follow his thoughts. Actions and decisions that most average people regard as serious, Meursault regards as arbitrary. Meursault’s exemplification of absurdism proves to not only lend to his characterization, but as a comfort in his death as well.