Ambiguity In John Steinbeck's The Golden State

Racial identities are an ideological, social construct and phenomenon adopted by various literature. Many literature authors select the subject of race to identify the existing stereotypes of race in the modern and ancient societies. Toni Morrison reveals her beliefs about racisms through a graphic description of the Recitatif plot. The style allows the reader to experience the true nature of racism and revelation of personal traits without the use of race. In the short story, Recitatif, Morrison deliberately denies her characters, their racial identity contributing to the ambiguity fluctuating between the dominant races, white and black. The author reviews the historical events of the 1960s and 70s that promote the racial identities of White and African-Americans. Changing the expectations of her readers on the solutions based on stereotypes, further spreading the awareness of the racial stereotypes that are controversial topics on human existence (Löchle 4). The ironic nature, literature tricks, and the plot of the story embrace the racial stereotypes unfolding in the narrative. The author engages her readers through a closer reading through the adoption of literary elements, allowing the readers to fill in the gaps in the story. Through their participation, the readers develop an emotional attachment to the characters and the story, generating a deeper understanding and reversal responses. In particular, the ambiguity of racial

Through the intricate foundation of America, one can argue it’s inability to reach satisfaction. Among the nation itself, there always seems to be a sense of hunger into wanting more and more than one can bear to have. It’s a way of life that citizens of America are used to approaching. They reasoned that not being completely satisfy is the key into building our lives around morals, standards, and expectations for the future generations. From a complex writer himself, John Steinbeck, approaches this unrealistic to perfectionistic idea that America finds itself having in his critical essay, “Paradox and Dream”.

At the turning point of the century came the rise of the industrial age in America, and with that, came the rise of multiculturalism. The promise of the money and jobs brought people from all over the world. Free-market enterprise had people enamored with “The American Dream,” the idea that freedom enabled every hard-working individual with the opportunity for prosperity in success. Because of this, no other nation has such a rich blend of cultures. However, with this culture of diversity one could claim makes America great, comes a series of convoluted identity politics. In the novel Covering: The Hidden Assault On Our Civil Rights, Kenji Yoshino talks about the dichotomy between the True Self and False Self, and the concept of covering,

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

I. John Steinbeck used his personal experiences as a laborer to write many of his novels like Of Mice and Men and The Grapes of Wrath.

“Freedom was in the very air Californians breathed, for the country offered a unique and seductive drought of liberty. People were free from censure, from Eastern restrictions, from societal

In this novella, I developed a thesis statement, which is: The pearl kept Kino moving forward because it represented hope during a period in his life. I chose this thesis statement because one of the aspects that makes this story move forward is Kino’s hope and greed; even if this greed is based on his hope. Steinbeck quotes: “Every man suddenly became related to Kino’s pearl, the schemes, the plans, the futures, the wishes, the needs, the lusts, the hungers of everyone, and only one person stood in the way and that was Kino, so he became curiously everyman’s enemy” (Steinbeck, 27).

The first chapter of the book is an introduction to the economy, politics and people of California. It encompasses the economy, politics and demography of the state for the past, present and the future. The edition features updated demographic information of the state from the census that took place in 2010. The chapter explains the state’s transition from colonization to rebellion and statehood. It discusses California’s past, including the great depression, political turmoil, infrastructure, workingmen’s party and World War II. The growth, reform and progressive change of the state to what it is today is also highlighted in the book. California previously faced budget deficits

Brown: The Last Discovery of America completes Richard Rodriguez 's three-volume work in which he explains and explores the ethnic and racial future of America. In this particular book, the author defines the color brown not as the representation of the Hispanic race but as the color of the future. Black, white, yellow, the author explains, are incorrect racial categories for it is not how nature works. Nature yearns for combination of all different colors, and brown is the final result. In the chapter "Hispanics," as seen through imagery, personification, and humor, Richard Rodriguez upsets the reader to show that racial categorization is unfit and that racial barriers are meant to be broken.

To the European Americans “race and the racialization process in California became the central organizing principle of group life during the state’s formative

It is hard to find California now, unsettling to wonder how much of it was merely imagined or improvised; melancholy to realize how much of anyone’s memory no true memory at all…I have an indelibly vivid ‘memory’, for example, of how Prohibition affected the hop growers around Sacramento… (Didion 57)

	This story opens with the main character named Jim Nolan leaving behind his former life and going to meet Harry Nilson, a leader of the "Party." Jim had a father killed in a riot, a mother who died, and a sister that was missing. He wants to join the "Party" because he wants to do something that will give his life meaning. He is accepted, and is introduced to other members of the party. The next day, Jim accompanies Mac McLeod to Torgas Valley to help workers organize a strike against the orchard owners in the valley. They meet a restaurant car owner named Al, who gives them food for free. Jim and Mac get off the train and meet a group of people. They help a

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

California represents is not as easy to attain as they once thought. The characters in The Day of the

Arnold’s change of identity is shown through the author’s use of setting. At first, he lives in Wellpinit, an Indian reservation. On the reservation there is violence, poverty, and alcoholism. Arnold does not appreciate where he lives because his “reservation is located approximately one million miles north of [important] and two billion miles west of [happy]” (Alexie 30). Arnold does not like his culture, nor does he like his home. He thinks that his race is far from important and happy. This contributes to his identity crisis. He does not like his identity, but one thing that keeps him from forsaking it, is his