Amy Tan's The Joy Luck Club Parents always want what is best for their children, regardless of culture or ethnicity. In The Joy Luck Club, by Amy Tan, and in "Life With Father" by Itabari Njeri, the parents express their parental methods upon their daughters. Children will all react differently to their parent's methods, as do Waverly, June, and Itabari, but they still share a common resentment for their parents. It is shown in the two stories how parental methods expressed to children can be misinterpreted, thus influencing the child's behavior. June's mother wants her to become a successful piano player. The problem with this is that June possesses no talent or determination to do so, so she doesn't practice. Her mother cleans …show more content…
It seemed that Waverly had an ability inherited from her mother to conceal feelings and strategies, much like what is needed to win a chess match. Waverly got along better with her mother than June did, but June's mother pushed her in a direction she didn't want to go in, rather than taking credit for success. Both actions were misconceived however. Waverly has the ability to humiliate June, as she did at the New Year's dinner. Those with self-confidence such as Waverly easily insult June. Waverly's mother has taught her to be proud of her abilities, while June's mother has not shown her to be proud, but more "content." Waverly is noted by June's mother as being a crab, moving only sideways, trying to keep others from passing her. June is more of the type to surpass Waverly's meager insults, making her the better person. Waverly is like this because she cares so much about other people criticisms of her, strongest of all being her mothers. She runs her life based upon what she thinks her mother feels about things. These children act the way they do, insulting and accepting, based upon their parent's means of conveying what is important. By being forceful, Suyaan has made June more passive, while Waverly has become more aggressive as she likely has more contempt within her.
Suyaan and Lindo have harbored pride as a very important factor within their daughters. Waverly refuses to play piano when her mother keeps bragging to everyone that her
Of the many stories involving the many characters of "The Joy Luck Club", I believe the central theme connecting them all is the inability of the mothers and their daughters to communicate effectively.
Many women find that their mothers have the greatest influence on their lives and the way their strengths and weaknesses come together. In Amy Tan’s The Joy Luck Club, the lives of four Chinese mothers and their Chinese-American daughters are followed through vignettes about their upbringings and interactions. One of the mothers, An-Mei Hsu, grows up away from her mother who has become the 4th wife of a rich man; An-Mei is forced to live with her grandmother once her mother is banned from the house, but eventually reunites and goes to live in the man’s house with her mother. Her daughter, Rose, has married an American man, Ted, but their marriage begins to end as he files for divorce; Rose becomes depressed and unsure what to do, despite
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To
“Four Directions” is the story of Waverly Jong, the young prodigy chess player who lashes out at her mother because of her constant showing off of Waverly. After returning to chess, Waverly realizes that her skill and determination is gone, along with the support and love from her mother. She beings to understand that her winning was solely dependant on her mother’s boastful remarks about her daughter, the love the Lindo was so openly expressing.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash
Waverly is tired of her mother telling everyone about her accomplishment, that she lost her patients and tell her mother want were exactly on her mind. The dynamics relationship between mother and daughter is that you sometime lost your temper and tell your mother some of the problems you having with them.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and
At first, the daughter was to become a Chinese version of Shirley Temple. When that didn’t work, her mother told her that she would be attending piano lessons.
Connie does not have any control over what people do to her, however, the criticism she takes from her mother whenever she compares her to her sister June combined with her mother’s insults gives Connie a low self-esteem and insecurity about herself; she thinks she is “less worthy” because of this and makes her think her beauty is everything, that she is nothing without it.
Waverly was going to tell Lindo of her and Rich’s engagement, but whenever she mentioned him, Lindo cut her off and began to talk about something else. Waverly was convinced that her mother did not have any good intentions, and that she never saw good in people. Due to this, she was afraid of what her mother will say when she would meet Rich. According to Waverly, she and Rich shared a “pure love”, which she was afraid her mother would poison. Waverly planned to go to Auntie Suyuan’s house with Rich for dinner, knowing that her mother would then invite the two over for dinner to her house, and this would give her mother a chance to get to know and warm up to Rich. However, when they went for dinner, Rich did everything incorrectly- he didn’t understand Chinese customs and made several mistakes that were seen as
However, the conflict between Waverly and her mother is very realistic, due to the nature that many mothers and daughters have different views which causes disagreements. The people of Chinese descent have their Chinese heritage, but struggle to keep true to their traditions while living around American culture. The major conflict in the story, the clash of different cultures, leads to the weakening of the relationship between the two characters. For example, when Waverly reenters the apartment after running away, she sees the "remains of a large fish, its fleshy head still connected to bones swimming upstream in vain escape" (Tan 508). Waverly sees herself as the fish, stripped clean by her mother 's power, unable to break free. Through the major conflict, the characters struggle to keep their relationship healthy and loving. Tan explains the feelings of Waverly through an important symbolic imaginary chess game as she writes, “My white pieces screamed as they scurried and fell off the board one by one. As her men drew closer to my edge, I felt myself growing light” (508). This shows how Waverly feels about the relationship with her mother and how she is losing the battle. The conflicts are important, especially to the theme, for the conflicts shows where the lack of understanding comes from and how it can be resolved.
The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.
Waverly also demonstrated times of rudeness. Waverly should tell her mother the truth because otherwise it will explode out of her in a mean way. On page two Waverly said to her mother, “Why do you have to use me to show off? If you want to show off, then why don't you learn to to play chess?” This was not Waverly's Mom this was Waverly. But still her mom was the cause of it. She was saying to every person that made eye contact with her is my daughter Waverly Jong. So Waverly got mad and said mean things again she could have been nicer while telling the truth to her mom.
Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of
As an adult, Jing-mei’s mother offers her the piano once more, and Jing-mei accepts the gift. Appreciating the encouragement and faith her mother bestows upon her Jing-mei decides to care for the piano. The piano piece