An Analysis Of Creusa's Disappearance During The Escape Of Troy

Even though Agamemnon made a success for his homecoming, what was waiting for him was her wife’s conspiracy with Aegisthus and his death (262-263). Namely, his nosmos was rather a failure and he also faced fate of his failed household. This Agamemnon’s gives a comparison with Odysseus future success for preserving his family and throne. Furthermore, Clytemnestra’s unfaithfulness and infidelity provides a foil to Penelope’s faithfulness and loyalty. Clytemnestra’s merciless and brutal actions, not sealing Agamemnon’s eyes while he was dying, adds contrasting characteristics between Odysseus and Agamemnon’s wives. Note that here, the story of successful vengeance for Agamemnon by Orestes gives a foil to Telemachus’ weakness and deficiency. Orestes here is depicted as a heroic example with murder of Aegistus after he comes of age (264). On the contrary to Orestes who saved his household and restored order in his family’s kingdom, Telemachus, as he came of age, couldn’t serve as protecting his household and repel his mother’s suitors in the absence of his father. In the light of comparing each heroic figures’ sons, the son of Achilles is also depicted as successful warrior with great strength and fame in the battlefield against Trojan, adding a foil to Telemachus’ unsuccessful position as a son (266).

Simon Vouet, a French painter, created a piece of artwork known as Aeneas and His Family Fleeing Troy in ca. 1635. This painting, done in oil on canvas, depicts a strong Aeneas, carrying his father, followed by his son and wife leaving the burning city of Troy. Vouet uses his knowledge of artistic ideas gained during his stay in Italy to create his own technique. Through his experience in Italy, Vouet is able to communicate ideas of his time period in France with his own style.

David Price's reason for writing Love and Hate in Jamestown is to demystify the historical legends of John Smith and Pocahontas, and portray both as the reason why the Jamestown colony survived in the New World. Price supports this thesis by describing the people that inhabited the New World with the settlers at Jamestown, describing the leadership skills Smith possessed, and describing his method for saving the colony from disaster. Price wants to portray Smith and Pocahontas in the correct light, and correct the common misconception that the two were romantically involved. Price expresses this through an excellent narrative telling the story of the ship's voyage across the Atlantic, the settlement of the colony, and the interactions

I will be analyzing the piece Aeneas and His Family Fleeing Troy. This artwork is currently being displayed at the San Diego Museum of Art, in Balboa Park near downtown San Diego. This painting was made in 1635 during the Baroque Period in France by Simon Vouet. Vouet was the most influential painter of his time and did much to make Paris an artistic center of Europe. Vouet was heavily influenced by Caravaggio who also heavily influenced other painters during Vouet’s time. In this paper, I will be exploring issues such as material, subject matter, scale, historical context, light, human figure, and finally museum context.

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

Odysseus had many adventures throughout his life, but the most important one were the ones between Troy and Ithaca. During these adventures, three important theories explained the myths of Odysseus’s encounters. The theory of social charter theory, feminism and ritual theory can all be related to some of the outrageous adventures that Odysseus had to go through.

The Greek forces won the Trojan War. The story of the war is a cornerstone of Greek legend, and pervaded Greek literature and culture. Though the evidence for the Trojan War as historical fact is scarce, it was a formative event in Greek cultural memory, producing some of the classical world’s most famous heroes and narratives. The War was won, Helen was retrieved from Paris, whose violation of ξενία was redressed, the heroes attained the κλέος that many of them fought for – and yet the positive outcomes of the Trojan War are difficult to grasp. For the victims of the Trojan War, the tragedy is obvious; the War ended in genocide and total cultural destruction. But such a war, burnt into legend, should have left the victors far better off; and yet, the Greek heroes only suffer because of it. They die tragic, dishonourable deaths; their households are left in ruin; their families are torn apart. From both modern and classical perspectives, the Trojan War is a tragedy, a “harrowing destruction of life” (Euripides, Andromache, 291). The victory is pyrrhic, the loss of life is horrific, the reparations non-existent.

One of the greatest Greek plays is Antigone. Antigone is a tragic Sophoclean play, which portray two great examples for a tragic hero. I believe Creon and Antigone, the main characters of the play to be tragic heroes. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. Both Creon and Antigone are dignified and flawed in their own ways, having a similar tragic flaw.

A critical element of classical tragedy is gruesome, gruelling, and often heart wrenching deaths of characters, regardless of whether or not they are central figures to the plot as a whole. The first example of this found within in Book II of Virgil’s “Aeneid’ is the encounter with Hector’s ghost. A once great hero of the Trojan race is belittled into a grim description: “his beard was filthy, his hair matted with blood”. Whilst the murder of Hector is not the main focus within the ‘Aeneid’, nor even within Book II, it is still a greatly tragic death due to the vulgar actions of Achilles. In fact, Hector still retains the appearance induced by his gruesome death, further adding to the tragic nature of his death. Another example of tragic death within Book II of ‘The Aeneid’ is that of Priam – the old king of Troy. He is slain by the cruel Pyrrhus, after witnessing the murder of his own son: “defiling a fathers face with the murder of his own son”. Not only is that event in itself tragic, but also Pyrrhus then dragged Priam “through pools of his own son’s blood” to an altar at which he was killed. This event within Book II exemplifies the tragic nature of heroic deaths for a multitude of reasons. The first is the obvious cruel nature of death within a great battle. During this time period it was a common occurrence for young men to head off into battle in order to defend their own nation. However, Priam was an old man, and for him to die in battle is a tragic occurrence in

In the novella, The Pearl, written by John Steinbeck, a pearl diver named Kino is eager to find a pearl to help his son, Coyotito, after he was stung by a scorpion. After the doctor refuses them treatment, Kino coincidentally finds ‘The Pearl of the World’. Originally, it was just supposed to help them with the payment for Coyotito's treatment, but it leads to other happenings. People start hating Kino, and are jealous of his pearl. Trackers try to hunt him down in the mountains to kill him and get the pearl, but that’s not what Kino has in mind. Coyotito is accidentally shot in the head, and that starts a fire in Kino. Anger-filled, he kills the trackers. As Kino and Juana arrive home, they are described to be different people, and it's all

Aristotle, an ancient Greek philosopher, defines a tragic figure as one who represents goodness, superiority, a tragic flaw, and a realization of their tragic flaw and inevitability. A tragic figure is normally someone of royalty, or importance, and also experiences a great devastation. A big flaw of a tragic hero is usually their pride. The figure will experience an ironic plot twist, where they realize things are not what they expected, and then are to face the reality of their fate. In, The Theban Plays, by Sophocles (translated by E. F. Watling), the characters Creon and Antigone represent tragic figures. In the play “Antigone,” Sophocles depicts the character Creon as a tragic hero. Creon portrays many characteristics of a tragic figure. His tragic story begins when makes the decision of becoming a hubris. A hubris is one who ignores the gods, and follows their own path. When Creon does this, his decisions greatly affect the fate of his loved ones; his son, wife and Antigone. Along with Creon, Antigone portrays a tragic hero in as well. Antigone’s tragic fate comes from her loyalty to her family and the gods. She chooses to stick to her own beliefs, rather than having obedience towards the king, and this was the cause of her downfall.

dying for obeying the words of the gods. This particularly gives Antigone an admirable character, as religion

Tragic Greek dramas featured tragic heroes, mortals who suffered incredible 
losses as a result of an inescapable fate or bad decisions. According to Aristotle, a tragic hero is a character, usually of high birth, which is pre-eminently great, meaning they are not perfect, and whose downfall is brought about
 by a tragic weakness or error in judgment. The three Greek heroes Oedipus, Medea and Agamemnon, who each killed a member of their family, carry most of the qualities that make up a tragic hero: being of noble birth, being surrounded by an extraordinary circumstance, and gaining self-awareness or some kind of knowledge through their downfall. There is an important need for the audience to identify with the Aristotelian hero through

As a result, characters such as Desdemona and Cassio to pay the price. Othello’s jealousy was his downfall that cost the deaths of multiple lives.

The decriminalization of marijuana refers to removing drug offences concerning marijuana from criminal law rather than completely legalizing and allowing public use of the drug whether regulated or not. The legalization of Marijuana has been a hot political issue for decades due to its potential medical uses and industrial properties. It is a very important and controversial issue in society today. Although many false claims have been made about cannabis in recent history, the truths are slowly starting to resurface. Unfortunately, these truths are under heavy debate due to the stereotypical view of what people view as the typical “pot smoker.”