An Analysis Of E. B White's Essay 'Here Is New York'

The Upper East Side, zip code 10028, and East Harlem, zip code 10035 are two very different neighborhoods. Overall health varies between The Upper East Side and East Harlem because of differences in social determinants such as socioeconomic status, education, and environment. More specifically, East Harlem has the highest percentage of hospitalizations due to asthma when comparing neighborhoods in NYC.1 Using my observations from doing fieldwork, I will focus on the structural differences in The Upper East Side and East Harlem that result in differences in asthma prevalence.

In his essay, “Pretty like a White Boy: The Adventure of a Blue-Eyed a Ojibway,” Drew Hayden Taylor discusses his negative life experiences, and decides that he will no longer classify himself as either a White, or Native person, though he is of dual ancestry. Though he aims his essay at the Everyman, he assumes that the reader has knowledge in Native history. Taylor, the comedian mentions that he never knew his White father, and it is likely that he was raised in First Nations household. This assumption supports the ethos of his essay as a whole. While examining the thesis, Taylor makes jumps in logic that are difficult for the reader to follow, on the path to his conclusion. Taylor’s style is consistently lighthearted, and his essay is structurally sound, however, due to errors in logic, his essay appeals to the heart alone.

In this universe, there are many versions of one thing. An outsider looking in at the city of New York may ponder on the lack of manners and inherent coldness a New Yorker may possess. A person that is born there will not linger on such aspects. No individual lives in the same world as another one does. In “Here Is New York,” writer E.B. White defines roughly three New Yorks in which are able to exist simultaneously. His use of the different rhetorical appeals draws an in depth understanding of the coexistence of three worlds that are united by their shared sentiments.

Hatred for white society was a strong theme among the African American community during the 1950s. These emotions were conveyed through different platforms of the time, ranging from art and music, to articles and books. But James Baldwin, a popular African American writer during this time period, does not obsess over this subject that was so passionately conveyed by so many people like him. Instead of preaching about his hatred for white America, Baldwin utilizes his story of his childhood as well as his early adulthood to illustrate the destructive nature of the African Americans society’s hatred for white society in the very well known essay, “Notes of a Native Son.”

In the novel The Devil in the White City, Author Erik Larson uses imagery, irony, and juxtaposition to parallel the good and evil sides of the city of Chicago during the 1893 World’s Fair. Larson takes a more upbeat, joyous tone while following the story of Burnham and the architects designing the World Fair, but the tone turns much darker when perspectives change and we follow the plot of H.H. Holmes, America’s first known serial killer. Using rhetorical devices like imagery, diction, and syntax, Larson is able to paint a picture of Chicago from both the good and evil side, setting a more serious and ominous tone for the novel.

In the novel, The Devil in The White City, the author, Erik Larson, utilizes a back and forth organizational pattern between the two main characters, Daniel H. Burnham and H.H. Holmes. It showed how their lives contributed to the 1893 Chicago World’s Fair. Larson began the novel where the story actually ends in 1912 on the Olympic, a sister ship of the Titanic. The character, Burnham, waits for a response from his initial message to his friend Millet, aboard the Titanic. What Burnham doesn’t know at that time, is that the Titanic sunk and his friend Millet is dead. This is the point to which the story begins. Burnham flashes back to the building of the World’s fair while waiting for his friend’s response.

“The sight is so inspiring that all conversation stopped, and all were lost in admiration of this grand sight. The equal of it I have never seen, and i doubt very much if i shall again’” (Larson 271). Erik Larson’s nonfiction novel The Devil in the White City centers around the Chicago World’s Fair, also known as The World’s Columbian Exposition, and two of the men whose lives were intertwined: Daniel Burnham and H. H. Holmes. Daniel Burnham was the chief architect who built the World’s fair with a grandeur image in his mind; in contrast, H. H. Holmes used the fair to masquerade his horrific and numerous murders, exploiting the fair. In The Devil in the White City, author Erik Larson uses vivid imagery, captivating tone, and figurative language to portray the dreamlike qualities of the White City.

In 1893, Chicago had the pleasure of hosting the World’s Fair to celebrate the 400th anniversary of Christopher Columbus’s arrival in the New World in 1492. In the novel “The Devil In The White City”, written by Erik Larson, tells the story of two different men who had an impact on the World’s Fair. Both men impacted the reputation of the fair and of Chicago with their actions and accomplishments.

That night that the Titanic sinks, on board the Olympic on April 12, 1912, Daniel Hudson Burnham search mindfully for quite a while at his years arranging the Chicago World 's Fair of 1893, held to respect the 400th commemoration of Columbus ' disclosure of America.

The article titled "The man with the snow job" appears in the Opinion Pages, The New York Times. Author, Gail Collins, opens her article with the question: “Who is to blame for this weather?” which hooks readers’ attention and makes them curious about what they are going to read. In her writing, Collins talks about the current snowstorm in the United States and how it is used for everyone’s advantage. She also points out how government officials such as Arnold Schwarzenegger, Al Gore, George W. Bush, and Barack Obama use the occasion of snowfall for their own purposes. The author borrows images of global warming effects to discuss some controversial problems in the society these days. She applies the following elements to establish the

1893. World’s Columbian Exposition. 27,500,000 attendees. Over 250 people killed. 27 confessed murders. In his best-selling novel, The Devil in the White City, Erik Larson writes about these details that illustrate two significant events that forever changed Chicago, Illinois in the late 19th century. Larson uses detailed imagery to describe the Chicago World Fair and its’ extravagance, an ominous tone to describe Dr. H.H. Holmes, his murders, and their darkness, and loaded language when describing both to make the reader more aware of the evil that could be lurking in the midst of something beautiful.

David R. Roediger displays the history of how the theory of “whiteness” has evolved throughout the years in America in his book, The Wages of Whiteness. According to Roediger, “whiteness” is much a constructed identity as “blackness” or any other. He argues that this idea of “whiteness” has absolutely nothing to do with the advantage of the economy, but that it is a psychological racial stereotype that was created by white men themselves. He claims that it is definitely true that racism should be set in class and economic contexts, also stating that “this book will argue that working class formation and the systematic development of a sense of whiteness, went hand in hand for the U.S white working class.” Roediger basically lays out the fact that “working class ‘whiteness’ and “white supremacy” are ideological and psychological creations of the white working class itself.

Rather than merely examining the affects of racism on people of color, the book turns its attention to whiteness and how a system of white privilege, supported and perpetuated by whites, also damages whites by inhibiting them from making meaningful connections with other human beings. Until I almost reached the end of this book I was uncomfortable and disturbed by the way the book made me feel. As a white male, I am aware of the pain that my ancestors have created for others to advance the free world. I have pain for those who suffered and disagree with actions that were taken by my white predecessors. But I believed that we are now in a much more advanced world where we have chosen the first black president and equality was a focus of most Americans. Identifying with my culture as currently being a white supremacist society is something I have never considered, or would not want to consider. In Neuliep, within the Coudon and Yousef’s Value orientations, we perceive the human nature orientation within the United States with people being essentially rational. This term, rational, can be somewhat subjective. And if we continue with the same value system, and look from ‘the self’ values, we foster our self-identities from the influence of our culture’s values. If we are to reflect truthfully to how our country evolved and what we ‘had to do’ to create our freedom by limiting the freedom of other, how would we then perceive

Ha Jin’s “The Woman from New York”, showcases the grand impacts of adjusting to cultural differences. This story encompasses both the emotional feat and the physical feat in distance that many go through in their lives. It specifically reveals the challenges that arise in adapting to new life back at home when in the past, a person lived elsewhere and much differently. In following the life of Chen Jenli in this story, readers can explore her societal and cultural struggles or they can place themselves in her shoes. In using Chen Jenli as a vessel, “The Woman from New York” addresses various and most certainly relatable difficulties that people like immigrants or expatriates face. However, these individuals can rely on the psychological process of mindfulness to help in adjustment and difficulties.

Living in America is a fantasy for a lot of people, but living in New York City is something even better, and more magical than any fantasy.