Analysis Of Alfred Hitchcock 's ' The Thirty Nine Steps '

When Stefano told Hitchcock that he could not work up much sympathy for a peeping Tom killer in his forties (the age of the murderer in Bloch's novel), the director proposed using a much younger character and even suggested to the writer that Perkins get the lead role.

it is the start of the story. The window fills the whole frame of the

The film was made in 1941 and won best screenplay at the Oscars and was also nominated for best picture, best director, best actor and best cinematography. It was directed by Orsen Welles and its main actors were Joseph Cotten , Dorothy Comingore and Agnes Moorehead. The film has aged incredibly in the last 75 years from its release and has defined film in how good it really was. Citizen Kane changed the way movies are made because it became the starting point for many filmmakers first learning about how films are made and how a director can give a film a particular style. The editing (by Robert Wise) was as innovative as the cinematography by Gregg Toland - add these two talents to the talent of director Orson Welles not knowing how to direct properly and you have stylistic flourishes and a film that still impresses today. It didn't immediately change how movies were made citizen Kane was actually a somewhat forgotten film for several years until it was rediscovered in the late 50s - but it was definitely ground-breaking and many of the techniques used were copied and used by later directors.

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

Hollywood cinema also produces its own realities on the big screen. As Cecil B. De Mille. Goldfish and Samuel Goldfish claimed during the production of the first motion picture, “when real life doesn’t fit a preconceived image, create another reality” (xi). Since that 1913 statement, Hollywood has fostered this type of reality-making that results into an escape for its audiences. Aside from the physical escape of traveling to the movies or Blockbuster in order to view these films, audiences are also invested in the characters they view on screen. However, Webb informs the public that “what appears on the screen is a stylized version of real life (or a plausible vision of imaginary worlds) that is made possible by the prolonged collaborative effort of hundreds, working in support of a celebrated few” (3). The “reality” of the cinema lies in producers, directors, actors, back-lots, etc. involved in its creation rather

Whenever books are adapted for film, changes inevitably have to be made. The medium of film offers several advantages and disadvantages over the book: it is not as adept at exploring the inner workings of people - it cannot explore their minds so easily; however, the added visual and audio capabilities of film open whole new areas of the imagination which, in the hands of a competent writer-director, can more than compensate.

Before watching the film a viewer schooled in academia must consider how the original text may be altered to comply with Hollywood tradition. Miller goes on to

In contemporary film making, “Hollywood-ization” generally refers to the re-creation of a classic work in a form more vulgar and sexually explicit than the original in an effort to boost movie attendance. After all, sex and violence sell. However, from the mid-1930’s to the 1950’s, “Hollywood-ization” referred to the opposite case where controversial books had to be purified to abide by the Production Code of 1934.[1] This occurred to many of James Cain’s novels as they moved from text to the genre of “film noir.” As has been said about Cain’s The Postman Always Rings Twice, “The property, bought several years ago, was kept in the studio’s archives until now

The hero’s journey model, (also known as the monomyth), is a pattern of events and characters that appears in most movies, books, tv shows, etc. In this pattern, the hero leaves her/his mundane world, plunges into the unknown, undergoes test and trials, and returns with new knowledge and power. In the movie Citizen Kane, a rich man and a reporter covering the story after his death learns the power and problems with money and greediness. The movie starts with him being given away from his mother, the only truly happy place he would know. A very rich banker “adopts” him, as he has stakes in a mine that was thought to be worthless but turned out to be priceless. His threshold guardians are his conscience, and make him want to return to the

“The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles

“There’s only one person in the world to decide what I’m going to do – and that’s me.” – Charles Foster Kane from Orson Welles’ Citizen Kane.

There are many reasons as to why Citizen Kane has been lauded as one of the best, if not the best, film of all time. Orson Welles's Citizen Kane has had a lasting impact on cinema and continues to influence directors to this day. Visually striking, Citizen Kane helped to usher in a new era of cinema through its innovative techniques and use of mise-en-scene.

Alfred Hitchcock’s 1954 film, Rear Window, explores many dimensions in cinematography. The phenomenal film is well known for proclaiming its voyeurism issues that goes on in today’s society. Even though voyeurism is an act that should not be done, this film portrays it in an affirmative way. Rear Window introduces primary structural components in the first act which sets the mood for the audience to interact with J.B. Jefferies in a way as it is the audiences duty to help him solve the mystery on whether Thorwald murdered his wife or not.

asks if she is OK. I think most people would if you saw this woman

Citizen Kane is a movie that can be rewritten and implemented into any film created today. In many ways, the storyline tells us more about ourselves than anything else and it relates to each one of us who has ever wished for a better life. From his flamboyant adventures to the blah blah to his political agenda in his later years. Every film that came after Citizen Kane owes a great deal to Orson Welles because of the way he used special effects, music, and shadows and lighting, which without a doubt makes it one of the finest movies ever made. Some even call it the Mona Lisa of its time because Orson Welles was the first to implement all of these techniques, which revolutionize cinema forever.