Analysis Of ' Farewell My Concubine ' By Lillian Lee

‘Marrying Ameera’ is a novel written by Rosanne Hawke and it features a teenage girl called Ameera who is facing difficulties because of her father Hassan and his Pakistani cultural beliefs. Her father being greatly influenced by the Pakistani culture and beliefs wants his daughter to follow it too without any disagreeance. This makes him the creator of Ameera’s difficulties. Whilst Ameera lives in the Australian culture, she is making Hassan worried and Hassan is making decisions for Ameera, based on his beliefs and culture. Culture is also to blame for creating Ameera’s difficulties because honour is accomplished by the following culture.

In Arlie Russell Hochschild’s, “Love and Gold,” she depicts the economic influences that turn choices of mothers in Third World countries into a precondition. Similarly, in Toni Morrison’s, Sula, a recurring theme of the struggle between independence, the ability to choose, and doing what’s best for others, or coerced decisions, is imminent throughout the entire novel and revolved around the main character, Sula. Often times the factor that weighs down choice is responsibility. Choices are seemingly infinite until you factor in what choices will affect which people and why. Both mothers and caregivers have to put their dependent before themselves, therefore limiting their

Jem and Scout, throughout “To Kill A Mockingbird,” learn to consider things from other people’s perspectives. Atticus, Jem and Scout’s father, says “you never really understand a person until you consider things from his point of view – until you climb into his skin and walk around in” (Lee 39). They learn this through experiences with their neighbor Boo Radley as they mature beyond their years. At the beginning of the novel, Jem and Scout make fun of Boo and assume that all of the rumors going around about him are true. However, later on in the story the children grow an admiration for Boo and learn to understand him. As they matured, Jem and Scout naturally learned many life lessons of appreciation, respect, and courage

Harper Lee is best known for writing the Pulitzer Prize-winning bestseller To Kill a Mockingbird. The novel takes place during the depression in Alabama with the main character, Scout, viewing her lawyer father, Atticus, defending a wrongly accused black man of rape. The reader gets to understand Scout’s childhood view of this controversial situation. Scout’s character in to Kill a Mockingbird by Harper Lee is really the author’s own life playing out in the novel, which is most likely why this novel is thought to be one of the best American Novels of the 20th century.

In the article, “Parting at the Crossroads: The Development of Health Insurance in Canada and the United States” the author Antonia Maioni argues various points as to why Canada and the United States of America have such different approaches to targeting the healthcare system. The topics covered by Maioni included, “Health Reform in Canada: The Role of the CCF-NDP”. Here Maioni discuses in great detail, the historical background to how Canada got to where they are in the health system through the ups and downs that occurred in Parliament due to “the public demand for action on medical insurance” which was influenced by the highly successful medical insurance program that existed in Saskatchewan post-world war. It goes to show, that the passing

Boom! Boom! Boom! The sounds of canons rage in your head as author Bobbi Miller paints a picture in your mind as you continuously turn one page after another. “The Girls Of Gettysburg” is an excellent read, as this historic time and place are brought to life. The world these girls know and knew, is changing. Grace had been free her whole life, she did not have the worries of other African American children, but this was not to last. Tillie, the daughter of a father with money, and a union loyalist was still somehow completely oblivious to what was about to happen, but sure as sure this would affect her too. Annie however, had lost both her brothers in the war for civil rights and lost her father when he died of a heartbreak. It was her turn

The book Celia A Slave Melton McLaurin is telling us what happened to a slave owner and a slave that he brought. This story goes into details on the day of June 23,1855 about how a female slave that murdered her master and how she tried to cover it up. This story took place not far from Jefferson City in Calloway Country here in Missouri when around this time there were still debates over what state is going to be free and what states is going to be a slave one. As you’re reading the book you will see how race relations of that period was very … McLaurin talks in great details about the trail, the political climate of the time of the trail, and the experiences of a slave told in Celia view, and the antebellum time period.

The classic Australian prison drama series should be pinning its fifth season right now. However, Wentworth season 5 is not moving along as planned. Around this time, the shooting of the film should already be starting. But it seems that the studio and the network are standing still.

This paper compares works of art by three different artists created at different periods throughout the 20th century. The first painting, created in 1906 by artist Mary Cassatt is titled “Young Mother Nursing Her Child”. The second is a photograph, titled “Self-Portrait/Nursing”, by Catherine Opie, taken in 2004. The third, titled “Tiara and Eva Marie”, was created in 2011 by Canadian artist Kate Hansen. Each of these artistic renderings celebrate the tender and intimate bond shared between a mother and child, through images of partially-dressed and fully nude mothers nursing, or holding their infant children in various maternal poses. This paper will also compare how each of these works of art depict as well as represent motherhood. As well as exploring how the sexualizing of female breasts has objectified and minimized their functionality, making images of nursing women a contentious social construct of modern day society and American culture, viewed by many as obscene or distasteful rather than a natural element of motherhood.

In this paper, I will explain how the article “The Lady and the Tramp (II): Feminist Welfare Politics, Poor Single Mothers, and the Challenge of Welfare Justice” by Gwendolyn Mink relates to the thematic focus of working women and the Marxist and socialist branch of feminism. In Feminist Thought: A More Comprehensive Introduction, Rosemarie Tong explains that Marxist and socialist feminists understand women’s oppression as a labor issue. Women’s work is not viewed as a productive contribution to society. One of the ways Marxist and socialist feminists sought to improve women’s oppression was through the wages-for-housework campaign of the 1970s, which fought for work done in the domestic sphere to be paid and respected by society. In this same vein, Mink’s article can be viewed as a continuation of sorts of the wages-for-housework campaign. Mink suggests that poor single mothers have the right for their work to be recognized by society and supported economically like the Marxist and socialist feminist in the 1970s.

The Book of the City of Ladies is an allegorical society in the word "lady", by Christine de Pizan. She defined as a woman of noble spirit, instead of noble birth. Perhaps therefore the city contains women of past eras, ranging from pagans to ancient, she attached the most an important to her source explanations of Lady Reason, replied to her regarding this passage: "My lady, I realize that you are able to cite numerous and frequent cases of women learned in the sciences and the arts”. This is pleads for education for women, she gives s her reason education's close correlation with good conduct, and great feat of mastery to study and learn field of knowledge discover by own thing.

The 1993 movie directed by Kaige Chen, Farewell My Concubine, addresses the Chinese political issues during the war against Japan via interpersonal issues of an opera troupe of young male actors. The movie is as long as it is engaging. With two orphan boys who are raised to act in an Opera for their entire lives, dedication obtains a whole new meaning. Dieyi's training to act as a woman and to reflect femininity in his whole life increases the dissension that is observed within the film as well as its connections to the politics of China. The use of ghastly sound effects, close-up cinematographic techniques, and military involvement combine together in this movie to create a devastatingly dramatic experience.

In subsequent years following the establishment of the People’s Republic of China came a revolutionary new approach to not only producing films, but also film’s very role in communist society. During this period the state gained complete control of the filmmaking industry, decreeing that the utilitarian functions of art and literature were to become a powerful weapon in serving the revolutionary struggle. In an otherwise artistically stifling period in which socialist realism pervaded all creative outlets, Xie Jin managed to retain some autonomy and emerged as one of the cleverest Chinese directors in the early 1960s. In his 1961 film Red Detachment of Women, Jin provides a classic revolutionary melodrama, yet also displays elements of formalism so that the viewer becomes conscious of the manipulations of his film technique. To analyze this film, I will use Mao Zedong’s 1942 “Talks at the Yan 'an Forum on Literature and Art,” clip #10 “Landmark 2,” and clip #6 “We are joining the red army” to elaborate on the major themes and cinematic style that distinguish Xie Jin’s work from his contemporaries.

The film, Farewell My Concubine, directed by Chen Kaige drew the attention of the western world onto Chinese Opera at the 1988 Cannes Film Festival by winning the Palme d’Or award that year. Farewell My Concubine is one of the most famous plays in Beijing Opera in which the loyalty of Yu Ji (Beauty Yu) is contested by the King of Chu when his state is defeated. The main character, Cheng Dieyi, mirrors both Mei Langfan and Yu Ji. Mei Langfan is considered the most representative artist in Beijing Opera because of his perfection as a female impersonator. Cheng Dieyi, much like Mei Langfan, is the most popular male dan(female role) at the time in the film. The most intriguing aspect of the film is the similarity between Yu Ji’s life and

Drawing on the two films “Farewell my Concubine” and “The King and the Clown” will further explore how homosexuality is represented among China and South Korea. The film, “Farewell my Concubine” was one of the first and most significant discussions towards homosexuality being depicted on screen. It was released in the year 1993, covering the period of the Chinese social upheavals between the 1920s through to the 1970s in the setting of the Beijing Opera. The film raises the attitude of homosexuality in the most painful period of the traditional Chinese history, for the Chinese and Western viewers (Lau 1995, 22). According to Lau, this film was an opportunity to stimulate the inherent of the Beijing Opera in relation to the homosexual practices that were tolerated during the era (Lau 1995, 22). Zheng further suggested that the film was also a chance to understand the homophobic anxiety of the historical and political brutality in Chinese history (Zhang 1999, 101). The film attempts to illustrate that the Chinese cultural connections and homosexuality cannot coexist. The main protagonist, Cheng Dieyi, sense of identity is heavily reinforced by the power structure within the environment through harsh symbolic rapes. Lau suggested that the symbolic rapes, such as the loss of finger and getting a pipe forced into the mouth are indications of homosexuality (Lau 1995, 23). According to Zheng, the scene when Dieyi gets raped by the eunuch has exhibited Dieyi’s disruption towards the