In a novel that jumps between periods of time and interchanges multiple characters, Lou Kline is one of the only consistent elements throughout the entirety of A Visit From the Goon Squad by Jennifer Egan. Lou is first portrayed hostily as a abhorrent, egocentric man who fears growing older. In the next chapter, the reader’s perception of Lou is altered from a sleazy man to a more paternal figure, and the reader understands that while Lou has done despicable things, he is not completely immoral. Altered again, the final image of Lou is that of pity - as a dying man, his failures are recounted and he is therefore at his most vulnerable. Egan’s non-linear structure of the novel allows the reader to see multiple sides of Lou Kline through different character perspectives, and in the end amplify the merciless effect time has on a destructive urge to remain youthful and assert dominance to “win” at everything. Lou’s youth is characterized by in-the-moment actions, an abundance of girls, and reckless living. Afraid of aging, he spends his whole life in this state of mind. Even on his deathbed he invites Rhea and Jocelyn, young girls from his past, to visit him in order to experience a final youthful atmosphere. The narrator, Rhea, describes Lou as having a “surfer’s face,” connoting perceived inward youth while people looking at him would see his face had “gone a little draggy under the eyes” (Egan 60). He shows many signs of childishness and carelessness when he “ignore[s] the rule to stay seated while the jeep is moving” and again when he sees lions and proceeds to climb out of his seat with the others and they “jam their upper upper halves through the open roof” (Egan 66). This carelessness shows a lack of a sense of responsibility as not only an adult but also a father, as evidenced in his lack of care for Rolph’s true personality and his passive aggressive attitude to Charlie as she defies him. When Charlie giggles and Lou asks her what’s so funny, he mocks her answer: “‘Life!’ Lou snorts. ‘How old are you?’” Ironically this response is so childish that it makes the reader question the mental age of Lou himself. While Lou does show a more maternal side in this chapter, it is overtaken by his
The implicit meaning of the movie is that growing up in this time period children are confused about what they want to be or what they should be when they grow up. This movie came right after the Second World War. Most of the father figures have left and gone to world during this time, where they most likely have been killed. This leaves the sons of the family confused and lost. The mother makes a comment to Lennie telling him how he has to be
The Novel Killing Mr. Griffin by: Lois Duncan is a story about the plot of kidnapping the English teacher of Del Norte High school. Being a student of Del Norte High school, Susan McConnell (the protagonist) encounters some difficulties and joy after she finally gets accepted in the “popular” herd. These upside and downsides turn into major themes which are incorporated during the course of the book. The major themes that are developed inside the book are: peer pressure/manipulation, psychopaths, conscience/guilt.
To begin, three brothers, Lafayette, Charlie, and Ty’ree were orphaned due to the tragic death of their parents. Over the course of two days, Lafayette (the narrator) includes flashbacks to earlier events. After spending over two years in Rahway Home for Boys, a juvenile detention center, Charlie recently returned home. Watching Charlie get ready to leave the apartment with his new friend Aaron, Lafayette laments the changes that have become apparent in his brothers actions since he came home. Once, Charlie was the kind of kid who would stay up late telling stories to his younger brother. And who had cried over a wounded dog, he saw on the street. Now, he barely even looks at or speaks to Lafayette, and he usually denies feeling anything at all. Charlie seems to prefer spending time with tough characters such as Aaron and acting tough in the streets. Lafayette has even taken to
he a question he will now answer it, he will just ask a question back.
Lennie's character exhibits a rather childlike manner. He seems to do and see things like a child. His pleasures are those of an innocent youngster. For example, in the first chapter, he delights in making the water ripple, and he is content to pet a dead mouse.
The influence of being raised by a single mother and the environment around Taylor leaves her determined to avoid motherhood and after finishing high school, leaving Pittman in favor of a more interesting life. Doing so makes her realize she is completely unprepared to take care of a child when she decides to keep Turtle. As she gradually starts spending more time with Turtle and living with Lou Ann, however, she learns what it is like to be a single mother, and grows confident in her abilities of taking care of Turtle. Moreover, she even helps Lou Ann gain more confidence in herself, setting an example of being an independent woman and even encouraging Lou Ann get a job. When Lou Ann does get a job, Taylor notices that Lou Ann “finally stopped comparing her figure to various farm animals. Having a job seemed to even out some of Lou Ann’s wrinkled edges” (205). Lou Ann learned to stop worrying over her appearance all the time and demeaning herself, showing the influence Taylor had over her life. Taylor’s presence helped Lou Ann realize that maybe she does not need to fit the mold society has set for her, and that she can be her own person instead. She uses that newfound confidence to help Taylor when her confidence in caring for Turtle diminishes. Taylor believes she is unfit to take care of Turtle after Turtle gets attacked, but Lou Ann does not let Taylor mope
The main character, Reuben Land, is the protagonist of this novel. Everything that is happening in the novel evolves around his point of view. Reuben changes from a little eleven year old child to a mature eleven year old young man throughout the story. For example, when Davy Land murdered two thug kids, Reuben realized that their “friends” were never there for them: “Of course vindictiveness is an ugly trait and, yes, I do mean to forgive all these nice deserters; I mean, eventually, to say, to their ghosts if not their living faces, It’s all right. I understand. I might’ve done the same. Not yet, though. Let me bear witness first. Two men I remember who did not desert---no, three” (Enger 59). Reuben was mature enough to realize that only true friends will be there for you. He sees that only your true friends will stick with you during the troubled times, and the others would stay away. One thing I can’t identify with Reuben was when he was going to rat out his brother to
Michael Gerard Bauer’s moving novel The Running Man is set in Ashgrove, Brisbane during the early 2000’s and tells the story of the unlikely friendship that is established between Tom Leyton, an enigmatic recluse, and his young neighbour Joseph Davidson. Several characters in the story exemplify that our initial perception of someone and what we see and hear about them is in no way an accurate reflection of who they truly are and all there is to see and know about them. As a child, Joseph saw Simon Jamieson as the mysterious ‘Running Man’ despite not being aware of the tragic past that caused him to be this way. Likewise, Mrs Mossop is perceived by the Davidsons to be somewhat of sticky-beak until she reveals the reason for her excessive caution.
She put together a videotape before she died which she gave to Lisa. When Lisa thought she was ready to watch the tape, she couldn’t it. After looking around for awhile, she found it “on the downstairs bar beside my father’s chair.” Lisa was expecting a nice video with memories of her mother and her but to her surprise those weren’t there. She was watching, “The opening credits rolling when suddenly the video skipped and shifted to color. It was a man, squatting on his heels and peering down the shaft of his putter as though it were a rifle.” Lou had overwritten the tape of the memories with a golf video before Lisa had even gotten a chance to watch it once. This shows disrespect towards his late-wife and his daughter Lisa as he is trying to say that the golf videos are more significant as opposed to the video memories. Since overwriting the tape is permanent, Lou knew that those old videos were unrecoverable and he still went ahead to write the golf videos over
The beginning of book, Lou Ann is very dependent, paranoid, and insecure. Lou Ann is very dependent on her husband, Angel. She took care of him after his accident with his truck, even when he did not want her too and always put Angel first. When Angel left Lou Ann, she is left very confused and sad, Lou Ann would always talked about him. She looks at marriage as “(People are) suppose to love the same person (they’re) whole life long till death do (them) part” (117). In the beginning, Lou Ann believes she has to love Angel all her life, but in the end, Angel tries to take her back Lou Ann does not know what to do. Lou Ann is extremely paranoid when it comes to motherhood. Everything she reads she believes, and because of this she is very protective over Dwayne Ray. When Taylor meets Lou Ann for the first time, Taylor thinks she is a little irrational, but grows to love Lou Ann. Also, Lou Ann would go through periods of insecurity. For example, she would go “through a phase of cutting her own hair every other day” (132). In addition to obsessing over her hair, she torments over her weight and goes on unusual diets. In the end of the book, Lou Ann is a completely different character. She finally lets go of Angel and is “seeing this guy from Red Hot Mama’s by the name of Cameron John” (308). She is less protective over Dwayne Ray, and is not insecure any more. Lou Ann got a new job, a new man, and a fresh new
You lose your wrinkles and gain back your figure you lost long ago. Charles Halloway and Miss Foley would fit into that category, but only one does not give into that temptation. Charles Halloway is sad because of the sole reason that he is fifty-four. (Bradbury 74) He wishes and hates that he cannot run like Will. Charles felt weird around his son, Will, because of their huge age difference. (Bradbury 20) Charles does feel that he is a good person to his family but not to himself. He is sad that he is too old compared to the other thirteen year old fathers. Mr. Dark offers to turn Charles back to thirty if he told Dark where Will and Jim are, but Charles was not tempted. He is strong because he knows his age at the moment is greater than his desires to turn back time. Miss Foley has an extreme desire to regain her youth. She knows that nothing will stand in her way of going on the carousel. (Bradbury 67) She gives into temptation and expects a good time, but she ends up being a girl about the same age as her students. When Jim and Will see Miss Foley cry, Will feels that he knows her voice. She knows who they are, but they are not sure if it is her, they only have a suspicion. (Bradbury 86) Miss Foley does not know the trouble she is in until after the ride. Charles and Miss Foley both had the desire to be young. While Miss Foley got what she wanted, she did not like the result. Charles knows why he is that
Sexism has been an ongoing issue since man has existed. Some have learned to accept and live with it while others simply will not accept it. Sexism fits into two different types of categories: Benevolent sexism and hostile sexism. In the novel A Visit from the Goon Squad, by Jennifer Egan, many of the characters are sexist towards women.Lou portrays both benevolent and hostile sexism while Bennie tends to portray hostile sexism only. Throughout the novel, Lou goes back and forth on how he treats women and his opinion on women.
To me, what made this book most fantastic was simply the author’s choice of words and how she was able to reveal so much through about a character’s emotions while never simply stating them. So much power comes in an author’s ability to truly make you feel everything the character does, as this keeps the reader engaged in the story and always want to know more. One of my favorite examples of how Egan does this in A Visit from the Goon Squad is during chapter eight when you learn the story of La Doll, or Dolly, as she rebranded herself to escape the shame of her past mistakes. Her daughter Lulu, a young girl who has grown up with no one but her mother, tagged along on one of Coco's risky business trips to take Kitty Jackson, a washed up actress, to her new fake boyfriend, General B. "Twenty checkpoints presaged their arrival at the general's compound. At each, two soldiers with submachine guns peered into the black Mercedes, where Dolly and Lola and Kitty sat in the backseat. Four times, they were forced outside into the scouring sunshine and patted down at gunpoint. Each time, Dolly scrutinized her daughter's studied
In this short story, Louisa’s internal independence plays a major role in who she is as a woman. Mary E. Wilkins Freeman describes Louisa as an introvert because she is someone who enjoys being alone. She spends fourteen years of her life being isolated at home, waiting for her fiancé to come back from his job in Australia. During those years, she learns how to be by herself through the hard times and the pleasant ones “Louisa’s feet had turned into a path, smooth maybe under a calm, serene sky, but so strait and unswerving that it could only meet a check at her grave, and so narrow that there was no room for any one at her side” (Freeman 66). This demonstrates how she is so use to not having anyone by her side. This is why she creates her own path through all the dark times she had to face on her own. In many ways this can foreshadow the ending of the short story. This shows how she always counted on herself and
Every work of literature requires a theme for it to be worth reading. Jennifer Egan’s “A Visit from the Goon Squad” mainly presents the theme of ruin and redemption throughout the novel. This theme is present alongside with other minor themes like the shift of American culture, and how the characters self-centered ways are crush by time. All of the major characters will find themselves at some sort of low point in their lives throughout the novel. Jocelyn becomes addicted to drugs and spends a great amount of her adult life going in and out of rehab; Benny will lose his record label contract and will be seen as a failure by most of those still in the industry; and Sasha will show falling into ruin due to her stealing addiction, self isolation from family, and lack of self-love. The idea of ruin and redemption is also present alongside the characters setting. Theses characters live in a post-9/11 New York City, where the towers are destroyed, the streets and rivers are polluted, and surveillance is amplified, making New York City reflect this theme in a mournful way. The same for the story “Goodbye, My Love”, Ted goes to Italy, and notes the ways Naples is degrading. Theses images of ruin, that the characters are consciousness of, are a representation of ruin in their own lives. Despite the self destruction that each character faces throughout the novel, a counterbalance for the self-destruction is created when a sense of redemption is introduced. Two of the stories main