Analysis Of Native Americans In 'The Searchers'

I took the Native American IAT and the Age IAT tests. I thought my results would be that I would have some association with Native Americans because I have Native American in my ancestry. My results were that I had little or no association between Native American and American with Foreign and American. I am not sure if I agree with them or not and that maybe from family history. I have no ideal if this method is truly effective and I would try to make sure that I am being considerate about other people's culture when teaching students and interacting with their families. I took away from this test that I learned new things about my thought process.

The most serious Native American stereotypes are clearly visible in films of the early twentieth century in Hollywood westerns. The big screen stories about western cowboys defeating Native tribes proved to be extremely popular and lucrative. Hollywood then started producing western tales in incredible quantities . In most Westerns, white cowboys represent courageous, brave, and quick witted men while the Indians are the dimming past. Cowboys are logical. “Indians” are irrational. Together, cowboys and Indians are the ego and the heart of the Anglo-Saxon identity. Native American characters in twentieth century films have ranged from stereotypes including the bloodthirsty, raging beast to the noble savage. Still other Indian characters, whether they are heroes, bad guys, or neutral, were the characters with little to no character development or range in their personalities. These stereotypes have their origins in popular American literature dating as far back as the sixteenth and seventeenth centuries. Jacquelyn Kilpatrick, author of Celluloid Indians, notes that popular stories “centered on Native American savagery served as outlets for violence and pent up aggression in an early American society that prided manners and respectability.” (Kilpatrick 2) In these stories, the Native American population was seen as bad, though individual members could be represented as good. These stereotypes continued for years. One author, James Fenimore Cooper, began publishing a series of stories titled The Leatherstocking Tales in 1841. Kilpatrick emphasizes that Cooper

Stagecoach – a movie that is widely accepted as the most damaging movie for the Native identity – helped to illustrate this image to viewers at the time. As a result, many Americans believed Natives were all uncivilized and violent, leading to nationwide stereotyping and prejudice. The Indian was the enemy of America as a result. Stagecoach also shows Natives being hunted like animals, which sends the image of them being non-human and thus they should be treated as such. Stagecoach and movies like it mispresented Natives for decades and caused a loss-of-identity amongst the Native community because Natives were dressed the same throughout various films. It was not until the 1970s and 1980s where Natives were properly represented on

In the movie, Native Americans are often portrayed as spiritual, noble, and free this ideal image of Native Americans captured the world’s imagination at one point. It all began in late 1800s when Native Americans were among the first to shot silent by Thomas. One of the common attraction that made

“Dear John Wayne” by Louise Erdrich is about the stereotype of the Native American, being a savage race on film and how the Native Americans watching the film react to those stereotypes.

The fascination with Native Americans has been a constant with outsiders since explorers first “discovered” the New World. The biggest surge in this fascination came in the mid-19th century when the Indian Wars were starting to come to an end and the belief that Native Americans were disappearing, walking into the sunset never to be seen again. This led to an increase in the collecting of anything Native American, from artifacts to stories to portraits. The inevitable outcome of this was that Native Americans, who were never considered very highly to begin with, where now moved into a category of scientific interest to be study. This scientific interest in Native Americans is what many museums and other institutions based their collections and exhibits on and is one of the issues that many Native Americans have with how both their people and their culture were, and to some extent still are, represented in these places.

Imagine a person bought something that the person valued. The person was the owner of the product and took good care of it.Then, all of a sudden, a stranger comes and takes that product and declares it “discovered”. Now since the stranger “discovered” it, the product now has to be shared among them. This is similar to what happened to Native Americans in North America. Native Americans owned and lived in North America for several thousand years. Then, all of a sudden, European explorers came to North America and claimed the land “discovered”. Europeans started moving into the land and later, started sharing the land. Encounters between Europeans and Native Americans in the colonial era led to the exchange of diseases with Native Americans,

Lives for Native Americans on reservations have never quite been easy. There are many struggles that most outsiders are completely oblivious about. In her book The Roundhouse, Louise Erdrich brings those problems to light. She gives her readers a feel of what it is like to be Native American by illustrating the struggles through the life of Joe, a 13-year-old Native American boy living on a North Dakota reservation. This book explores an avenue of advocacy against social injustices. The most observable plight Joe suffers is figuring out how to deal with the injustice acted against his mother, which has caused strife within his entire family and within

When Europeans came to the American continent, contact with the Native Americans who were already living there was inevitable. In the colonization of early America, the various groups of European settlers: the Spanish, French, English, and Dutch each had unique experiences with, and therefore individual opinions of the Native Americans whom they interacted. Each of these nations also shared commonalties in their colonization processes and in how they viewed Native Americans. Furthermore, the Native Americans held differing opinions of each group of Europeans whom they encountered while some features of their relationships with Europeans were consistent despite the tribe or nation involved.

Throughout the world humans have invaded other lands where native people live to try to gain more land of their own. It has happened many times in history. One major occurrence of this is when the first European settlers came to live in North America. They ran into the Native Americans and eventually drove them out of their homelands. There are two movies that are also good examples of this. Even though these movies are completely different and filmed in different time periods, they have many similarities and show many concepts of how certain natives are invaded, not treated well, or even killed. These two movies are called The Searchers and Avatar.

In this depiction, the Native Americans lure the men away from their homes, savagely kill their families, and commit wrong. It is the white men who have to painstakingly hunt down the Indians to reinstate justice, righting the wrongs that have been done. Native Americans are depicted as a demonizing form of "the other," a force to which fear and repression can be the only responses. Costner's work almost inverts this.

These harmful images of how the Indian Americans were depicted, were subliminally created by him in many of his previous films where they were repeatedly stereotyped under the maligned appearance of bloodthirsty savages and hardly ever illustrated by their alter ego the noble savages. These descriptions and especially the denigrated bloodthirsty savage illustrations of the Indians remain seen as purely animals into the eyes of non-native populations, which caused racial discrimination against them at that epoch. Therefore, John Ford tried to redeem himself by making the film The Searchers, where he tried to expose the nefarious causes of resentment and racism that at that time the general population had for the Indians. This way of apology is likely to be strong supported by the image of the film’s hero. The depiction of the hero stresses the despicable habits of the westerners such as the tendency of the prejudices towards others. As shown by the arrival of the John Wayne character to his brother’s house and how he looked at Martin who is half-blood Indian. Similarly, Dances with Wolves represented an explicit apology to the indigenous people. However, although it was made by a white person point of view, it emphasizes Indians’ points of view. This is implicitly represented as the hero who is a white soldier from the American Civil War transformed himself into a real Indian of the Lakota Sioux tribe. Although both films symbolize intentions of apology to the

Throughout world history, it is evident that Native Americans have struggled in society ever since the landing of Christopher Columbus in North America. Ever since the film industry began in the 1890s, Native Americans have been depicted in many negative ways by film makers. One particular way film makers degrade Native Americans by making their white characters convert into Indians or “go Native” and eventually they always become better than the original Indians in the film. This notion has been repeated in many films, three significant films were it is evident is in The Searchers, Little Big Man, and Dances with Wolves.

[1] Native Americans were part of this country long before our founding forefathers. They were the people that Christopher Columbus found inhabiting this land. There is even evidence to show that they have been on the American continents for thousands and even tens of thousands of years. Yet, somehow the European powers dominated these people, forcing them from their land to make it “ours.” In the early part of the twentieth century, a new industry began to develop; we call it the film industry. Along with the industry came movies that were made and are still made for the amusement of a mass audience. Some flaws did come with this industry, and among them was the

Typically referred to as ‘Indians’ in popular culture, Native Americans were traditionally seen in Westerns as the antagonists. The Western genre typically tells the story of the colonisation and discovery of America, which saw the major Hollywood studios revive the interest in the Western. Westerns draw on “historical actuality, a romantic philosophy of nature, and the concept of the […] savage” (Saunders, 2001, p. 3). Westerns often split the “depiction of the Indian, with the cruel and treacherous [Indian] balanced by the faithful [Indian]” (Saunders, 2001, p. 3) which resulted in the portrayals of Native Americans witnessed in films today.