Analysis Of Octavia Butler 's Science Fiction Classic

“Bloodchild” is a story that pushes the limits of humankind, creating blurry interpretations of good and evil that challenges everyday societal norms. Octavia Butler takes a traditional action-filled story and twists it into an unexpected and intensified tale. Through this heightened piece of work, the most compelling argument can be found from the structure of the narrative itself. From the first-person narrative, readers are able to receive first hand perspective in which no omniscience of any sort can be detected. Readers can acquire the character’s actions, thoughts, and interpretation of the things that happen to them. “Bloodchild” is a story of an alien planet where the Terrans are enslaved by an alien race called the Tlic. Gan, the protagonist, has been promised as a host for the alien embryos in which the story will later reveal a deeper meaning underlining the sacrifice.

Bloodchild by Octavia Butler is seen as a story about the relationship between alien oppressors and a group oppressed humans. It has also been described as a love story between the human narrator and the chief alien. In her afterword, she describes “Bloodchild” as “a love story between two very different beings,” “a coming of age story” and a “pregnant man story.”(Hardy) However, when one comparing Butler’s “Bloodchild” to Simone De Beauvoir’s essay “The second sex”, similarities surrounding the social issues of gender inequality arise. The circumstances of the narrator mirror social issues affecting modern women. Bloodchild by Octavia Butler examines the dynamics of power between the sexes; by switching the gender roles in the

A number of the stories, graphic memoirs and poems we discussed in class have introduced us to women who have been trapped in some way in their lives. Henrik Ibsen’s A Dolls House (1879) and Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) both demonstrate women being trapped by men in a patriarchal society in the nineteenth century. However, Joyce Carol Oates’ “Where are you going, where have you been?”(1974), Jamaica Kincaid’s short story “Girl” (1978) and Marjane Satrapi’s graphic novel Persepolis (2005) are about social norms and girls being sexualized at a young age in the 20th century.

Sonja Livingston is a talented and unique young writer who uses an unusual structure in her work. Structure is the form that an author’s writing takes; how the sentences are formed and how they are placed together to create the work. In Ghostbread, her award-winning novel, Ms. Livingstone uses a freeform chapter structure that, while roughly in chronological order, is not necessarily linear. In chapter 3, Ms. Livingston speaks of her father, “I had no father” (6), and then in chapter 4 she speaks of a childhood friend, “My favorite person should have been Carol Johnson.” (7) Through the course of the book, Ms. Livingston chronicles her life from birth to age 18, but it is not a strict telling; she meanders and explores events as they are remembered, not bound by a rigid timeline. The structure of her work is unconventional and through that unconventional structure she gives the reader an experience that is more like poetry than a conventional novel. Towards the end of Ghostbread, Ms. Livingston contemplates the effect that her miscarriage and the revelation of her sexual activity will have on her relationship with her mother with this passage, “Sex. Pregnancy. Men. What were they to her? Failure? Freedom? Power? Paths she followed, but did not prescribe. At least not aloud.” (212). The use of partial sentences and imagery are elements commonly associated with poetry and it gives

In Russel Banks “Black Man and White Woman in a Dark Green Rowboat” The author implies that dealing with an unexpected pregnancy may be a difficult and uncomfortable situation. This story discusses a couple that is dealing with a unique circumstance and they have to make a decision. As a reader, you won’t want to miss the tension of this interracial couple as they battle against the pressure of society. I will be discussing symbolism as well as setting throughout this entire essay. In the first section I will be addressing the surroundings; establish a foundation , and illuminate some background on this story. The next part of my essay will be focusing on the conflict and how the setting demonstrates the tension between the main characters. The final section will focus on the resolution, how the lack of change in the setting is symbolic, and has a deeper meaning.

“It is the law of love that rules mankind. Had violence, hate ruled us we should have become extinct long ago. And yet the tragedy of it is that so-called civilized man and nations conduct themselves as if the basis of society was violence,”(Gandhi). In this quote Gandhi says the main reasons of love and hate are mankind. As well that both control and destroy a human. However, in the end the human chooses the one they will follow. In the outstanding novel Kindred by Octavia Butler. The protagonist, Dana, faces many love and hate situations as she travels back and forth in time. Accordingly, she begins to question whom is to blame for the love and hate crimes. Love and hate are influenced by mankind, both can be controlled and the pair are conscious decisions.

In the novel, The House On Mango Street, the women of Mango Street face numerous challenges in their lives. Women face abuse, objectification, and oppression. They are also subject to the societal roles that hinders them from being free and successful. Cisneros utilizes metaphors to reveal the theme that society’s gender roles and double standards restrict women’s sexuality and success.

Octavia Butler’s Dawn explores a world of the unknown after humans nearly destroy their kind along with Earth, causing an extraterrestrial species to intervene. The protagonist, Lilith, finds herself in a predicament as she is captured and locked in solidarity for a long. The extraterrestrial species that intervenes, Oankali, strip her of her clothes, mysteriously cut her and then tell her it is her role to mother a group of humans and prepare them for a return to Earth. In the novel Lilith is conflicted, she knows she has no control of her body and that humans have been “enslaved” by the Oankali but begins to trust and connect with them, especially Nikanj. Through the relationship of Lilith and Nikanj side by side with Humans and the Oankali, Octavia Butler explores the monstrous aspects of people and acts within the cultures.

Readers can easily deduce why Octavia Butler's won both the Hugo and Nebula Awards for her story “Bloodchild.” The reader in a way is compelled to finish reading because of Butler's way of using heavily sensual description and mutliple themes in the story. “Bloodchild” is an unusual spin of a coming-of-age tale in Gan's experience

Freedom. A goal. A liberty. A myth. So many descriptions for a single concept. Yet the main idea is the same: to be free of restrictions, free to be whatever you wish. It is a life necessity, one that was, unfortunately, and still is, restricted throughout history, resulting in many chasing after its acquisition. Humans currently live in a time, in several nations, where freedom is a right, a necessity of life freely given. However, throughout history, freedom has been kept to only a minority, resulting in individuals struggling to change society for freedom to be distributed to the majority of people, a battle that took years, centuries to accomplish. This fight for true autonomy took many forms, both violent and peaceful. Literary works, in particular, have been major agents to this cause, serving as both reminders of those struggles and remembrance to readers of the endeavors those authors sought to accomplish. Two particular works, The Awakening by Kate Chopin and The House on Mango Street by Sandra Cisneros, spearheaded movements for freedom by tackling the prejudice of gender roles, expressing through their novels’ characters and experiences the arguments for individual freedom and the challenges that must be conquered to achieve those goals for future generations.

Harriet Wilson’s novel Our Nig, follows the life of Frado, a young mulatto girl in the household of a white family in New England. She is abandoned to this family at the age of six because her mother could not afford to care for her and resented her and the hardships to which her birth had contributed. The mistress of the household to which Frado is left is a cruel and spiteful woman, especially towards blacks. When Frado is left in the care of the Bellmont residence as a young girl, she has no idea of the troubles she would have to face for most of her life. From the very beginning, neither Mrs. Bellmont, the main antagonist, nor her equally cruel daughter, Mary, show any hint of compassion or even mercy for the young girl. The story follows Frado and her life in the Bellmont household.

The babies being devoured, like Swift’s feelings of being devoured by leadership in society, stirs up emotions in both rich and poor people. This use of archetypal patterns and images (motherhood, birth, death, and rebirth) cause emotions in every reader no matter what their

Kurt Vonnegut is known for his dark humor, wit, and imagination. He is consistently listed among the great American authors of the later twentieth century and his novel’s such as Cat’s Cradle and Slaughterhouse Five are considered modern classics. In this essay, I will focus on two of Vonnegut’s short stories “Welcome to the Monkey House” (1968) which takes place in a dystopian future where everyone is required to take pills that take all the pleasure out of sex and “Miss Temptation” (1959) which takes place in a small east coast town by looking at them through a feminist lense. Both stories come to the same ultimate conclusion that over-moralization of human

“I am black, I am black!” constantly sprinkles Browning’s 1846 narrative, “The Runaway Slave at Pilgrim’s Point.” The phrase takes aim at American slavery and reminds us that its prisoners “had no claim to love and bliss,” (92) while in servitude. Boldly, the speaker asks us to bear witness to the human leftovers of this system of violence, especially in the case of a female slave at Plymouth Rock. Here, she debates existence, exposes deep emotion wounds, and murders her infant son. The act is done for “liberty,” but we find the mother’s violence difficult to digest. Starting from a point of respect, we suggest that the “The Runaway Slave at Pilgrim’s Point” really concerns a lack of respect for toward life that not only flaws her judgments

Octavia Butler displays her brilliance as a writer by creating multiple, complex characters in the novel Kindred, characters who epitomize real people with hardships, passions, and transformations that reflect the strict regulations placed upon the Southern society in the early nineteenth century. Dana faces many hardships from the moment Butler shifts her back one-hundred and sixty-one years to a time of slavery where she is stripped of her freedom. Rufus’s passion for Alice transitions into a fog, where he is unable to distinguish between love and control. On the other hand, Butler gives Tom Weylin a depth that reflects his actions and directly relates them to his experiences. Together all three characters’ ideas come to a screaming halt, when they are placed alongside each other and without a choice lives in a time of slavery.