Analysis Of Oedipus Rex

In the beginning of the story, Oedipus is very taken back by the situation. He will not accept the truth of his fate and accuses Tiresias of lying to him so Oedipus’s bother- in- law, Creon, could take the throne. Oedipus is extremely dumbfounded by this news because he had no knowledge of killing his father or marrying his mother, but what he learns later is that who he thought were his parents were not his real parents. When he finally realizes that he did in fact marry his own mother and kill his father, he accepts it and punishes himself in order to uphold his promise to his people. By this point there is no way Oedipus can escape his fate. Tiresias says to Oedipus, “No man in the world can make the gods do more than the gods will” (811). Since he did kill his father, the previous king, Oedipus has to be shunned by all of Thebes. Because there is no way of changing his fate, he accepts his responsibilities by giving himself the punishment he assigned to the murderer of Laius.

In his essay, “Introduction to Oedipus the King”, Bernard Knox supports free will by stating that Oedipus’ downfall was not caused by fate. According to Knox there is not a doubt that, “Oedipus is the free agent who, by his own self-willed action, discovers that his own predicted destiny has already been fulfilled” (86). He clearly states that Oedipus is responsible for his free actions during the play. He insists that Oedipus’s made the decisions to discover the truth about himself.

4. What attitude toward the gods does Oedipus exhibit after learning of Polybos' death? Again in light of ode 2, what is foreshadowed by Oedipus' statement? What effect upon the audience might the similarity of reactions of Oedipus and Jocasta have?

The theme of sight and blindness is undoubtedly important to notice while reading Oedipus the King. The number of times the words “see” or “blind” are in the play make it make it undeniably obvious that they are significant. The theme is developed throughout the dialogue, through characters such as Tiresias and Oedipus, and also directly in the irony of the play. It is important in a play about the truth because almost every character was “blind” to the truth. All of the characters, except one, can physically see, but mentally cannot see the truth.

God help you! God keep you from the knowledge of who you are” (57 Sophocles). Jocasta pleads to Oedipus not to pursue any more knowledge because she fears the worst days of her son will soon arrive if he continues. Jocasta’s lunacy after she perceives the truth causes her to complete the truth because she commits suicide. Oedipus is held responsible for Jocasta’s death because his persistence to find out the truth about himself has caused his mother to become so wretched that she kills herself in misery. Oedipus’s ignorance is clearly evident throughout the novel because many people have known his life story, and as a result made gruesome decisions.

The British classical scholar and lecturer in ancient Greek and Greek history A. W Gomme said, “the gods know the future, but they do not order it”. Gomme is implying that the gods are able to know what will happen, but they cannot enforce it. Oedipus Rex is a play that is filled with a lot of controversy and an origin for many arguments. One of which being if Oedipus’ fate is one of free will or determinism. In “On Misunderstanding the Oedipus Rex” author E.R Dodds refutes the over powering belief that Oedipus Rex is a play that follows a path of determinism. E.R. Dodds does not believe Oedipus’ fate was controlled; therefore, in his text he supports his strong belief that Oedipus is in charge of his own fate.

Ancient Greeks cared deeply about the pursuit of knowledge. Although the truth was often a terrifying concept, they still saw it as a critical virtue. The theater was one way in which the ideas of knowledge and truth were examined.

“Oedipus Rex” was a Greek Tragedy written by Sophocles in the fifth century BC. It was the first of a trilogy of plays surrounding the life of Oedipus. Sophocles wrote over 120 plays approximately 100 years before Aristotle even defined a tragedy and the tragic hero. Aristotle’s definition of a tragedy is “… an imitation of an action of high importance, complete and of some amplitude; in language enhanced by distinct and varying beauties; acted not narrated; by means of pity and fear effecting its purgation of these emotions” (Kennedy and Gioa 2010). According to Aristotle there were six elements to a tragedy: the plot, the character, the

The tale of Oedipus and his prophecy has intrigued not only the citizens of Greece in the ancient times, but also people all over the world for several generations. Most notable about the play was its peculiar structure, causing the audience to think analytically about the outcomes of Oedipus’ actions and how it compares with Aristotle’s beliefs. Another way that the people have examined the drama is by looking at the paradoxes (such as the confrontation of Tiresias and Oedipus), symbols (such as the Sphinx), and morals that has affected their perceptions by the end of the play. Nonetheless, the most important aspect is how relevant the story is and how it has influenced modern ideas like that of Freud and other people of today.

In the play Oedipus Rex, Oedipus unknowingly murders his father and marries his mother. When Oedipus discovers this he is disgusted with himself and decides to go into exile. The Misanthrope is a play about the self-exile of the main character Alceste. Challenged in court, he refuses to take back the criticism of a sonnet written by a powerful nobleman. Alceste and Oedipus are both convicted by their knowledge of the truth. Although, the United States grants asylum to more refuges than any other country, there is one man who has decided to self-exile.

Sophocles Oedipus the King is a tragic play which discusses the tragic discovery of Oedipus that he has killed his father and married his mother. The story of Oedipus was well-known to the Athenian's. Oedipus is the embodiment of the perfect Athenian. He is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Oedipus gained the rule of Thebes by answering the riddle of Sphinx. Sophocles used the riddle of the sphinx as a metaphor for the 3 phases of Oedipus' life and to further characterized him as a tragic man. The Sphinx posed the following riddle to all who came to obtain the rule of Thebes: “What is it that walks on 4 feet and 2 feet and 3 feet and has only one voice, when it walks on most feet it is the weakest?” Oedipus correctly answered “Man” and became the king of Thebes. This riddle is a metaphor for the life of Oedipus. As a child man crawls on his hands and knees this is the four feet to which the Sphinx refers. Also, man is at his weakest as a small child. He depends solely on others for his nourishment and well-being. Oedipus was the child of Jocasta and King Laius who was taken to the mountain by a Shepard to be killed so the omen of the god Apollo that Laius' son would kill him and lay with Jocasta would not come true. Oedipus was the weakest of his life at this point.

"Oedipus the King" is a tragic play showing a shift from the belief of fate to freedom of choice. Therefore, Oedipus the king is a great example of those who run from fate ends up fulfilling their fate

Oedipus did not have a fair start in life. His father, Laius, heard prophecy that Oedipus would one day kill his father and sleep with his mother. In order to prevent this, Laius gave Oedipus to a shepherd to be killed. Fortunately, through a string of events, Oedipus's life was saved, and he even went on to become the honored king of Thebes. Despite this feat, Oedipus still managed to make several decisions that ultimately fulfilled the original prophecy told to Laius, and inevitably sealed Oedipus?s fate.

Oedipus the King is a Greek tragedy play written by Sophocles, and it made its first debut

Tragedy began with the Greeks and is often credited to Thespis as the innovator of this dramatic style. It is believed that the first dramatic play was performed at the City of Dionysia festival in honor of the Great Dionysia, god of wine and fertility. Tragedy is derived from the Greek term tragoidia which means goat song. Aristotle believes that tragedy was a result of improvisation by the dithyrambic leader. Another argument states that Arion of Corinth is the innovator of tragedy in his work that he referred to as tragikon, but the chorus called tragoidoi. It is because of this confusion, that the development of the dramatic form tragedy has remained a mystery. Scholars have based all their understanding of tragedy on the surviving plays and text on the fifth century playwrights Aeschylus, Sophocles, and Euripides. Out of Sophocles 120 plays that he had written in his lifetime, only seven survived in which the Oedipus trilogy is believed to be a masterpiece of dramatic structure (Brockett & Hildy 2008).