Analysis Of Ovid 's Poem ' Metamorphoses '

When individuals are rejected by family and society, they tend to feel abandoned and unloved. In Franz Kafka’s, The Metamorphosis, Gregor’s transformation into a “monstrous vermin” (Kafka 1) results in him being psychologically and even physically abused by his family. Rejection from his mother, sister, and father leave Gregor feeling unwanted and feeling as if he is a terrible burden on the family and their well being.

The first and most prominent literary device used is the structure of the poem. Throughout the poem we hear both points of view (that of the father and son). We further observe that the “time of thought is constantly changed.” The audience is transported to the present as shown by,

The tone of the poem changes as the poem progresses. The poem begins with energetic language like “full of heroic tales” and “by a mere swing to his shoulder”. The composer also uses hyperboles like “My father began as a god” and “lifted me to heaven”. The use of this positive language indicates to the responder that the composer is longing for those days – he is nostalgic. It also highlights the perspective of a typical child. The language used in the middle of the poem is highly critical of his father: “A foolish small old man”. This highlights the perspective of a typical teenager and signifies that they have generally conflicting views. The language used in the last section of the poem is more loving and emotional than the rest: “...revealing virtues such as honesty, generosity, integrity”. This draws attention to a mature adult’s perspective.

Palestrina had a simple but complex way when it came to his strategic plan in this piece. The piece is text­ driven as is written as a simile. Palestrina used Aesthetic appeal, emotional power, and intellectual depth to make this piece a true masterpiece. Part of Palestrina is strategic plan was to write the piece as a simile. He used the translation from Psalm 42, “ As a deer longs for springs of water, so my soul longs for you”. First off, this line is represented throughout the motet, like a simile. The deer longing for springs of water is a simile as to how the soul longs for God. Each part is put into three sections, because Palestrina is comparing “ As a deer longs for springs of water” and “ my soul longs for you”. Palestrina also uses “so” or “ita” to put the simile together, he uses this to show what is being compared and to help show that the deer longs for water is the same as the soul longs for God. Palestrina also shows text­painting when has the notes flowing just like the flowing of water when it says water. The springs of water is a comparison to God. Also, he when it states in the piece ,” my soul longs” the notes go down because the soul is connected to Earth. This is also a connection to how the notes go higher when it reaches God because God is up in heaven. As a result, the strategic plan was to make the piece a simile and

of literary and poetic devices, and combined with the social context, form the changed voice of the

Secondly, diction is a key aspect in this poem and is highly important due to its

symbolic richness, but at the same time the poem supplies the reader with a wide

symbolic richness, but at the same time the poem supplies the reader with a wide

In “The Metamorphosis”, Franz Kafka, the author, tells the readers a strange story about a working salesman, Gregor Samsa, waking up one morning from an uneasy dream and found himself transformed into a verminous bug. “One Morning, as Gregor Samsa was waking up from anxious dreams, he discovered that in bed he had been changed into a monstrous verminous bug.” (page 3) What? Why? How weird! How can a salesman mysteriously wakes up one day and suddenly transformed into a bug, is it just a metaphor? Well yes, it is just a metaphor.

The Metamorphosis by Franz Kafka is a novella that begins with an absurd concept. A man wakes up one morning to find himself transformed into a giant insect. While this concept for a story is certainly absurd, Kafka contrasts this plot with a rather dull, plain narrative. It may initially seem novel to explain a ridiculous situation in a simple manner, but this causes the novella to be quite boring.

In one word, the author Ovid describes the overall content and theme of his poem with the word “Metamorphoses” in the title. Some relative synonyms of this word among others are; altar, change, mutate, develop, and reshape (metamorphose). But Ovid goes further to describe the theme within the first two lines of the poem.

Ovid's "Metamorphoses" is sometimes argued as a non-epic as well as a true epic. It is mainly viewed as a non-epic because Ovid's subject matter is far from the heroic themes of the "Illiad", "Odyssey", and the "Aeneid" (Keith 237). Ovid was different and was motivated to push the epic beyond its previous boundaries (Ovid). Perhaps in hopes to confirm the structure of his work, Ovid declares that he will undertake "one continuous song in many thousands of verses" (Keith 238-239). Ovid's wording here is a self-conscious declaration that he is going to write in the epic mode.

Poetry is often meant to be smooth, flowing, pleasing to the ear and the mind. To achieve this effect, many poets use different poetic techniques to help convey the meanings of their poetry. In the sonnet, 'Yet Do I Marvel' written by Countee Cullen, many different features of poetry is used. In this essay, I will discuss the relationship between the meanings and the theme Cullen tries to convey in his sonnet and the techniques of metaphors, both religious and non-religious, allusions to Greek mythology, different rhyme schemes and repetition that he uses.

The short stanzas containing powerful imagery overwhelm the readers forcing them to imagine the oppression that the speaker went through in

Transformations from one shape or form into another are the central theme in Ovid's Metamorphoses. The popularity and timelessness of this work stems from the manner of story telling. Ovid takes stories relevant to his culture and time period, and weaves them together into one work with a connecting theme of transformation throughout. The thread of humor that runs through Metamorphoses is consistent with the satire and commentary of the work. The theme is presented in the opening lines of Metamorphoses, where the poet invokes the gods, who are responsible for the changes, to look favorably on his efforts to compose. The changes are of many kinds: from human to animal, animal to human, thing to