The long ombre coloured grass sways in the wind, the crunching of leaves under every heavy step encouraged the chirps of beetles and surrounding wildlife. This was Kevin Gilberts home; his place of birth rests on the muddy banks of Lachlan River. Gilbert was born to an interracial couple; a Wiradjuri mother and an Irish father. Despite only having 5 years of formal schooling, Kevin Gilbert learned an exceeding amount about the struggles that he would soon face, the prejudicial judgment and repression of his race.
Although his childhood and early life was anything other than ideal, his distance from not only the Caucasian community, but also his own aboriginal heritage contributes to the insightful and experienced works of his poetry.
Throughout Kevin’s life, he rarely received the appreciation that he deserves for all the hard work he completed. For that reason, and the obvious dedication he had for Aboriginals of all generations, along with his compelling poetry, to which adjusted the mind set of many of the national citizens, he is the rightful nominee for the Indigenous Poetry Australia Award.
Kevin Gilbert has numerous poems, among other literature such as his playwright “The Cherry Picker”, that express vital events and significant aspects of the Aboriginal way of life. Gilberts most famous poems are as followed; Shame, Tree, The Black Drunkard, children dreaming and his poetry book - Black from the Edge, which was an assembly of poems and literature that resulted in
The Australian Indigenous community hold extremely significant corrections to the land of Australia, of which they refer to as ‘Country.’ Indigenous people acquire deep meaning from the land, sea and the countless resources derived from them. This special relationship has formed for many centuries. To them ‘Country’ is paramount for overall wellbeing; the strong, significant, spiritual bonds embody their entire existence. Knowledge is continually passed down to create an unbroken connection of past,
Our knowledge of the generic conventions used in poetry influences our understanding of the text. “The Firstborn”, a poem by Aboriginal author Jack Davis, enables the reader to determine the poem as a graphic protest about the extinction of and discrimination against the Australian Indigenous people, and the loss of their ethnicity, as their world collides with the Western culture. By focussing on my understanding of both generic conventions and author’s context, I am able to conclude that the poem concerns a tragedy within the Aboriginal community.
against the standard poets to say the least, “I wanted to break the linearity of poetic text — to mess with it, if you will.” (poetryfoundation.org) He was not born into the wealthiest of families and found himself unable to pay for education, yet he has pushed boundaries for many
Oodgeroo Noonuccal was an Australian poet, activist, artist and a campaigner for Aboriginal rights. Her poems ‘We are going’ and ‘Let us not be bitter’ conveys the loss of the Indigenous culture and how much they suffered because of this. Oodgeroo Noonuccal’s perspective on Aboriginal rights is impassioned, concern and worry for the loss of her family and home. She expresses these emotions using imagery, poetic structures and poetic techniques, such as inclusive language and symbolism, to strongly represent what she is feeling and how much the Indigenous people have suffered through.
Similarly to hooks, Walker tells his life story through his eyes, the point of view of an African-American male. Walker gives anecdotes that inform us of key themes in his upbringing. From a young age Walker saw humanity divided by color. Seemingly unable to let go of past racism in society, Walker’s girlfriend claimed that he was “the first person she has ever known who has taught
Through the use of poetic devices, the author has successfully encouraged the audience to explore their thoughts on Australian identity and to reflect on our nation’s history.
Gilbert’s poem portrays many Aboriginals plight’s within Australia and conveys notions of despair, anguish and anger for his fellow Aboriginal comrades. Again, Gilbert uses strong visual imagery in “the anguished death you spread” which helps convey the persona’s feeling of horror and anger at the Europeans. This is further emphasised through the poet’s vehement and repetitive use of second person pronouns in “you” which conveys a sense of blame and accumulates into an accusatory tone and generates a strong sense of detachment between the author and the European settlers. Furthermore enjambment enhances the accusatory tone in “you pollute all the rivers and litter every road” because the lack of punctuation and pauses makes the lines sharp and quick, creating a sense of anger in the author. In addition the author’s use of metaphors in “humanity locked in chains” creates a sense of struggle and inability to escape the oppression the Aboriginals are in, whereby the word “chain” is symbolic for trapped and lack of freedom. Kevin Gilbert’s emotional poem brings light to the pain and suffering Aboriginals are going through, which is a stark contrast to the image of Australia, being a free and accepting
The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.
The poet Oodgeroo Noonuccal, draws the realistic image of the confronting realities of alienation and displacement of Indigenous Australians. It is because of such experiences that has empowered Noonuccal to express and advocate learning from experiences by positioning the audience to view the horrors that occurred, creating a platform for her poetry. Through the emphasis of identity, it allows the audience to deeply connect with the past, determining and illustrating a profound link between the ancient past and contemporary present. Oodgeroo’s deep connectivity with art and poetry highlights the importance of learning from experiences, for not only the Aboriginal culture but, for all cultures, and that colonisation does not destroy self-identity. Through the poems The Past and China…Woman, it has allowed the individual to promote change, encouraging the survival of cultures through learning from past experiences
Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of
Robert Gray is an Australian poet whose work is closely linked with nature. He grew up in the post ww11 era, and lives on the north coast. The poems ‘The Meatworks’, and ‘Flames and Dangling Wire’, express how he feels about life, his experiences and his beliefs. His poetry has such an enduring nature because it can be understood in so many different contexts, and includes universal themes which remain relevant to societies past, present and future.
Bruce Dawe, an Australian known poet, born 1930 is still one of the biggest selling and most highly regarded poets of Australia. His ability to write such influential poems has made an impact on a number of people, as each poem can be related to the ordinary living lives of Australians throughout the years. Bruce Dawe's poems are interesting because they comment on the lives of ordinary people. This statement is agreed on. In relation to the statement, three key poems can be linked being Enter Without So Much as Knocking (1959), Homo Suburbiensis (1964) and Drifters (1968).
He calls this process oral history'. Myles Lalor lives in a cosmopolitan environment, but does not pine for country' to give meaning to his life. He insists that even in his suburban environment he can still live an aboriginal life (Becket 1996). By recounting his experiences of people and places to Beckett, Lalor is able to not only record his history, but also gain a sense of who he is.
Gilbert grew up in a town with discrimination all over. Since his father was such an abusive parent, he grew angry at how the parental system worked. That man could beat them until there was no tomorrow and the law would ignore
So, Mr. Griffin had a multistage process done on his body so that the pigment of his skin would appear darker. After many treatments of ultraviolet light and tablet pills, Mr. Griffin had become a black man. After Mr. Griffin’s transformation was complete, he immersed himself into the black community. Mr. Griffin was not prepared for what would happen to him once in the black life. While Mr. Griffin traveled to different places in the south he met numerous people, both black and white. Some people were friendly while others were quite hostile.