The movie The Equalizer is an action packed thriller directed by Antoine Fuqua, which follows Robert McCall, a former CIA assassin, who is trying to live a quiet life. His life heads in a new direction when he discovers that his friends’ livelihoods are in danger. McCall’s natural instincts take over as he liberates the people of his community. His duty to protect the innocent and seek justice defines Robert McCall as a hero archetype.
Robert is a courageous hero, who puts his own life at risk to defend the lives of the innocent. In numerous occasions, Robert resolves other individual’s issues within his community. He feels a sense of responsibility to help and protect others. For example, after Alina, a young prostitute, is not in the diner at their usual time, Robert goes to the hospital and finds Alina severely beaten. After that, Robert makes it his duty to secure Alina her freedom even though, “McCall doesn't want to kill. He goes so far as to fake his own death to get out of the business. But he is pulled back to help a young girl” (Alexander 1). Robert genuinely cares about Alina, even though they have only shared a handful of conversations. Robert offers Slavi, the owner of Alina, ninety-eight hundred dollars to free Alina, but Slavi denies the money and declares that she is worth a significant amount more. This causes Robert to annihilate Slavi and his men, leading him to gain Alina’s freedom. In addition, one day at Robert’s workplace one of his
Dear White People is a show about black students’ attempt to address and solve racial issues at their predominately white, ivy league institution. Each episode is told from the perspective of the main characters. The point of the film is to communicate a narrative that is not seen enough. The writers rely on stereotypes to certain extents for the purposes of dramatization, but they clearly show how no matter the shade and/or background of the black characters, they are all still directly affected by racism and prejudice around them.
Separate but equal. A phrase that kept many African American citizens separated from white Americans for an extensive amount of time. While the phrase may sound like it could potentially be a good thing for African Americans separate was never equal. In the movie Separate but Equal, what originally started out as a request to the school board in South Carolina from one of the African American schools turned into one of the biggest court cases in the United States history known as Brown V. the Board of Education. This court case eventually led to the fair treatment of all African Americans over ruling the previous court case Plessey V. Ferguson which established the grounds of segregation under Separate but equal.
Pariah is an acclaimed drama written and directed by director Dee Rees in 2011. The film tells the story of an adolescent African American teenage girl named Alike who struggles with her identity as a lesbian. The film introduces Alike to the audience in a club, in which she often hangs out with her openly gay friend, Laura. This rambunctious lifestyle is quickly contrasted by the introduction to her notably structured and religious family. Alike’s mother, Audrey, in particular, seems to not only oppose Alike’s friendship with Laura, but also question her sexuality. Although Alike struggles with an oppressive relationship with her mother, she also does not seem to wholly fit in with Laura and her brazen lifestyle, thus making her a true outcast, a pariah. Amidst everything, Alike forges a friendship with a girl named Bina and a complicated and disastrous relationship quickly ensues, ultimately resulting in Alike’s coming out, estrangement from her mother, and her departure to college. Director Dee Rees draws on particular filmmaking techniques and personal experiences to depict Alike’s struggles to embrace her lesbian identity, ultimately in order to fuel a growing gay rights sentiment.
Nathanial Ayers portrayed the “textbook” diagnosis of schizophrenia appropriately throughout the movie. During The Soloist, Nathanial experienced hallucinations and delusions. Individuals diagnosed with schizophrenia can experience symptoms. Nathanial would hear voices inside of his mind, telling him he was not talented enough to perform at Julliard. Nathanial also had delusional thoughts about his family trying to poison and kill him. There are positive and negative symptoms related to schizophrenia (Reed, 2014). Nathanial displayed signs of more positive symptoms of schizophrenia rather than negative symptoms. Nathanial would get overly excited about Beethoven and classical music. When Nathanial talked about
Requiem for Detroit? is a historical documentary, released in 2010 and directed by Julien Temple, about the decline and collapse of Detroit, one of America’s largest cities. It chronicles Detroit’s journey through its success in the automobile industry all the way through its urban decay and industrial collapse to the present day. As the film draws a close, Temple also suggests some ways forward for Detroit. He presents possibilities and clearly shows which he thinks is most likely through his use of interviews with subjects and visual representations of these offered opinions. The intended reading that Temple offers viewers is a complex one, with many anti-consumerist and anti-corporate ideas and leanings. Despite the ‘doom-laden’ feel of much of the text, Temple paints optimism for the potential for a progressive and productive future for Detroit. Throughout the documentary he clearly expresses this intended reading through effective use of motifs, shown by visual and sound techniques, music and interviews with both privileged and non-privileged characters.
In the movie “Copycat” from 1995 there is a character named Helen Hudson (Sigourney Weaver) who is a psychiatrist that studies the behavior of serial killers. At the beginning of the film she is giving a lecture at the University of San Francisco and at the end of the lecture, Daryll Lee Cullum (Harry Connick, Jr.) follows Helen into the restroom and tries to hang her, but fails and gets locked up in prison. Thirteen months later, Helen suffers from panic attacks and agoraphobia which have resulted from her Post Traumatic Stress Disorder. She has been housebound for months now and has a homosexual assistant named Andy (John Rothman). Darryl Lee is in contact with William McNamara, another psychopath who wants to follow in Darryl Lee’s footsteps and become famous. So Darryl Lee tells William to continue his work of killing Helen.
Even though Robert left for Mexico because he did not want anything to happen between Edna and him, he gave into her kisses when she kissed him at her house. He led her on to believe that something could actually happen between the two of them even though she was a married woman. He
Guided by his undying love for his sister, Robert’s call to action is intrinsically motivated by an ironic catalyst that leads to his own eventual death; the desire to preserve life. At the climax of the novel, Robert’s courage tempers out his Achilles’ heel of introverted moral justness. His ascendance to the position of officer is only natural considering that his resilience and persistence strengthen significantly as he begins to imitate the hero archetype upheld by most war novels, though his concealed struggles with morality and obedience as exposed by his actions confirm him to be a tragic hero. Even with his elevated position, Robert demonstrates many instances of nurturing as he develops into a strong man weathered by the war, as opposed to the typical hardening experienced by most men on the front lines. The telltale quality of morality demonstrated only by a tragic hero is a tragic flaw in itself, as it forces acts that would otherwise be self-indulgent to take on an air of humility. “The man with the broken legs was lying by the water’s edge. He was already the colour of death. … ‘Put that [gas mask] over his face.’” (124) Robert’s dangerous, selfless acts for those who are arguably hopeless are not only consistently futile, but they endanger him and jeopardize
The cinematic film Get Out, directed by Jordan Peele, presents a scenario in which African Americans are targeted by white people mainly for their physical advantages. The plot follows Chris Washington, a professional African American photographer who goes away for the weekend to visit his white girlfriend’s family. Chris’ best friend, Rod Williams, is a TSA agent who is concerned about Chris going to a white family’s estate. Throughout the movie, Chris discusses to Rod the strange events that occur in the Armitage house. Get out displays how two people use their intelligence and ability to identify social cues to escape from an arduous situation.
When watching The Hateful Eight it’s clear that Quentin Tarantino was inspired by John Carpenter’s The Thing. There are quite a few subtle nods to the classic horror film as well as some not so subtle similarities. One could watch one right after the other and immediately see the similarities between the two films. While most people would not consider The Hateful Eight a horror film it takes the greatest horror aspects of The Thing and uses them to its advantage. Quentin Tarantino took quite a few ideas from John Carpenter’s The Thing and modified them so they fit seamlessly in to his western film, including actors, characters, and even some music that was originally written for Carpenter’s film but was never used.
She attached herself to young men that she thought would take her away from the place where she didn’t belong. She fell in love with Robert because he was the one who started the awakening. “It was you who awoke me last summer out of a life-long, stupid dream”(620). She imagined that he would take her away to a place where they could be happy and she could be who she wanted.
The untouchables is a movie based on the true events that occurred when the eighteenth amendment was passed. The eighteenth amendment established the prohibition of production, transport, and sale of alcohol. The Federal Agent Eliot Ness wants to stop Al Capone, who is the top of organized crime. It was a hard job for Eliot Ness because Al Capone with his money bought many policemen, politicians, and other important people, therefore Eliot Ness could trust anyone. Eliot Ness had to choose no more than twelve men to form his squad. The Untouchables were formed by Eliot Ness, and another nine men he picked, they were called the Untouchables because they never accepted any bribes. Al Capone One of Al Capone’s men offered Eliot Ness $2,000 to stop interfering with the organization and an additional $2,000 if he continued to cooperate. Eliot Ness’s plan was to make an impact in the income of the gangsters, so they couldn’t pay for protection. (Biography.com)
''The power of Christ compels you! The power of Christ compels you! The power of Christ compels you!!! ...'' Father Merrin&Father Damien Karras from the movie -The Exorcist-
The movie Falling Down portrays many examples of the movie reflecting, influencing, and changing society. The movie reflects society's many flaws such as inflation of prices and unneeded budget spending. The movie also influences others to point out society’s flaws by using force. Finally, the movie changes society by showing the movie in the point of view of a person that is classified as a realist.
Robert Walton, who the reader never gets much of a physical description about although still a round character, is another middle-aged character who may be described as adventurous, charismatic, and curious. He works well with those around him, has a strong relationship with his sister, and builds one with Victor. He plays the role of retelling Victor?s story and marks both the beginning and end of the novel. Robert?s love