Justin Pearcy/Student ID: 1000988509
Professor Kathleen Janvier
ART 1301-002
19 April 2016
The Face of May Sartoris Currently on display at the Kimbell Art Museum there resides a painting by the title, Portrait of May Sartoris that was painted by artist Frederic Leighton. Leighton created the artwork by using oil on canvas and did so on a canvas that would mimic her in true to life size. By doing this he made a clear and present focal point in the painting that can clearly and quickly be distinguished upon arriving at the painting. With the brightest color in the painting being her face and the darkest tones being among her clothing one can’t help but having their eyes drawn to her. By utilizing numerous elements Leighton created a painting in which the main emphasis was placed upon the subject May Sartoris, which predominantly makes up the majority of the painting. Upon viewing the painting the viewer will first notice may Sartoris in true to life size standing in the foreground in her elegant attire. Her attire is predominantly black and a very dark blue, while the only strikingly colorful item in the painting is her red sash. Her clothing is given an implied texture of softness, which is alluded to by the rolling nature of her dress and the feather dawned atop her hat. Staying in tune with the softness of the painting, Leighton utilized only organic shapes to further accentuate the soft nature of the figure. If he had used geometric shapes, the painting would contain
She created the “spontaneity and freshness…associated with sketches” through “[painting] on unprimed and unsized white canvas,” allowing her paintings to appear much more in the moment, a hallmark characteristic of Impressionist art. Sometimes, she would leave the edges of the canvas devoid of paint, furthering the sketch-like quality of her paintings. White was dominant in her palette, be it through the application of paint or the peeping through of the canvas, giving her paintings the luminosity she desired. Her palette consisted of vibrant colors that “[were] admirably suited to her essentially feminine subjects” and she created the illusion of depth through
Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.
The Poem “Introduction to Poetry” is by Billy Collins, an English poet, and it is about how teachers often force students to over-analyze poetry and to try decipher every possible meaning portrayed throughout the poem rather than allowing the students to form their own interpretation of the poem based on their own experiences.
“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage
The slave is compositionally arranged in front of the Mistress in a predominant position, however as noted in our text this week, most of the slaves placed in the foreground of a painting in this era were done so in humor, to tease or to make them look immature (Pohl 278). As the title suggests, this slave has been dressed up by her Mistress in her Mistress’s clothing as a way for the Mistress to make fun of the slave, teasing her with a taste of wealth and upper class. Cany Peale’s previous career in fancy-goods gave her the understanding of what was in fashion
Patricia talks about going to a Christian Endeavours Friday nights, and having a pretty normal school life (minus symptoms of her DID; blurry memory, confusions of learning subject or meeting people.) She was a Brownie and participate in the Girls Brigade, similar things that normal girls did growing up then and now (Nobles,2006,43-44). She had friends and played with kids in her neighborhood she was sometimes a ‘normal’ girl. Another thing that rubbed me the wrong way was the part about the vacation to Jersey (Nobles, 2011, 47), the girls knew that their father wasn’t going, but when they get to the station Kim finds out she isn’t going either. I found myself saying the questions she was saying to her self, “why was she not going, what had she done?” Some one that Patricia expresses her love for her is her ‘friend’ Lillian in Chapter 8 who she attended Warlingham, she shares how much she appreciated her later for her patience. Kim was constantly questioning her about school, why she was there, why she couldn’t go home, why her dad brought her back after being sent home for just a few hours (Nobles,2011,132). Her mother had a huge drinking problem and while Patricia also though she had one, I think she was just simply trying to just justify why she was blacking out. She was always asking her self “why don’t I remember anything, why am I always feeling like time is just flying by”. Her mother heavily drank through her entire childhood and into her adult hood it was a big
Initially, Collins demonstrates how one can weigh a dog’s weight with his method. Concrete diction in the first stanza, such as, “ small bathroom”, “ balancing”, and “shaky” suggest the uncomfortable nature of his intimate relationship with his pet. Although Collin is unappreciated for the gritty toil determination, he praise himself to applauded that “this is the way” and raising his self-esteem by comparing how easier it is than to train his dog obesity. In addition, the negative diction used to describe Collin holding his dog to be “awkward” for him and “bewildering” for his pet. This establish he rather force love rather willing show patience. When holding a pet on scale, there is less hustle because he secures the dog’s position by carrying it. Where as when he orders the dog to stay on the weighing scale with a cookie, his dog only followed him because of the expected reward.
The background of the painting is very dark and a reflective of the dark times some women were in during this time. The dark background and the subject’s serious persona give the painting a mysterious sensation. Mrs. Richard Skinner’s clothing pieces are very light colors which give a light-hearted ambiance to the painting but the dark background, dim lighting, and the dark table that lay before her completely alter the mood of the painting. The lighting of the painting, therefore, emphasizes Mrs. Richard Skinner even more due to her dark surroundings, which is another example of Copley’s attempt at accentuating her womanhood. Some of the props in this painting elaborate and stress her sexuality even further. The subject is holding a flower in the painting; flowers are symbolic of purity and femininity. The way the subject is holding the flowers is to be noted as well. She is holding
Born in 1788, George Gordon Byron, commonly known as Lord Byron, was an English poet and one of the most famous poets of the romantic era. Romanticism was one of the most influential poetic movements in which brought Lord Byron into the literary forefront. Although he has many famous literary works, She Walks in Beauty is one of his most favourable poems. The poem was inspired by a woman wearing a mourningful dress whilst at a ball. Love is the overarching theme, focusing mainly on captivating love. This is seen by the overwhelming sense of his attention that is captivated by her and the fact that the woman seems unobtainable. Through his work, Lord Byron captured the reader's attention through the way he used literary devices and the way he represented different gender representations through the nature of love.
Concerning color, there is a stark contrast between the figure on the painting and the background. More specifically, the figure of the woman is predominantly delineated in white color, especially pale, ashen white, as far her apparel and facial complexion are concerned, while there are also various hues of grey, with respect to her hair and accessory feather. These white and grey shades are vividly contrasted with the prevailing red and crimson hues of the background (viz. the drape, armchair, and table). Moreover, one can detect colors of dark green (jewelry), some beige on the left (pillar), and darker or lighter shades of blue on the right side of the canvas (sky), which all in concert and in addition to the subtle purple hue forming the sun or moon exude a certain dramatic sentiment. Also, there is brown, which often easily segues into gold (viz. books and attire details respectively). The main contrast of colors between white and red would be interpreted as serving the purpose of rendering the figure of the woman, and especially her face, the focal point of the work, despite, paradoxically enough, the lush red shades at the background. Bearing that in mind, the significance of the woman’s face will be enlarged upon later, when discussing aspects of her identity.
On page 87 in Artforms is the painting Self-Portrait in a Straw Hat. This oil painting was produced by Marie Louise Elizabeth Vigee-LeBrun in the year 1782. The work of art depicts a young woman, presumably the artist, posing in front of a clouded blue sky. The figure is clothed in a rose colored dress with white ruffle along the neckline, a navy blue colored shawl which is wrapped around the crooks of her arms, and a straw hat adorned with bright red, blue, and white flowers. A large white feather with black trim is protruding from the hat. The lady in the portrait is facing forward and holding paint brushes and a palette topped with paints in her left hand. Her hair frames her face and fall on top of her
Phillis Wheatley is a Gambian born African American poet. She was bought off of the slave trade by the Wheatley family from Boston. Her love of writing was influenced by the reassurance of the Wheatley family who taught her how to read and write. The family encouraged her poetry and helped develop her literature skills. Phillis is known for becoming the first published African American poet. Many see her as the first writer to develop a genre of African American literature. Through an analysis of Wheatley’s work we can see how her influential work tends to carry themes from the point of view of American colonists. Her work also contains a general critique of slavery and descriptions of her attitudes towards the circumstances forced upon the enslaved.
The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink
“Freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed” declared by an influential leader Martin Luther King Jr. As a soldier againsts unfairness, King strongly states that people should fight for freedom. Driven by human nature, humans are always chasing freedom. In “A Century Later,” the Pakistan-born British poet Imtiaz Dharker uses the poetic devices of symbolism, diction, and allusion to explore how perseverance drives freedom.
The title of the poem “My mistress eyes are nothing like the sun” suggests that the speaker is not in love with his ‘mistress’. However, this is not the case. Shakespeare uses figurative language by using criticizing hyperboles to mock the traditional love sonnet. Thus, showing not only that the ideal woman is not always a ‘goddess’, but mocking the way others write about love. Shakespeare proves that love can be written about and accomplished without the artificial and exuberant. The speaker’s tone is ironic, sarcastic, and comical turning the traditional conceit around using satire. The traditional iambic pentameter rhyming scheme of the sonnet makes the diction fall into place as relaxed, truthful, and with elegance in the easy flowing verse. In turn, making this sonnet one of parody and real love.