“What was it like to lose him? Asked Sorrow. There was a long pause before I responded: It was like hearing every goodbye ever said to me—said all at once,” quoted by Lang Leav. I used this quote to present a similar description on how the wife feels about her husband. “The Wife’s Lament,” is one of the most identifiable Anglo-Saxon elegies and one of the earliest and unique illustrations of a poem composed from a woman’s point of view in British literature. There is no evidence whether the author is a man or a woman since the author did not present himself or herself. In the poem, it is obvious that she yearns for her husband deeply, but it does not tell you if he returns her feelings.
“The Wife’s Lament,” is a preview into the tenth-century Anglo-Saxon England, a point in time when wine streamed in the rivers, and colossal titans roamed the earth. The poem setting is the wife is in a stone cave surrounded by water with no one to help her if she is in danger. In the beginning of the poem she introduces her elegy as a sad tale of her heartache; that never in her life she has gone through. She tells the reader how her husband’s family sent him out to sea and does not know if he will come back to her. The wife then explains how she is anxious for him, she does not sleep, or she wakes up in the morning, and only thinks about her husband. The she made the decision to be banished, which was a norm for women whose husbands had died or left them. She then goes to his people for
In "A Sorrowful Woman" the wife is depressed with her life, so much so, "The sight of them made her so sad and sick she did not want to see them ever again"(p.1). This wife and mother has come to detest her life, the sight of her family,
In the poem “The Wife’s Lament” there is a transfer to a female point of view which was rare during times of a patriarchal society. A theme seen is this poem is exile. The wife who faces exile from her lord later reaches a state of bitter unhappiness. The wife expresses her longing for her husband through use of ubi sunt:
“Once upon a time there was a wife and mother one too many times” (Godwin 39). This short story begins with the famous opening, once upon a time, which foreshadows that the story line will be similar to a fairy tale. It raises expectations for the story that all will be magical and end happily. A typical modern-day fairy tale is that of a distressed character who overcomes an obstacle, falls in love with prince charming, and they ride off into the sunset; living happily ever after never to be heard from again. Godwin however, puts an unexpected twist on “A Sorrowful Woman”. This short story is a tale about what can happen when everyday roles take over our identity. Ultimately, this short story challenges societal expectations of marriage
Out in the yard of an old married couple, there grew a peach tree that flourished with fruit every year, and every year the routine was the same. When summer arrived, each day the old couple would walk outside to pick the ripest peaches on their tree. Some days, they would walk home proudly with a basket full of ripe peaches, giddy with excitement for what they might bake with their prized fruit. But every once in a while, they would come home with very few peaches, allowing them to solemnly eat their fresh fruit instead of a concocted sweet treat.
In The Wife’s Lament, the wife is forced to exile. The wife reveals the feelings of suffering, regret, and loneliness. The wife’s misery began when her Lord left her behind. The Wife set out to find him but her Lord’s Kinsmen didn’t want them together anymore, and this is when the forced exile takes actions. “My man’s kinsmen began to plot by darkened thought to divide us two so we most widely in the world’s kingdom lived wretchedly and I suffered longing.” (Lines 11-15). The wife believes she will one day be reunited with her Lord so she moves away to new land. The wife then finds out her Lord wants to commit a crime. “Hiding his mood thinking of murder” (Line 20). This scares the wife and forces her to move into the woods under an Oak Tree. This shows the wife as weak which is not an Anglo-Saxon belief. The wife also believes a man who is weak should never show it, should always pretend to be fine. She believes this because men have the upper hand, they hold more power. A man who shows he’s weak has no belief as Anglo-Saxons. Anglo-Saxons think nobody should ever be weak, they should always be brave. It shows how she’s scared of her lord, so scared she runs into the woods and stays under an oak tree. This exile shows women have no power.
The book, Lament For a Son, written by Nicholas Wolterstorff talks about his pain and grief after losing his 25-year-old son (Joy, 2009). His son died while on a mountain-climbing expedition. Dr. Wolterstorff has several books published during his career as a philosophical theology professor in Yale Divinity. However, he wrote Lament for a Son with a different journal style since it is a personal thing for him. The book is similar to a journal as he narrates the events that happened before and after his son’s death. The emotions expressed in the book are common among people who lose close relatives. What matters is how a person handles the issue. Kubler-Ross invented the five stages of grief; denial, anger, bargaining, depression and acceptancethat explain the escalation of grief when stricken by bad news (Axelrod, 2004). The paper looks into the book and its relation to the five stages of grief.
(253). The death of a woman’s husband receives similar treatment, as Lady Bracknell tells us of “dear Lady Harbury”: “’I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger’” (261); Algernon pipes in that “’I hear her hair has turned quite gold from grief’” (261).
The Old English, or Anglo-Saxon, era of England lasted from about 450-1066 A.D. The tribes from Germany that conquered Britain in the fifth century carried with them both the Old English language and a detailed poetic tradition. The tradition included alliteration, stressed and unstressed syllables, but more importantly, the poetry was usually mournful, reflecting on suffering and loss.1These sorrowful poems from the Anglo Saxon time period are mimetic to the Anglo-Saxons themselves; they reflect the often burdened and miserable lives and times of the people who created them. The Anglo-Saxon poems, “The Wanderer,” “The Seafarer,” and “The Wife’s Lament,”
The poem, “Mrs Midas” is written from the perspective of the wife of King Midas; a character from Ovid’s “Metamorphoses”. In the myth, King Midas was granted a wish where everything he touched turned to gold. “Mrs Midas” is part of a tradition of the feminist revisionist writing of mythology and fair-tales. Duffy trivialises the myth by transplanting it to a modern, middle class, suburban setting. In the poem, Duffy uses a wide range of literary devices and conveys a large array of emotions which help to bring out the central themes of the poem.
Initially, Collins demonstrates how one can weigh a dog’s weight with his method. Concrete diction in the first stanza, such as, “ small bathroom”, “ balancing”, and “shaky” suggest the uncomfortable nature of his intimate relationship with his pet. Although Collin is unappreciated for the gritty toil determination, he praise himself to applauded that “this is the way” and raising his self-esteem by comparing how easier it is than to train his dog obesity. In addition, the negative diction used to describe Collin holding his dog to be “awkward” for him and “bewildering” for his pet. This establish he rather force love rather willing show patience. When holding a pet on scale, there is less hustle because he secures the dog’s position by carrying it. Where as when he orders the dog to stay on the weighing scale with a cookie, his dog only followed him because of the expected reward.
The poem “Suicide’s Note” by Langston Hughes is a deep and emotional poem that is shown as the result of the imagery and literary devices present in the poem.
Isolation from society can evoke a deep loneliness and self-reflection. The poem "The Wife's Lament" from the Exeter Book expresses the desolation of exile. The dominant theme is the contrast of a happy past and a bleak present of isolation. The anonymous author of "The Wife's Lament" uses setting, tone, and conflict to develop the theme of great loss. He/she augments a situation in which meditation on life's past joys is the only redemption in a life sentenced to confinement. “The Wife’s Lament” is an excellent example of nostalgia, resentment of the present, and hopelessness about the future.
Over the years, there have been many interpretations of who the speaker of The Wife’s Lament could be. These range from very interesting ideas to ones that seem a little rough around the edges. It is obvious that no sure answer can be found due to the fact that whoever wrote this poem is dead and that the answer will always be in speculation even if it is correct. Hopefully, at the end of this quest I will be slightly more enlightened as to who the true speaker may really be.
she expresses great love and a great sense of loss, but she does it in
In the puritan era, a husband was treated like a king and not to be taken lightly. She also spoke highly of her husband “prize thy love more than whole mines of gold, or all the riches that the East”. Puritanism is defined in the line ”The heavens reward thee manifold, I pray...Then while we live, in love let’s so persevere, that when we live no more, we may live ever.” Bradstreet (page.121) She believes that while her and her husband are living on earth they should love each other as much as possible so that when they see the lord in heaven there love will be eternal. In puritan society marriage was a main component and couples needed to meet the expectation that marriage should be for life. This poem is simple yet represents a robust meaning between a puritan husband and wife. This narration shows Anne’s feeling toward her relationship as being full of love and still following puritan values and beliefs.