Analysis Of The Second Coming By William Butler Keats

The book of Revelation was written by the apostle John, in an apocalyptic literature style. It consists of a series of prophecies about the end times, when Jesus will return and triumph over all the evil residing in the world. Its purpose is to bring hope and encouragement to Christians so that they will continue watching for the return and victory of Jesus Christ, but it is also a warning of the Final Judgment that nonbelievers will endure. The depiction of the cosmic battle that takes place both in heaven and on earth, symbolic language, and introduction of surreal

While both Keats and Longfellow often reflect on their own unfulfilled dreams and impending deaths, the poems however contrast on their own dispositions towards death and the future. Here, Keats expresses a fear of not having enough time to accomplish all that he believes he is capable of doing, but as he recognizes the enormity of the world and his own limitations of life, he realizes that his own mortal goals are meaningless in the long run of things. On the other hand, Longfellow speaks of a regret towards his inaction for allowing time to slip away from him in his past and is at a crossroads for the ominous future that looms ahead of him. Through the use of light and dark imagery, and personification, Keats and Longfellow similarly yet also differently, reflect on their own ideas for death and the futures that lay ahead of them.

    The last three lines of the poem, "And all their eyes still fixed, hoping to find once more, /Being by Calvary’s turbulence unsatisfied, / The uncontrollable mystery on the bestial floor," are the strongest. Yeats is saying that, although they are unhappy with their lives, they have not given up hope. They still feel that they can find perfect happiness. They realize that this happiness cannot be found in the lives they are currently living. Yeats often used the image of the cross or of Christ’s crucifixion to symbolize things such as "discord, incompleteness, opposition, mortality, temporality" (Ellmann and O'Clair, 135). With this line, he is saying that these people have given up hope that they will ever be happy in their hectic, strife-filled, material worlds. They are now turning to God in order to find some sense of peace and fulfillment in their lives. The

This essay will argue that the eschatology of the Book of Revelation forms an integral part of John’s attempt within the pages of his book to form a literary world in which the forms, figures, and forces of the earthly realm are critiqued and unmasked through the re-focalization of existence from the perspective of heaven. It will attempt to show that, in response to the social, political, religious, and economic circumstances of his readers, the Book of Revelation forms a counter imaginative reality. Through drawing upon an inaugurated sense of eschatology and evocative imagery, John is able to pull the reader in and show them the true face of the imperial world and consequences of its ideology, forcing the reader allegiance to fall

"We talk of the Second Coming: half the world has never heard of the first." – Oswald J. Smith

William Yeats’ “Adam’s Curse” is a poem that addresses a profound truth of time. Any human accomplishment such as poetry, music, or physical beauty requires much labor and is appreciated by few. He says this through an emotional recollection of a conversation between himself, his lover and her friend. I believe the meaning of the work lays waiting like a net, waiting to catch the reader at surface level. The poem is simplistic in nature, which is quite atypical of Yeats’ poems, yet is considered easily one of the greatest poems he has ever written by critics and scholars.

Ira Chernus’ article, “Cheer up, it’s just the end of the world,” addresses the effect of the many apocalyptic worries today on Americans. Chernus begins by introducing the biblical origin, then the dilution, and lastly the multiplication of the ideal apocalypse. The article describes the foundation, biblical apocalypse, as one ending becomes means to a new beginning; a rebirth of this world into a better one. The author depicts the evolution of apocalypse succeeding the biblical era beginning with the nuclear age of World War 2 which introduced the new idea of complete extinction. The article goes on to challenge the blossoming apocalypses that stemmed from the nuclear age with, in Chernus’ opinion, the prominent danger of environmental destruction.

When I Have Fears That I May Cease to Be by John Keats has the usual feeling that one would have during an existential crisis, but it also includes a sense of belonging. John Keats’s poem, When I Have Fears That I May Cease to Be, shows a fear of death that seems to come from a sense of belonging or wishing to belong through the use of syntax, creating images, and word choice. The syntax in the poem is completely regular for a English Sonnet and could be considered a way of showing belonging. The fact that the structure and syntax of the poem is so standard shows that Keats is conforming to the rules rather than writing in a style that is completely his own. In this way, the poem belongs to the stylistic group that is made up of English Sonnets.

In the poem “The Second Coming”, by William Butler Yeats. He writes this poem after World War I, around 1919. Yeats is a Irish poet, who came from Protestant parentage. The over all theme of the poem is that God will come back again. There are many versions to how God will appear, but in this poem bad things happen first in order for God to come. In “The Second Coming,” Yeats uses symbolism to unfold the meaning of the poem.

William Butler Yeats was the major figure in the cultural revolution which developed from the strong nationalistic movement at the end of the 19th century. He dominated the writings of a generation. He established forms and themes which came to be considered as the norms for writers of his generation.

Comparing Wordsworth and Keats’ Romantic Poetry. Both Wordsworth and Keats are romantic Poets, they express ideas on nature and send us the message to respect it. They say we have to admire the beauty of nature in different ways. Wordsworh uses simpler language in his poems wether to express simple or complex ideas, by which we understand he aimed his poems to lower classes. Keats instead, uses much more complex language to describe and express his ideas, so we know he aimed his poems to the educated.

     When You are Old, by William Butler Yeats, represents and elderly woman reminiscing of her younger days. A past lover whispers to her as she looks through a photo album. Basically, Yeats is showing that as the woman gets older, she is alone, but she does not have to be lonely. She will always have her memories for companionship.

Other kinds of echoes, literary rather than poetic, emerge as well; Yeats connects "The Second Coming" with Shelley's Prometheus Unbound in lines 7 and 8, "The best lack all conviction, while the worst/Are full of passionate intensity" (Drake 53), and even, Jeffares suggests, the Divine Comedy, by altering the "hawk" of an earlier draft to more closely resemble the "ample circuit" of a "falcon" described in Dante's masterpiece (A Commentary 241). Yeats surely made these allusions to borrow the literary scale of these prophetic masterpieces. But far more important in this respect is his borrowings from the Bible. Most central and obvious are the Second Coming of Christ described in Matthew 24 and the beast of the apocalypse from Revelations, but Purdy also notes "the vision chapters of Daniel (7-12)," "Isaiah's prophecy of the Day of the Lord (14.6-11, 19-22), 'old Ezekiel's cherubim' (10.1ff), and Jeremiah's denunciation of Isreal (2)" (75), not to mention Yeats' location of the beast's birth at Bethlehem, the birthplace of Christ two thousand years ago (Jeffares, W. B. Yeats 38). The Bible is, of course, the western world's primary work of prophecy, and Yeats' use of its language gives his own work a tone of prophecy.

7) Nation shall rise against nation, kingdom against kingdom, and there shall be famines, pestilence'-t, and earthquakes in divers (unknown) places. 8) All these are but the beginning of sorrows.

becoming any worse in the future since “a thing of beauty is a joy for