Analysis
“The Ormolu Clock” is a short story written by Muriel Spark, who is considered to be one of the 50 greatest British writers since 1945. Dame Muriel is a poet, writer of fiction and literary criticism, and biographer – went on to win most of the literary awards going, was never out of print, and was at the top of her profession, internationally, for more than half a century.
The story under discussion begins with the description of two hotels standing side by side and separated by a narrow path - the Hotel Stroh and the Guesthouse Lublonitsch. The first one is a disappointment for its visitors, what can't be said about the second.
The story goes on to tell that the author had a chance to get acquainted with the owner of the
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In the text there are also various types of repetition: catch repetition (The maids called her Frau Chef. Frau Chef prepares special food…),morphemic repetition (drinking, greeting the guests, receiving as much attention…), lexical repetition (as she emereged from the kitchen wiping her hands on her brown apron, with her grey hair drawn back tight, her sleeves rolled up, her dingy dress…;She owns all the strip of land… She’s got three farms.. She may even expand across the river…) This SD underlines Mrs. Lublonitsch’s domination, power and strength, it shows that everything belonged to her only.
The Inversion used here gives emphasis to the situation.(Appended to the guesthouse was a butcher’s shop; In the garden grew one useless thing, within it was a bedroom…).
The author resorts to the use of descriptions of Mrs. Lublonitsch and her room. He opposes her appearance of a peasant to the imperial magnificence of her bedroom. (she emereged from the kitchen wiping her hands on her brown apron, with her grey hair drawn back tight, her sleeves rolled up, her dingy dress…) And with the use of similie he compares her to a peasant ( She went and fetched a cloth and mopped up the mess herself, like any peasant…). For the description of her room the author uses various detachments that serve as descriptive details ( I saw a canopied bed, built
Kelley use repetition many times throughout the piece. She uses it to have ideas and phrases stick with her
The repetition gives this passage significance and makes it stand out,
It had been four-weeks since Madame Valmonde has seen Desiree and the baby. As she arrives at L’Abri, the home of Armand and Desiree, she “shudders at the first sight of it.” The house is covered by “big, solemn oaks” (Chopin 422) who’s “branches far-reaching shadowed it like a pall” (Chopin 422). Offering another foreshadowing, it is suggested that the shadowing trees and the branches that cover the house compare to a cloth used to cover a coffin; allowing the reader to envision L’Abri as a gloomy or serious place that is absent of pleasure and happiness--a place that had not had a woman’s touch since Armand and his father returned from Paris after the death of his mother when Armand was just eight-years old.
And then she made me stand up on a box of books and point, That one? She said, pointing to a row of ugly three-flats, the ones even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that wasn't my house and started to cry. (p. 44)
This story begins to drive the sense of emotion with the very surroundings in which it takes place. The author starts the story by setting the scene with describing an apartment as poor, urban, and gloomy. With that description alone, readers can begin to feel pity for the family’s misfortune. After the apartments sad portrayal is displayed, the author intrigues the reader even further by explaining the family’s living arrangements. For example, the author states “It was their third apartment since the start of the war; they had
The first character introduced is, John. He is the husband of the narrator, and her physician. He is the reason she has come to this mansion. She also believes he is the reason she is not getting better faster. “John is a physician, and perhaps- (I would not say it to a living soul, of course, but this is dead paper and a great relief in my mind)-perhaps that is one reason I do not get well faster” (Gilman, 1891). This statement, in the beginning of the story opens up the reader’s realization that the narrator is suffering from some mental illness.
In The Handmaid's tale, Margaret Atwood uses repetition in her writing to emphasize meaning. For example, on page 72, it says, "Her fault, her fault, her fault, we chant in unison." This event occurs when the handmaids are in “testifying” and Janine is telling the story of how she was Gang raped at the age of 14 and had an abortion. Aunt Helena is humiliating her by making the other handmaids chant things like, “She did,” or, “crybaby,” as well as other things on this page. Repetition is one of the literary devices that Margaret atwood uses in her writing.
While the Smolinsky family is not literally “hanging on Bessie’s neck for her wages”, this displays to the reader how desperation affected them. The metaphor acts as a bridge between the reader and the event, therefore allowing them to feel the same worry that Sara harbors through the shared experience of “hanging” without support. It is important for the audience to relate to the characters, yet this cannot happen if the author’s portrayal gives little humanity to their characters. Hence, when Yezierska writes that financial help according to Sara and her family is a “stab into our burning shame”, it shows that despite any prior notions of poverty being an “ornament”, they still have human wants and needs. Moreover, it shows that her characters are not emotionless apathetic beings that live only on their faith; they too endure deviations from what is expected of them. At any rate, repeated similes have an analogous consequence on the reader's thoughts. Multiple comparisons within a small section of text compound the anxiety, bombarding the same heavy emotions that Sara feels onto the reader in a way that they can sympathize with her, and in turn, Yezierska herself. Altogether, these literary moves go further than simply entertaining the audience, but informing them about what the world was truly
In the novel A Room with a View there are two main settings that not only contrast in location but also in atmosphere. The author, E.M. Forster uses Florence, Italy and Summer Street, England to exaggerate the differences in the main character’s state of mind influenced by the people and places around her. The restricting culture of early 1900 Europe in which the story takes place also plays a role in the varying settings as the author strives to convey his purpose.
Through the Seamstress’ time with Luo at the lake, she expresses her individuality therefore building on her character. Repetition of “you’re” such as “I know what you’re getting at…” shows the Seamstress’ ability to be brave and stand up for herself. She is aware that others make judgements of her vulnerability due to her strong loyalty to Luo, however she addresses the reader through these pronouns to uphold herself, exhibiting vitality. Her confrontation with the reader shows confidence and strength, characteristics she didn’t have when being cooped up inside her house. Through the selection of detail, the Seamstress claims she isn’t like the “French girls Balzac talks about” and describes herself as a “mountain girl”. Here, the Seamstress is acknowledging that she is different and unique. She separates herself from other girls with the descriptive word “mountain”, applying that she is more adventurous, bold, and courageous than the “French” girls.
In paragraph eight, Chopin begins to use personification as well as imagery. Mrs Mallard “young, with a fair, calm face” (158) is sitting in the armchair with a “dull stare in her eyes” (158) which “indicated of intelligent thought” (158). Reading this, the reader can form an idea of what Mrs Mallard looks like, and we understand that there’s something going on in Mrs Mallards head, something changing everything in her mind. Mrs Mallard is still struggling to figure it out but “she felt it, creeping out of the sky, reaching towards her through the sounds, the scents, the color that filled the air”. From this we understand that she is beginning to realise it, and her soul is beginning to fill with happiness of freedom, which is in all the sounds, smells and things she sees. For one moment, however, she is somewhat afraid of feeling happy about her freedom and “she was striving to beat it back with her will” (159). This shows that Mrs Mallard is a “product” of her time, and is striving to feel what is socially accepted. She realizes that society would determine her thoughts of freedom inappropriate, but she can’t stop herself from feeling that way.
Arthur Miller is a social dramatist who reflects his outlook on the US government, in many of his plays. The Great Depression had a lasting influence on him, which he portrays in “The American Clock”. Because he was so deeply impacted by the Depression and the government’s role in it, Miller mocks the idealism of the American dream in “Death of a Salesman” and “A View from the Bridge”. Due to his unjust condemnation as a Communist during the McCarthy Era he accuses the faulty court system as culpable. Miller creates John Proctor in, “The Crucible” as a victim during the Salem Witch Trials, to represent himself during the Red Scare. In his plays, Miller’s characters deal with injustices in order to express Miller’s view that American law is
Author, Kate Chopin, presents the character of Mrs. Louis Mallard. She is an unhappy woman trapped in her discontented marriage. Unable to assert herself or extricate herself from the relationship, she endures it. The news of the presumed death of her husband comes as a great relief to her, and for a brief moment she experiences the joys of a liberated life from the repressed relationship with her husband. Finally, she recognizes the freedom she has desired for a long time and it overcomes her sorrow: "Free! Body and soul free! She kept whispering." In her soul, the dark clouds are disappearing because she is illuminated. All the memories of her husband are now of the past. She is living in the present. At this point, she is no longer "Mrs.Mallard." She is Louise and is ready to welcome a new horizon of freedom : "Spring days, and summer days, and all sorts of days that would be her own." Overwhelmed with a new sense of herself, she feels as if she
Hans is a passionate, caring man who earns his living as a house painter by day and an accordion player by night. Liesel believes his eyes show kindness, and is closer to him from the beginning than to her foster mother. He is one of a few in their village who is not a registered member of the Nazi party, which comes to have serious repercussions on the family as the book progresses. Rosa Hubermann is a stern, strong woman who looks like a “wardrobe with a coat thrown over it” and would be “cute,” but appears perpetually annoyed. She peppers her language with epithets like “Saumensch” and “Saukerl” and “Arschloch”. “Sau” refers to “pig” and mensch is girl and kerl is man, arschloch sounds pretty close to its English equivalent. From the beginning Liesel is “saumensch,” which at first refers to Rosa’s annoyance at taking this girl in, even though it does mean more money for the family. But by the end, it has become a term of true endearment. Liesel’s best friend in the village is a little boy named Rudy, “the boy next door who was obsessed with the black American athlete Jesse Owens.” Rudy is in love with Liesel and always pesters her for a kiss, which he does finally receive, after some pretty serious turns in the story. He is a simple, almost naïve boy, and would do almost anything for her, including jumping into a nearly
These days, there have been a number of hotels in various cities, towns and countries. From when I was young to now, I have visited many inns since I loved to travel to somewhere. I had any feeling and impression about hotels where I have been before I became eighteen years old. Hotels were just hotels that I needed to stay for the night. No more than that I thought. Before I went to Canada to study English in 2011, my family had a plan to travel somewhere and stay in a hotel for my farewell in Korea. After we visited many attractions, we were heading to the hotel that we made a reservation. When I saw the entrance of the hotel, I was surprised at first, and when we went inside of the hotel, I was surprised again. For two days, I was very impressed and I thought a lot in positive ways. I always had a desire to visit again and I wanted to get a hotel like that inn. It was the first time for me to know what I want to become. The trip to the hotel was totally changed my life and my dream.