“The Twisted Tragedy Of Miss Natalie Stewart”
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The story “The Twisted Tragedy of Miss Natalie Stewart” is about a 17 year old girl named Natalie Stewart leaving New York City with her 18 year old Jonathan boyfriend to go find answers. At the very beginning of the story it takes place on a train. Natalie and Jonathan are running away from the supernatural demons, spirits, and ghost that seems to follow them everywhere they go.
In the very beginning of the story Jonathan and Natalie are introduced as cousins. They were pretending to be cousins, so no one would suspect him as the kid who killed his family. Couple hours on the train and people began to recognize him. He noticed and switched from his english accent to a new york accent. He
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Which confused Natalie, she decided to brush it off as if it were a dream because she couldn't tell jonathan anyway. She began to feel that it was too real that that symbol had to have been there. It couldn't have been a dream so she waited until they were alone to tell him about the symbol.
Then when they returned to New York her father told her Jonathan does not have my permission to marry you until I know you my daughter will be completely safe with him. Jonathan had left to England to end running away from the law. As soon as he returned from England Ms.Northe had to go see her dying friend who would have more answers for them on what's going on, why this is happening, who's controlling this, and how to end this.
Then Natalie, Jonathan, and Rachel had left to go to the basement of Rachel's castle where Jonathan’s soul had once been trapped inside one of the portraits. they went to go find out why all this was happening because no one knew when ms.northe would be back. They got to the basement door that opens on its own, like something inside has been waiting for them. the further past the door the colder it got. While they were standing in the hall Jonathan said “he feels many presents in there” as Rachel signed that “I am not welcomed here”. At the moment she said that came a guard coming out of the room they were headed to. Mr.Smith punched him in
Shakespeare's "Macbeth" holds many hidden themes within its already exuberant plot. The first of these surrounds the murder of Duncan and the role that both Lady Macbeth and Macbeth himself played. However, the true guilt of the murder can fall on either character. Although Macbeth physically committed the crime, it was Lady Macbeth that pushed him to his limits of rational thought and essentially made fun of him to lower his esteem. With Macbeth's defenses down, it was an easy task for Lady Macbeth to influence Duncan's murder and make up an excuse as to why she could not do it herself. The guilt of Duncan's murder can be placed firmly on the head on Lady Macbeth.
Because of this big trouble, the grandmother has to move out in order to avoid her daughter’s divorce. Natalie loves her mother, but she cannot afford to lose her husband. Finally, the grandmother moves in with Natalie’s mother in-law, Bess. Natalie doesn’t bring Sophie when she visit her mom, and she seems busy than ever before, just come and leave.
In a world usually depicted as a “man’s world,” a woman’s role is not considered as significant and thus can be repressed. It is why a feminist perspective or criticism comes into place, especially in literature. By definition, a feminist criticism consist of scrutinizing “the ways in which literature reinforces the economic, political, social, and psychological oppression of women.” (Tyson) In Gail Godwins’s A Sorrowful Woman, the leading female character is concentrated in her efforts in distancing from her structured lifestyle. A feminist would critic Godwins story by as the female character is in pursuit of peace and happiness and wants to escape from the role she has been implanted. The critic would concentrate on the experience woman
Guilt is a very strong and uncomfortable feeling that often results from one’s own actions. This strong emotion is one of the theme ideas in William Shakespeare, “Macbeth”. Both Macbeth and Lady Macbeth feel guilt, but they react in different ways. Guilt hardens Macbeth, but cause Lady Macbeth to commit suicide. As Macbeth shrives to success guilt overcome’s Macbeth where he can no longer think straight. Initially Macbeth planned was to kill Duncan but it wasn’t enough he also had to kill Banquo and Macduff’s family. On the other hand Lady Macbeth had to call upon the weird sister to unsexed her so she had no true feeling towards anything as if she was a man. However, the true guilt of the murder
You can control guilt or guilt will drive you into madness. In the novel, Macbeth, guilt has taken over two of the main characters, Macbeth and Lady Macbeth, but each one responds to it in a different way. Their similarities and differences are quite obvious and both are driven to their actions by this feeling. It will eventually cause both of them a breakdown, affecting their behaviors and resulting them into going through a psychological incapacity.
At the start of the play Macbeth and Lady Macbeth are seen as a united
William Shakespeare’s play entitled Macbeth is a bloody tragedy about ambition, evil, guilt and moral corruption. The story emphasizes a lot on the consequences or aftermath of the bad deeds that Macbeth and his wife Lady Macbeth do and the growing impact it has on them in turn. Lady Macbeth a woman driven by her assertiveness, boldness, strength and ambition for her husband could not escape the guilt that eventually caught up to her and destroyed her. In Act 5 scene 1, Lady Macbeth is sleep walking and goes insane due to the guilt and remorse that finally catches up to her. This scene is the most important because it changes the reader’s view on Lady Macbeth and Macbeth as characters and it also
Euripides and Sophocles wrote powerful tragedies that remain influential to this day. The vast majority of work recovered from this time is by male authorship. What remains about women of this time is written through the lens of male authors’ perspective and beliefs about the role of women in Greek culture. The works of these two playwrights frequently characterize women as unstable and dangerous. Agave, Antigone, and Medea are all undoubtedly the driving force behind the tragic action in these plays. It is their choices that lead to the pain and death of the people around them. Through an examination of the evidence from three separate works, Antigone, The Bacchae, and The Medea, the role of women in ancient Greek tragedy becomes clear. The actions of Agave, Antigone, and Medea repeatedly prove their characters instability and danger.
There are many examples of gothic elements in Rebecca. The most prominent is the setting of the novel. The novel is set at Manderley, which is a fictional estate in England. The elements of a castle, sinister surroundings, and extreme landscapes are all evident in the novel.
In the stories of The Scarlet Letter by Nathaniel Hawthorne and Frankenstein by Mary Shelley, the antagonist characters display parallel story lines through their searches for the enemy. Roger Chillingworth, the former husband of Hester Prynne and the antagonist of The Scarlet Letter, works against his wife in order to find her untold second lover. Frankenstein is a contrasting story in which an unnamed monster is the antagonist towards his human creator, Dr. Frankenstein. Yet despite quite different story lines, the two characters possess traits that exibit parallels between them. In the novel The Scarlet Letter, Roger Chillingworth displays the startling passionate characteristics of an unwavering drive to seek out his foe, madness as his focus on his search takes over his entire being, and terrible anguish when his task is unexpectedly over, all of which are reflected in the daemon created at the hand of Dr. Victor Frankenstein in Mary Shelley 's novel Frankenstein.
The story that is A Sorrowful Woman seems to be a story told from the point of view of a narrator who focuses only slightly on the inner conflict of one of the main charters in the story. The character of which I am speaking is never referred to by name, instead is called she, the woman, mommy, and wife throughout the entire story which lends credence to the conclusion of the viewpoint as being told from the outside. The first indication that the focus of the story will be not of a warm and loving nature is the line “The sight of them made her so sad and sick she did not want to see them again”(1). This is where a hypothesis can begin to be formed as to who the antagonist of the story is, bearing the statement above in
The fact that heroine falls from her shoes can be regarded as a metaphor: she can`t maintain her status as a reach woman and gets badly hurt in the process. The footage of the woman can be easily compared to the rest of the women out there, including me. Her hopeless attempts to fit into the “fucking awesome pants” shows that she has a hard time fitting into the beauty standards and the persona that she strives to be. Nowadays beauty has become a word with a degrading value. The unbearable pressure from the media that creates images of females that not only are unhealthy but impossible to reach, causes women to look a certain way so they would fit onto society.
The women in Shakespear's play: Twelfth Night, are all depicted as having power, comedic and being very emotional.
As Horatio puts it, “Now cracks a noble heart. Good night, sweet prince, And flights of angels sing thee to thy rest.” Hamlet (5.2 97-98). On the other hand, even though he dies in battle on the battle field, Macbeth isn’t able to die honorably, because of all the lives he has taken, purely for his own potential need. So says Macduff as he enters with Macbeth’s head. “Hail, King! for so thou art. Behold where stands Th’ usurper’s cursèd head. The time is free. I see thee compassed with thy kingdom’s pearl,” Macbeth (5.8 65-67)
Many movies or stories are fit into a specific category. For example, there is comedy,