West Side Story
No 10: Tonight (Ensemble)
Maria, Tony, Anita, Riff, Bernardo, Jets and Sharks
In this number, all the participants talk about the eventful evening they feel is ahead, each with their own thoughts on what will happen.
There are three trains of thought:
1 Riff and Bernardo - thinking (in terms of their own gangs) of the fight arranged for later that evening
2 Anita - thinking about her 'nocturnal activities' with Bernardo after the fight
3 Tony and Maria - more romantic love, idealised, though Tony has to agree with Riff, in exasperation, to be present at the fight
Each group/individual states their case with their own line (Anita's is related to Riff/Bernardo but adapted) and then the different melodic lines are
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The film version plays on this a little just after the Prologue where the Jets laugh as heartily as the Sharks at a joke made by Bernardo at the expense of the common enemy - the police.
Bar 46 - verse 3 continuation
A hemiola effect with orchestral tutti chords every three beats. The characters are getting in their excuses ("well they began it") first with a particularly childish version of the theme heard at 38 - both quickly observe that their gangs will be the ones to stop the opposition (once again in unison and with the same lyrics. Sondheim is careful to have no references to Jets or Sharks when both leaders are singing). At 50 the "Tonight" motif is heard again. At 50 slinky, glissando saxophones announce musically the arrival of the alluring Anita for her verse. This sort of sax writing has been used in innumerable films and television programmes to signify a particularly alluring or sexy (usually female) character
Bar 53 - verse 4
Musically a return to verse one but Anita's snaky, swinging triplets in the vocal part make more of her suggestive nature (rather than the rather direct and unsubtle quavers of Riff and Bernardo)
Bar 68 - verse 4
Anita's "Tonight" motif overlaps with Tony's "tonight" on the anacrusis. Again there is a change to A major as Tony sings
"She could only just recognise the tune for what it had once been. Not that coarse parody, stilted and mechanical, a tin brashness, a gaudiness of noise." Unpleasant and irritating sounds and noises suggest the lady's discomfort, as if the song was
This song sets the mood as it is an acoustic love song. The song changes when the loves first make physical contact in the elevator and becomes more intense which increases the passion between the two lovers. This music continues throughout the rest of the scene. Before Maria and Tony meet the other characters are dancing at the disco, the music is jazzy and upbeat, this is also set in a major key. When the lovers meet the music changes as the characters fade out.
The musical “Hamilton” is the most sought after musical in years. It is the first seen rap musical and it has received the most ‘Tony’ awards and nominations in Broadway history. Hamilton premiered off Broadway in 2015 and soon moved to Broadway to stun the world with it’s incredible everything, from plot to casting. For best albums, Hamilton was second ranked in Billboard magazine and has got endless supply of recognition for the ingenious play written by the phenomenal Lin Manual Miranda. Hamilton is currently the most popular sensation on Broadway because of the music with its creative lyrics and hidden messages, it’s stellar performance and the perspectives it gives us on the people that founded our county. (on the people that shaped our past and developed our future).
2. "… there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour." (p. 11)
Apart from that, the poem consists of a series of turns that reflect different parts of the speaker’s feelings and the experiences he had. The significance of these turns is made possible through the use of stanza breaks. For example, the first
Following the altercation between the gangs, it is decided by Riff that the time has come to take care of the Puerto Ricans once and for all, "clean em up in one all-out fight!" (Laurents 10). Riff will challenge them at the dance at the gym later that night. But, he wants his old pal Tony, who founded the Jets with him, in as his Lieutenant (Laurents 12). So, he goes to fill in Tony, who has made a sincere effort to
The author uses the poems structure and stanzas to help get her point across. The poem is composed of four stanzas with a total of 25 lines. Each stanza signifies a different part of the child’s life. The stanzas have irregular lengths and structures. The numbers of lines in each stanza vary from five to seven. Piercy separates the pieces of the story by stanzas to tell the girls story so the audience could see how she was treated since birth. For instance the first stanza talks about her birth and adolescent years, while the third and forth stanzas talk about the end of her life.
Street gangs in the northeast of the United States came about in three phases. The first phase took place after the American Revolution and consisted of youth fighting over turf. The second phase of street gangs started to emerge in 1820, which coincided with a rise of immigration. This is when serious ganging began taking place. In the 1930s and 1940s, the Latino and Black populations grew, and eventually, over two-thirds of the gangs in New York were Puerto Rican or Black. This third phase of gang activity is the subject for Leonard Bernstein’s West Side Story, which features the Puerto Rican Sharks and the Polish-American Jets and the romantic relationship between two people, one from each gang, which suffers to exist amidst the violence between the two gangs.
In the United States, there is a three percent chance of giving birth to twins (“Multiple”). In this circumstance, one twin will often show dominance over the other. This is very apparent in the relationship between Sharpay and Ryan Evans in the High School Musical franchise. There are three movies in this franchise where the dynamic between Ryan and Sharpay is slanted. Sharpay’s behavior is caused by many things, but one of the major causes is jealousy. Sharpay acts aggressively towards her brother and others because she feels inferior when compared to Ryan. Ryan is a nicer person than Sharpay, he has more true friends, he is more talented, and he also has a more prospective future. She also is jealous of Gabriella Montez because Gabriella is talented, smart, pretty, and dating the star of the basketball team, Troy Bolton. Sharpay’s struggle for control and her fight for Troy’s love is a central conflict of the franchise.
Your Obedient Servant is one of the last songs in the musical Hamilton: An American Story. This song is based off a set of interactions between the title character, Alexander Hamilton, and his antagonist, Aaron Burr. It follows the Song, Election of 1800, in which Hamilton openly supports Thomas Jefferson to become president instead of Burr after the electoral tie between the two candidates. The tension that has been growing throughout the entire musical has climaxed at that point and then the infamous duel is set. All the letters that are written to each other during the song are ended with, “your Obedient Servant,” to add humor and also a reference to the actual series of five letters sent in 1804. While this makes for fantastic theatre, it is not completely accurate. Part of what makes Lin Manuel Miranda’s writing so compelling is that he takes Aaron Burr and makes him more dimensional than the man who killed Alexander Hamilton. However, the actual exchanged letters that the song is based off of show the tension breaking by a small incident, not directly relating to the presidential race, and do not actually set the terms of the duel.
Moving on forward, the text clarifies that the reason for the narrator being in this bar whilst as drunk as the song implies, is because of a woman that left him two nights ago.
Despite the different mood between the melody and harmony, the sound is still relative to each other. Measure one through eight plays three different times during the song. Measures one through eight are first played as the beginning of the song, then just after that play it immediately repeats. The third and final time these measures are played are after measure eighteen. Before the vocal entrance strings seem to start the song off.
· But line 3 of stanza 1 becomes the rhyme sound for the first, second
From The Sopranos, we can see HBO uses an ident at the beginning and end of each episode. The ident starts with a black screen; a white line then appears in the middle of the screen with a sound simulating the switching on sound of a television from earlier. (Fig.2) The white line then opens up filling the screen with ‘snow’ accompanied by a hissing sound and the HBO logo clear up through the ‘snow’, imitating the situation when an old model television with bad signal. (Fig.3) The background then turns to black as the text ‘HBO Original Programming’ (since The Sopranos is an originally programming) lighting up in the center to into white, as the hissing sound is replaced by a single low note at the end. (Fig.4) Then the screen fades to black
The antagonist is Don Barzinni and the other Three Families in their desire to introduce drug trade. The hit on Vito