Talladega Nights Archetypes

“The Rocking-Horse Winner” is a short story by the English novelist, essayist and literary critic D.H. Lawrence. It represents how the author cautions about the negative effects of materialism, as it can never fully satisfy the human need and will eventually end in tragedy and unhappiness. Lawrence does so through the archetypes of the terrible mother, the hero, and the anti-wise old man.

In various stories, the authors often use literary devices to express feeling and thought and to distinguish their stories from others. At times, similar patterns can be found once critically examined instead of simply being read. In two stories, The Devil and Miss Prym by Paulo Coelho and “The Lottery” by Shirley Jackson, the main idea is the sacrifice of one person in a village and how other villagers are affected by it. In The Devil and Miss Prym, barmaid Chantal Prym meets “stranger” Carlos when he visits the village searching for answers. In “The Lottery”, the villagers have an annual drawing to rid of one of their own as tradition. While comparing and contrasting both stories, one can begin to see apparent types of conflict,

Seven years later all the boys are in high school. Ricky the one who wants to become a football player has a girlfriend and a baby boy. Ricky wants to become a football player because he does not want to become like his brother Doughboy, who doesn’t do anything with his life. Ricky and Doughboy are half-brothers, they have the same mother. Tre moved in with his father when he was younger so his dad can teach him to become a “man”. Tre learns life lessons from his father, there is one part in the movie where Furious, Tre’s father, says “a black man has no place in the military.” Doughboy who is Ricky’s half-brother doesn’t have any plans for his life. All he does in the movie is hang out with 3 other people on his mom’s porch drinking beer, selling drugs, carrying guns and driving around. Doughboy has been in and out of jail. Doughboy, his girlfriend

As to unknown bias, I am unsure how I can control such things, or when they will surface. I can only learn in this program how some things I do and say come off to other people and work through to achieve the needed balance discussed, which would not apply to clients. With clients, I need to adjust my self, because it is simply different, they come first.

The Alamo is a 2004 American war film about the Battle of the Alamo amid the Texas Revolution; it is a motion picture that catches the dejection and fear of men sitting tight for two weeks for what they hope to be sure passing, and it some way or another succeeds in taking those popular society brand names like Davy Crockett and James Bowie and giving them human structure. The film was coordinated by Texan John Lee Hancock, delivered by Ron Howard, Brian Grazer, and Mark Johnson, dispersed by Touchstone Pictures, and featuring Dennis Quaid as Sam Houston, Billy Bob Thornton as Davy Crockett, and Jason Patric as James Bowie. The film relates to history, the Alamo looks exact, and, in reality, we find that San Antonio de Béxar was deliberately re-made with small saving of cost. In any case, a feeling of the way the occasions at the Alamo are joined with the national story of slavery, development, and the evacuation of Native American from the eastern United States in the 1830s and 1840s is missing. On the off chance that we incorporate this bigger story, we can maybe figure out the more extensive point of view that at first created enthusiasm for the venture.

In the movie, The New World: Nightmare in Jamestown begins with the voyage of about one hundred men journeying to discover treasure in the New World called Jamestown. These men were part of what was called the, Virginia Company. The Virginia Companies exploration was predominantly for treasure like gold and silver. The voyage took about four months. At the time, Jamestown was not the place to be living. In Jamestown the land has been stricken with a scarcity of food and there had been a staggering amount of infections going around. Fortunately, they had the assistance from England who shipped them different resources essential in order to endure the harsh conditions of Jamestown.

The main plot of the movie is that Melanie Carmichael, played by Reese Witherspoon, becomes engaged to the son of the mayor of New York City, but before they can get married she has to go to Alabama to finalize her divorce. During one part of the movie she reveals that her friend Bobby Ray is gay. A little further into the movie she goes to Bobby Ray’s house to apologize. In this scene she is standing on the front porch of a giant white plantation house, and an African American women answers the door and tells her that Bobby Ray is in the backyard. Mel goes to the backyard where she finds Bobby Ray and his grandpa blowing anvils into the air. Bobby Ray’s Grandpa is dressed as a Confederate soldier, and later in the clip it is revealed that the act of blowing the anvils into the air is related to the Civil War. Mel apologies to Bobby Ray and as she is

Summary: Ricky Bobby, one of NASCAR’s most popular drivers of his time, is a dominating success on the track. Starting as a pit crew member, Ricky jumps into the driver seat after their driver quits mid-race. Although he started third, Ricky eventually ends up third in the race, kick starting his future NASCAR career. After Dennit Racing introduces another driver (Jean Girard) alongside Ricky Bobby and Cal Naughton Jr., Ricky becomes less successful as the season goes on. After flipping his car in Charlotte, Ricky vanishes from NASCAR as he is unable to cope with not being the greatest driver on the

John Ford built a standard that many future directors would follow with his classic 1939 film “Stagecoach”. Although there were a plethora of western films made before 1939, the film “Stagecoach” revolutionized the western genre by elevating the genre from a “B” film into a more serious genre. The film challenged not only western stereotypes but also class divisions in society. Utilizing specific aspects of mise-en-scène and cinematography, John Ford displays his views of society.

Disney has faced a large amount of criticism from critics over the tropes and stereotypes that it portrays in its animated films. This is not a recent event however. One of Disney’s most notorious and controversial films, Song of The South, was released in 1946. Song of the South, set during the Reconstruction Era, focuses on a young boy named Johnny who learns that his parents will being living apart for an unknown amount of time, moves to a plantation in Georgia, while his father continues to live in Atlanta. Depressed and confused over the recent events Johnny decides to run away to Atlanta, but is drawn to the voices of Uncle Remus, an ex-slave living on the plantation, telling stories of Br’er Rabbit. Although it is implied that the African American workers are no longer Johnny’s family property, the black characters are still wholly subservient and are happy to be so. James Baskett plays Uncle Remus as a blissfully, happy companion ready to please. Due to this “magical negro” trope, the characters’ ridiculously stereotypical voices, and the unrealistic happy and joyful relationship between the white landowners and their black help, Song of The South, is one of Disney’s most offensive, racist, and fictitious film. Disney’s portrayal of Uncle Remus is his veiled justification of the mistreatment that minorities received before and after the Reconstruction Era.

The world of film has changed dramatically over the last fifty years, both in technology and perceptions on how the industry should work and how it is viewed by the public. The ending of the production code in Hollywood started the cultural change in the industry. With this restrictive institution gone, many directors chose to take advantage of this in many different ways. My favorite of these is Mel Brooks; he chose to break and push boundaries both socially and comedically. Brooks’ style often includes crude humor inlaid with deeper jokes and meaning, many fourth wall breaking moments such as the “We’re in now now” scene of Spaceballs, to stand out in the world of comedy. His masterpiece, Blazing Saddles, is one such film that did just that. Through its new found sense of humor in the post production code era and its twists on common genre tropes of the time, Blazing Saddles was able to find its place into the New Hollywood Cinema.

The western movie I pick is John Ford’s movie Stagecoach (1939). The movie is about a group of people traveling together by stagecoach from the town Tonto to Lordsburg. The people traveling together are a diverse group of people. All of them have the specific motivation for going, but they all share the same goal reaching to Lordsburg. The characters are Dallas who’s a prostitute, Mrs. Lucy Mallory who is the wife of the Army Cavalry officer, Ellsworth Henry Gatewood who is a banker, Hatfield who is a gambler, Samuel Peacock who is whiskey salesman, Doc Josiah Boone who is a alcoholic doctor, Buck Rickabaugh who is a stage driver, Marshal Curley Wilcox who is a marshal riding shotgun, and Ringo Kid who is an escaped outlaw.

The question is whether No Country for Old Men and Stagecoach provide adequate examples of the decline in American moral values. From my perspective of today’s world and my interpretation of No Country for Old Men and Stagecoach, I can see how the argument could be made that they have declined or haven’t changed at all. I see a difference between the relationship of Ringo and Dallas vs other members of their traveling group compared to Sheriff Bell vs Chigurh. These relationships, in my opinion, explains a lot about the development of moral values, or lack of, in the western United States. In this paper, I will describe the moral values that are represented in each movie and I will also try to describe my understanding of why American moral values may have declined between No Country for Old Men and Stagecoach.

In the film Shawshank Redemption the archetypes Loyal companions and mentor suggest that we as humans always find happiness and friendship in the darkest of time. There are more archetypes that are shown throughout the entire film. But, the subjects fear, friendship, and happiness are the topics most shown throughout the movie.

For this paper I want to focus on some important points of the movie McFarland because this movie for me has some really important topics it addresses. In addition, one of the these important topics that I am going to be emphasizing on and elaborating more, is on the issue of language assumption due to race. Furthermore, another significant issue that I will focus on is on how having teamwork/hard work can bring so much success and achievement not mattering in the situation you are in. These are some of the most essential issues that I found to be more shown in this movie, therefore wanted to expand on them a bit more.