Art Museum

Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.

This painting is done with oil on canvas. The painting itself holds visual texture and substance. The repetition and sorting is well executed. With some other works, subject matter which is so simple can come off as bland and boring. Yet Thiebaud was able to turn something so simple into a beautiful piece of art. Wayne Thiebaud uses heavy pigment and defined shadowing. All while the attention to detail is divine. With the well defines brushstrokes to luscious look of the frosting that coats the pieces of cakes. The color is vivid and imminently captures your eye; with intensity and he uses his shading properly while also using proper proportions as the pieces of pie

Interestingly, my first visit to the Museum was almost accidental. When I was a freshman, my mother was taking an art class at the College of Staten Island which required a class trip to the Metropolitan Museum, and my brother and I both agreed to accompany her. I will never forget the moment that I first laid eyes on the Metropolitan Museum. Although it was a dark, cold winter night, the shimmering lights made the building most inviting. As we crossed the threshold, I was struck by

The Carnegie Museum of Art was a museum created to focus on the art of tomorrow rather than already popular art and artists of today. A necessary part for that dream of Andrew Carnegie to become a reality is having a place to house these art pieces. While of course he could have just found an empty warehouse and placed all the art there that would neither have given the pieces of art justice nor would anyone want there personal collection to be placed on display there. Instead, in order to have a successful art museum you have to house the art in a place that does it justice. Museums heavily rely on their architecture to accurately portray and supplement the showpieces within the museum. Carnegie’s art museum

Countless art has been sought-after throughout history. Explorers, scientists, art collectors, politicians, and entrepreneurs from Western nations have sought out and removed art from the lands of great civilizations, often with the assistance and participation of local people and governments. Even as cultural property faces immediate danger today in conflict zones like Syria and Mali, there is circumstantial evidence that some nations are awakening to the political and foreign policy benefits that can flow from the repatriation of cultural patrimony. While on a different scale from World War II, historic structures, religious monuments, and other priceless ancient times continue to suffer collateral damage and manipulation in armed conflict. Relics have been stolen, smuggled and sold in what is a reported multibillion dollar underground market. They have become the illicit prizes of private collectors and the subject of legal claims against museums. Of the countless museums subject to legal claims, The Metropolitan Museum of Art in New York City happens to be one of them. “The Metropolitan Museum has acquired thousands of works and objects of art from the antiquities”. “For the past several years, the government of Turkey has warned U.S. and foreign museums (including The Metropolitan Museum of Art), that unless ancient objects from Turkish soil are given up on demand, Turkey will stop lending artworks” (The Committee for Cultural Policy, 2015). Turkey continues to up the

Among the many artworks I have seen, I decided to discuss about the “Sarcophagus Depicting a Battle between Soldiers and Amazons (Warrior Women)” from the Roman civilization. It was built sometime in between 140 A.D. to 170 A.D and is approximately forty and a half inches in length, ninety-one and a half inches in width, and fifty and a half inches tall in height (“Roman Sarcophagus”). This masterpiece appealed to me because of the unique approach that has been designed to honor the deceased. Many people are familiar with the formatting and inscriptions of a gravestone because it is usually engraved with an individual’s full name, birth date, and death date. During the Roman Empire, a sarcophagus, which is a coffin, was widely used to show decorative themes that includes: battle scenes, hunting scenes, weddings, or other memorable episodes from the life of the deceased individual. The most luxurious ones were made from marble surrounded by symbolic sculptures, figures and inscriptions on all four sides (“Sarcophagus”). Another feature that captured my attention was the large quantity of details used to bring out a lifelike aspect of the deceased individual’s favorable moments in their life. In this artwork, this sarcophagus was dedicated to a Roman commander. The exterior of the sarcophagus has been well-decorated and carved with exquisite details depicting a battle scene

The artwork is one of the main ways to express the culture of a region or a country. Therefore, art has played a very important role throughout history. When talking about art, the first thing that comes to most people’s minds is probably that art is a painting or it is a sculpture. However, art has many forms of expression, and it closely connects to human’s daily life. Besides paintings and sculptures, art is everywhere around us. I am always interested in how people have linked art with daily life throughout history. For this reason, the two pieces of artwork I chose from my visit to the Museum of Fine Arts are both objects that can be used in everyday life: one is the mixing bowl and the other is an incense burner. Though they are from different cultures, have different making processes, and have a different purpose in usage, they both are good examples to show how artists tried to apply art using different techniques to human’s daily life.

“This world is but a canvas to our imagination”; which always has been throughout the years. Art has been separated in different categories such as architectures, sculptures, photography and paintings. For my semester project, which was to visit an art or historic museum; my classmates and I went to the Reynolda House Museum of American art which provided us both the art and history. At first, we all assume that the visit would be boring or the art gallery would be dull. What shocked us the most was the actual experience being in the museum instead of just talking about it. We experienced multiple feelings during our visit in the art gallery as well as the historic area. From the art gallery which held many paintings of artist, to the house that R.J Reynolds and his family once occupied. Furthermore, it also showed us the legacy of R.J Reynolds and his family has left behind for the people of Winston-Salem.

The Polk Museum of Art is a fairly small but unique collection of galleries near downtown Lakeland. It has several permanent exhibitions containing over 2,500 works of art (“Mission and History”) and also features new collections and works of art that it rotates out. PolkMuseumofArt.org explains which exhibitions are currently displayed and is updated to include upcoming events, descriptions of collections, and artists’ bios and statements on their works, as well as classes, camps, and speakers that will be held or featured at the museum (“Upcoming Events”). The website is an extremely useful tool to learn about the art that can be found at the local attraction, and it lends insight for visitors who want to know background

In the Metropolitan Museum of Art, two paintings are exhibited taking place in the 1800s. These artists have similarities and differences viewpoints of the environment in their painting and it helps people get a glance of what the 1800s were like.

In the eyes of America, I was a descendant of a slave and the child of a black man, making my life less important. My parents wanted only to protect my spirit, so I was taught that racism is just bulling, not an institutionalized oppression that affected me and everyone that looked like me. Then, the art of the hurt and angered surfaced and opened my eyes that I finally understood. Paintings of fists thrust into the air, black people being hung by the American flag, and the words inscribed on the building about injustice flooded my life. Minorities in America are, as we always are, fighting for the unalienable rights of human beings, rights that can be obtained through art. I have seen art affect me and those around me. I was inspired to make pieces that were a statement of my anger about what was going on in the world around me. I used art as my voice. Art has the power to destroy the foundation of the oppression of black people this country was built on. Art has the power to inform and move people and help them to see the problems of the world and inspires them to fix it. Art has the power to empower people and lift them up through adversity. Art is the answer. I can change the world through my art, unveil the ugly truth of oppression, and to one day make so that every person has the ability to grow and create. Through my art, I can bring the world together and save the lives of these potential artists. I just need to go to college

After visiting the Museum of Fine Arts in Houston for the first time, I observed many interesting works of art representing various time periods. Of all the paintings that I saw last week, two landscaped pieces seemed to stick out in my mind; Andre Derain’s The Turning Road and Thomas Hart Benton’s Haystack. Though these two art works are similar in subject matter, they clearly reflect the different styles and time periods of their artists; the abstract Derain being a Fauvist and the more realistic painter Benton representing the American Scene style as a Regionalist.

As I walked up to The Metropolitan Museum of Art (MET) for the first time, I was overwhelmed with amount of visitors that occupied the steps to the entrance and wondered if this visit was the best choice. I opened the front doors to the museum and stepped inside; my immediate impression of the place reminded me of my first experience at Grand Central Station. Initially, I was overwhelmed and distracted by the hustle and loud noise around me, yet at the same time, I found myself mesmerized by the architectural beauty and layout of the place.

17. On my museum experience, I took it in like every other visit to the museum I have ever had: much like other children expressed wonder and amazement at a circus performance or sports game; I was awestruck and mesmerized by the colors, the atmosphere, and the same restrained joy that I felt evident in the eyes of all the other observers. My girlfriend and I made our way through the museum, blending in with crowds of other viewers to see Cezanne, Gauguin, Brueghel, O’Keefe and the like in the permanent collection, making time to go from one end of the spectrum to the other. But my heart has always had a soft spot for

After getting over my initial reluctance, I got butterflies in my stomach. This was only the 2nd time I’d been to an art museum, so I wanted to make the most of it. When we first arrived, we looked around at some paintings. I visited an exclusive temporary exhibit of Edvard Munch which included a surprising amount of paintings of naked women. Nothing caught my eye in the first few galleries, but then I stumbled on an exhibit called “In Character” by Nam June Paik. As soon as I walked in, I got embarrassingly excited. I constantly had to stop myself from running around the museum like a madman. All the TV sculptures and simple, childlike drawings had been just so incredible to me. The piece that I really enjoyed the most was a sculpture called “Self-Portrait.”