Bad Indians Counters The View That Native Indians Are And Have Been Gone

One of the themes used in the book is of racism towards the Natives. An example used in the book is of Edward Sheriff Curtis who was a photographer of 1900s. Curtis was interested in taking pictures of Native people, but not just any Native person. “Curtis was looking for the literary Indian, the dying Indian, the imaginative construct” (King, 2003; pp. 34). He used many accessories to dress up people up “who did not look as the Indian was supposed to look” (King, 2003; pp.34). He judged people based on his own assumptions without any knowledge of the group and their practices. Curtis reduced the identity of the Native Americans to a single iconic quintessential image of what Native meant to white society. The idea related to the image of this group of people during the 1900s consisted of racism in terms of the “real looking Indian”. This is not

In American Indian Stories, University of Nebraska Press Lincoln and London edition, the author, Zitkala-Sa, tries to tell stories that depicted life growing up on a reservation. Her stories showed how Native Americans reacted to the white man’s ways of running the land and changing the life of Indians. “Zitkala-Sa was one of the early Indian writers to record tribal legends and tales from oral tradition” (back cover) is a great way to show that the author’s stories were based upon actual events in her life as a Dakota Sioux Indian. This essay will describe and analyze Native American life as described by Zitkala-Sa’s American Indian Stories, it will relate to Native Americans and their interactions with American societies, it will

“Indians are like the weather.” With his opening words Vine Deloria Jr. sets up the basis for the rest of his witty yet substantial manifesto, Custer Died for Your Sins. The book, which describes the struggles and misrepresentation of the American Indian people in 1960s American culture, is written in a style that changes from ironic and humorous satire to serious notions, then back again. Through energetic dialogue that engages the reader in a clever and articulate presentation, Deloria advocates the dismissal of old stereotypes and shows a viewpoint that allows the general public to gain a deeper understanding of what it is to be an American Indian.

To expand on the intricacy of the speaker’s life, symbolism is applied to showcase the oppression her ancestors etched on her quilt were facing for their “burnt umber pride” and “ochre gentleness” (39-40). Once again, the theme of absence is introduced as there is a sense of separation among the Native American culture as their innocent souls are forced onto reservations and taken away from their families. This prolonged cruelty and unjust treatment can be advocated when the speaker explains how her Meema “must have dreamed about Mama when the dancing was over: a lanky girl trailing after her father through his Oklahoma

In Deborah Miranda’s memoir “Bad Indians”, she uses documents, images, and drawings to expose colonial violence and provides evidence of a history of conquest. There are different types of colonial violence that are depicted throughout her memoir, such as: physical, emotional, sexual, and cultural violence. Additionally, Miranda exposes the nature of colonial violence by providing evidence by implementing particular sources to contribute in confirming the history of conquest throughout the lives of California Mission Indians.

Deborah Miranda’s Bad Indians utilizes a unique blend of writing styles to piece together a clearer and more distinct view on the Mission system, Gold Rush, and settlement of California. Through this revolutionary collection of writing, we receive a detailed account of the treatment that California Indians had to endure during the Missionization era and are able to draw our own conclusions in regard to whether the missions were a positive or negative aspect of California history. Although Miranda’s ancestors suffered and survived horrible conditions, she, in my opinion, does not villainize the Mission system, but rather displays the facts as they are, therein allowing us to reach our own conclusions in relations to this history. Because there

“The Indian presence precipitated the formation of an American identity” (Axtell 992). Ostracized by numerous citizens of the United States today, this quote epitomizes Axtell’s beliefs of the Indians contributing to our society. Unfortunately, Native Americans’ roles in history are often categorized as insignificant or trivial, when in actuality the Indians contributed greatly to Colonial America, in ways the ordinary person would have never deliberated. James Axtell discusses these ways, as well as what Colonial America may have looked like without the Indians’ presence. Throughout his article, his thesis stands clear by his persistence of alteration the Native Americans had on our nation. James Axtell’s bias delightfully enhances his thesis, he provides a copious amount of evidence establishing how Native Americans contributed critically to the Colonial culture, and he considers America as exceptional – largely due to the Native Americans.

Smoke Signals is one of the most touching films of the 1990’s, based on Sherman Alexie’s short story, This Is What It Means to Say Phoenix, Arizona. Although it is not a standard Western film, but one can learn much about American Indians’ life as it is a film created and acted by them. The indigenous characters of the film are not represented as the typical Western film’s American Indians, but the story represents indigenous life in a natural way, and gives a contemporary image to the viewer of them as the new generation American Indians, who grew up in Native American boarding schools, speak the English language well, and white people started to convert them into the Christian religion. The well-known stereotypes about their roots and lifestyle appear in a hidden, humorous way with the help of symbols that usually refers to their past; and do not appear in an easy, clear way, as it is hard to understand without any background information about Native Americans. In this paper, I

In her novel, Bad Indians: A Tribal Memoir, Deborah A. Miranda theorizes that the underlying patronage of her father’s violent behavior arises from the original acts of violence carried out by the Spanish Catholic Church during the era of missionization in California. The structure of her novel plays an essential role in the development of her theory, and allows her to further generalize it to encompass the entire human population. “In this beautiful and devastating book, part tribal history, part lyric and intimate memoir, Deborah A. Miranda tells stories of her Ohlone Costanoan Esselen family as well as the experience of California Indians as a whole through oral histories, newspaper clippings, anthropological recordings, personal reflections, and poems.” Patching together every individual source to create the story of a culture as a whole, Miranda facilitates the task of conceptualizing how Societal Process Theory could play into the domestic violence she experiences growing up as the daughter of a California Indian.

The American desire to culturally assimilate Native American people into establishing American customs went down in history during the 1700s. Famous author Zitkala-Sa, tells her brave experience of Americanization as a child through a series of stories in “Impressions of an Indian Childhood.” Zitkala-Sa, described her journey into an American missionary where they cleansed her of her identity. In “Impressions of an Indian Childhood,” Zitkala-Sa uses imagery in order to convey the cruel nature of early American cultural transformation among Indian individuals.

As a young adult living in Oklahoma, I had never given a lot of thought as to the portrayal of the Native American. Although, it never occurred to me that my perception of life might be different from those growing up and living with the everyday realities reservation life offered. Simply put, I was overjoyed to be amongst those who lived on the reservation and in hindsight, I realize that I was naïve as to the treatment of those I call my people. Growing up, I was always aware of my Native heritage, but truthfully that is where it ended. My grandmother a full blood Cherokee woman was content to live the life to which she had become accustom to in the white man’s world. Therefore, as children, stories of my grandmother’s childhood were never bestowed upon my brothers, sister, and I. Ultimately, leaving us to our own imaginations and with that I created the image I had readily embraced, the image of the beautiful Indian maiden.

Colonialism has a historical context that has long obscured and distorted the experiences of indigenous people, particularly those who endured the brutalities of the California Missions. Although indigenous people are portrayed in history as docile people, who openly embraced invasion, Deborah Miranda dismantles this depiction in her memoir, Bad Indians: A Tribal Memoir, through two stories called “Dear Vicenta” and “Novena to Bad Indians”. Throughout the stories run various narratives of survival and resistance, which form new understandings of colonization and missionization. Miranda practices decolonization through oral history in order to form new and ongoing indigenous identities. Evidently, through decolonial practice and deconstructing dominant narratives about “colonized” peoples and replacing them with stories that use traditional memory and practice, Miranda disrupts the commonly accepted narrative of indigenous peoples by reconstructing the dichotomy between good and bad Indians through acts of resistance and survival.

“One of the first important acts of an oppressor is to define the oppressed victims he intends to jail or eradicate so that they will be looked upon as creatures warranting suppression and in some cases separation and annihilation” (Bosmajian 347). The writer, Haig A. Bosmajian, begins his essay with these words in “Defining the ‘American Indian’: A Case Study in the Language of Suppression.” In his essay, which targets mainstream Americans, he attempts to show his readers how language has been used in American history to “justify” the oppression of the American Indians. The use of language

Mary Rowlandson’s “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson” and Benjamin Franklin’s “Remarks Concerning the Savages of North America” are two different perspectives based on unique experiences the narrators had with “savages.” Benjamin Franklin’s “Remarks Concerning the Savages…” is a comparison between the ways of the Indians and the ways of the Englishmen along with Franklin’s reason why the Indians should not be defined as savages. “A Narrative of the Captivity…” is a written test of faith about a brutally traumatic experience that a woman faced alone while being held captive by Indians. Mary Rowlandson views the Indians in a negative light due to the traumatizing and inhumane experiences she went through

Enticingly, the Spanish colonists came to this land with a passionate goal to develop the land and extract its natural resources for their profit. To this day, the Spanish’s action on this land has brought prosperity and has propagated California to be the leading roles in the innovation of new technologies and the production of movies. Despite of having this reputation, people seldom discuss on the origin of the land. When the Spanish came, the Indian are the inhabitants of the land; ruling the land and surviving with all the natural resource. As history is depicted by the victor, the fate of the right owner of the land has always been untold. Their once peaceful time had ceased to continue as the Spanish colonized and stole the land from the Indian. Trickeries and militaries were used by the colonists to exploit the land for their benefits. The Indian population begin to decline as the newcomers were “[gobbling] up native foods and undermined the free or “gentile” tribes efforts to remain economically independent” and the outbreak epidemic of “European diseases” had declined “60% of the population of mission Indians (Castillo). To not disremember the suffering of their people, poems like Indian Cartography by Deborah Miranda and Itch Like Crazy: Resistance by Wendy Rose are composed to capture their heart-breaking moments and to disclose their suffering to the world, but both poems have a different goals: Indian Cartography emphasizes on sympathy; while Itch Like Crazy