Heed this warning: Whatever you do, do not go see Playing God. Don't listen to what your friends have to say about it. Avoid Playing God at all costs.
Simply put, Playing God is a terrible film that is embarrassing and humiliating for all those involved, especially David Duchovny. His first feature film after his rise to television and Internet fame as Special Agent Fox Mulder of The X-Files, Playing God was supposed to launch the actor's big screen career. Instead, Playing God is such a failure that it is sure to turn into what Point Break was for Keanu Reeves: a showcase of his worst acting surrounded by an even worse plot and characters.
Duchovny plays Eugene Sands, a L.A. junkie who used to be a L.A. surgeon until his medical
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You don't learn enough about the characters to really care what happens to them.
Sadly enough, the worst character in Playing God is played by Duchovny himself. This isn't Duchovny's first foray into the world of film. He starred in several feature films including a lead role in Kalifornia in 1993 with a pre-stardom Brad Pitt, though his fans may tell you his most memorable role was in the soft porn cable series Red Shoe Diaries. But whatever experience he gained from his past television and film work, it doesn't show in Playing God. His monotone voice and squinty eyes just don't work on a ten-foot screen, and although the movie was set up to feature him in the central role, the acting abilities that won him two Golden Globes and an Emmy nomination for The X-Files aren't stellar enough to carry a feature film.
Playing God was really destined to fail from the beginning. First time director Andy Wilson's past movie work consisted mostly of assistant camera work on various obscure films, the most recognizable one being Disney's Man of the House starring Chevy Chase and Jonathan Taylor Thomas. The only other writing credit screenwriter Mark Haskell Smith has to his name is a Playboy video. The excruciatingly poor writing and directing in the face of the nationwide hype proves that the film is attempting to ride on Duchovny's fame alone.
Darling as Duchovny may be on The X-Files, he is
The Stage Manager unlike God makes mistakes in the play. The Stage Manager is not always correct on things during the play. The Stage Manager makes a mistake telling the wrong time during the play a couple times. Not only does the Stage Manager make a mistake telling the wrong time he also messes up his grammar. The Stage Manager is not perfect like God. The Stage Manager is not always correct in what he says. He makes mistakes when he is talking to the audience describing to them about what is going on in the play. The Stage Manager is a physical person in the play while God is a spiritual being. The Stage Manager is a person who can stop the play and talk to the audience. The audience can see the Stage Manager as a physical person during the play. God in the Bible is not a physical person but a spiritual person that can talk to the
Danny Devito is perfect in this role because he has quite a seedy voice this is good to illustrate the sleaziness of film-noir, it shows the real voice of L.A.
Playing God usually ends up in catastrophic events, and can even lead to the loss of one’s life. In Mary Shelly’s Frankenstein, Victor Frankenstein’s obsession with creating life ultimately leads to the death of many of his loved ones. In Frankenstein, Victor, Robert, and the creature all share some trait that shows how they try to play God.
On February 26th 2016, I went out with my friend to saw this event. It was the first time of my life to be in such production. I was not a fan of theaters. I thought they are boring. Now, my mind has changed because the play was amazing. So, on the next day,
I sat, no, endured through the 90 minutes. My inner child was not prepared for the onslaught that was Dog Sees God. I had no knowledge of what this play was going to be about and could not guard myself, as we hadn’t received any pamphlets or programs before entering. On our exit of the theater, we were finally handed programs, detailing the cast, crew and a brief description of the play. I then realized that
The idea of playing God is a strong theme throughout science fiction and portrays different effects in various works. One of the first characters to accomplish this is Victor Frankenstein in Mary Shelley's Frankenstein. Another character of science fiction recognized to do this is Dr. Tyrell from Blade Runner. These men played God and created a new form of life, but for different reasons and different results.
I will be honest with you I had a lot of trouble enjoying the play, like I said the dialect gave me trouble, plus my seats were not that great. I did however like the movie quite a bit, but I realize I am a product of a different generation as well. I have been brought up around TV and movies rather than plays
We are finishing up the apprentices for Local 134 there were 79 that tested hair, urine, physical and HPE, yesterday and today the carpenters had about 70 apprentices urine only, and next week Local 176 has about 40 apprentices that will be testing hair and urine.
Rarely do you find a film both intelligent and entertaining like “The Gods Must Be Crazy”. The film is a collision of the individual journeys of three separate groups: the journey of Xi, the bushman, traveling to the end of the earth to get rid of a Coca-Cola bottle; the growing relationship between Kate Thompson, a school teacher, and Andrew Steyn, a clumsy scientist; and the actions of a band of terrorist led by Sam Boga. One day, a Coca-Cola bottle drops from the sky and lands unbroken near the temporary home of the bushman. The bushman family, completely isolated from humanity, has never seen such a thing and perceive it as a gift from the gods. Although the object proves to have many
In fact, each frame speaks to us on more profound terms than the majority of arthouse films would claim to do. This is, in part, due to the impeccable performances by each and every member of the cast. Jake Gyllenhaal, a relative unknown, delivers a subtle yet emotionally charged performance as Donnie himself - the scene in which he tells his psychologist of his various childhood traumas is made both funny and moving by the haunting way in which Jake delivers each line, contrasted with the almost childish qualities of his movements on the couch. Most incredible of all, however, is his terrifying screen presence as he trudges slowly through a deserted corridor or along a dark street, head tilted slightly forward, face fixed in a confused, bewildered expression. Drew Barrymore is also superb as the liberal high school teacher rejected and scorned in a Conservative education system, while Patrick Swayze is excellent in his extended cameo, a smartly observed satire of a self-help guru with a few skeletons in the closet.
Though the starring actors have plenty of box-office power, the acting was mediocre at best. The film should have been called the Charlize Theron movie, because let’s face it; the movie was all about her dramatic portrayal of the evil queen. Theron’s performance was so strong that poor Kristen Stewart just didn’t have a chance. The stunningly gorgeous Theron, made it hard to believe
God's Not Dead is the movie I have chosen, I feel this movie agrees with one of my point of views, that many so called atheists are not really atheist at all. How can anybody that calls their self an atheist be hurt by or angry with a God that they claim does not exist. For the purpose of this assignment, I have chosen the worldview of atheism, and the character Jeffery Radisson from the film God's Not Dead. As the film begins, Professor of Philosphy Jeffery Radisson tells his class, "Fill in the paper I have given you with 3 little words, God is dead!" The class must do this in order to pass his class however, one student by the name of Josh takes a stand against the instructor, explaining that he can't do write that as a Christian believer.
In 1980 a low-budget South African film was released which over the years has not only spawned a number of sequels, but took a rather humorous look at the cultural differences between so-called "primitive" cultures and the modern world. The film was called "The Gods Must Be Crazy," was written and directed by South African filmmaker Jamie Uys, and called by the New York Magazine "pure play, an amiable shaggy-dog story in which the awesome wilderness serves as an adaptable prop." (Denby, 47) It told the story of a Ju/hoansi bushman who journeyed to the end of the Earth to discard a Coke bottle; and along the way encountered the modern world for the very first time. Modern society was presented through the eyes of a person who had never encountered it before, and while the interaction was often portrayed as hilarious, it also provided a interesting view of the modern world from a most unlikely source.
The Truman Show is a movie about a television show staring Truman Burbank, an average, ordinary man who has no clue that he is the star of a television show. His entire existence is within a giant dome, and all the people in the small town are actors, including his best friend, mom, dad, and wife. Overseeing this giant production is “The Truman Show” creator, director and screenwriter, Christof. Immediately, we can see that the movie is clearly a retelling of “The Allegory of the Cave”. Moreover, it explains the dilemma of free will and determinism, and giver a visual for the common contemporary view of God. Before addressing the dilemma of free will and determinism, we need to look at Christof’s role in Truman’s life.
One might call Robert Benton’s direction mechanical, but his cast excels in roles that seem solely written for their personalities. Its supporting cast, including Jane Alexander and JoBeth Williams, provide superb performances. Primarily, I must pay tribute to Dustin Hoffman for his acting. We’re familiar with somewhat unconventional roles, as opposed to his excellently delivered role of a more characteristic man with very human qualities.