Biography of Agustin Recha Mora

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

In this painting, two visual elements stand out over all the rest. These elements are that of color and texture. Color in art is an element that has to be phenomenal in order to get recognition and true appreciation from the viewers. In this painting, the colors are rich, vivacious and standout as dark, but bold representations of the uniqueness of it all. The use of brown and yellow and green and grey and white all come together in a harmony of color and unity. As for the texture in the painting, it is that of brisk and roughness that is nature. The sharp edges of the bucks rack and the cold, rough edges of the dead tree show

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

The type of line is actual line, which is continuous. The edges of the objects do differ from the background because they are separated by color. The texture is visual, because Flack is using line and color to create the illusion of texture in this flat painting. The emphasis and focal point is achieved by intensifying color, however, the placing of the objects and images could also be another method. At first, I believed that the objects were just placed at random, but if I look closely, each object is placed so we can distinguish it from its surroundings.

The usage of the lines in this painting establishes emphasis and develops subtle nuances in the structure of the piece. The figures above the sea: namely the cherubs and the large birdlike figure possess thinly defined lines outlining them. The cherub in the top left corner with the string of flower petals has a long-implied line going into the distance. The wings of the birdlike figure in the sky have a horizontal line on the left wing and a curved line on the right wing. This develops the outline and shape of the birdlike creature. The lines that surround the clouds are curved and thinly defined as well. In the bottom, right corner of the painting there is a man whose hand is reached out to touch the chin of the bull. The lines of the rib cage and upper body muscles of this man are very thick. The lines on this man are much more defined than the other people in the painting. This is meant to establish a subtle sense of struggle with this man, while he is attempting to flee the sea. Europa’s

The painting also uses perspective lines to draw your attention to the center of the painting towards Christ, and Christ and two of his followers on either side of him form a perfect triangle. These spacial and perspective understanding were really perfected in the Renaissance and really aid the painting.

1.Line- In van Goh's painting we clearly see how every single brush stroke in his painting mainly consists of soft lines throughout the entire canvas. The sky is depicted with soft lines that curve as they create a soft movement in the sky. The cypress tree consists of vertical and curved lines as the tree rises up into the sky. Van Gogh also used a few vertical/horizontal hard lines to create the spiral church and the rooftops to some of the homes in the village.

To further elaborate upon the elements of art on the painting, the lines are in their vast

One of the elements of art is a line, which is the path of a moving point and it defines the edges of shapes and forms. In the painting “ Murnau. Burggrabenstrasee 1, 1908” there are many directions, which are vertical, horizontal and diagonal. In the sky has a horizontal view and on the houses right underneath the sky. On some of the houses, the windows give off some direction of horizontal lines, but it does not show a delicate view of the direction. Another direction of the line is vertical lines. The houses are stacked together giving the sides of the houses into a clear, rigid point of view. Another vertical line is there might be a pole next to the blooming flowers. For each house, there are doors and windows, all stacked vertically.

The dimensions 28 7/8 x 36 ¾ inches. This painting was created in the modern art period of post-impressionism. Two formal art elements represented in this painting is line and color. The line is shown in this painting organically with smooth brush strokes of the oil creating volume within the clouds and plants, and even the wheat on the foreground.

Lines that create texture and have thin lines across the piece. Strictly reflects the way Van Gogh views nature and also have a personal meaning to him. Places that were familiar to Van Gogh were basically painted and created in his

In drawing, comes a point and where two point connects forms a line. With a line turns into a shape and therefore you can add depth and value to make it more dimensional and appealing to a human’s eye. The shape and space in this painting is very constrained in a way. The twelve apostles surrounding the Virgin gives the audience a sign of how the virgin is very important. The shape of their bodies may seem

The artist uses the vertical and horizontal line to create a border which focuses the audience attention on the Statue of Liberty. The artist uses implied lines all throughout the painting. The implied lines are not lines at all but actually letters and words used to be lines. vertical and implied lines are both used at the bottom of the Statue of Liberty to communicate the stability of the Statue of Liberty. Irregular lines and directional line are also used in the painting to express freedom and draw the audience attention to different areas of the painting. I believe the simple color of black paint and the tan cannabis resembles the famous tan paper and black ink used to write the constitution. The constitution paper is old and wrinkled the artist used a combination of white and tan brush strokes to create a similar wrinkled paper. In the painting the artist uses shapes by creating a rectangular border around the focal point. Lastly, I believe the artist uses passage of time to remind us of our founding fathers values. The artist uses the constitution to communicate the beliefs of our founding fathers but writes it in Arabic to symbolize the modern day treatment of Arabic

Line:The construction of the painting, Waterloo Bridge from unreservedly brushed hues that outweighed lines and rather than points of interest, and utilized short little broke brush strokes of blend. The broke strokes of mixed colors leads into the pattern of the painting.