Bruce Springsteen's 'Tunnel Of Love'

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Television psychologists and pop culture self-help gurus tell us that marriage is hard work; marriage is compromise; marriage is a choice between being right, and being happy. All of these statements are true. What these experts don’t tell us, however, is that marriage is also about putting on blinders, or looking on the bright side, or one of a hundred other trite phrases to explain the art of self-deception. In marriage, there are times when we may find it necessary to look the other way from our spouse’s faults or indiscretions, in the interest of self-preservation. For if we examine these problems too closely, our darkest, most secret fears may come true. Therefore, it can seem easier to focus on the positive. In her poem “Surprise,” Jane Kenyon uses denial, selective perception, and fear of betrayal to illustrate the self-deception that can occur in marriage.

In Zora Neal Hurston’s book, Their Eyes Were Watching God, she uses the metaphor “Does marriage compel love like the sun the day?”(somepage). She uses this metaphor, and many other literary devices to characterize, describe, and add a layer of depth to her story. The metaphors meaning is simple to understand, especially within the context of the chapter. It means that while she may not love him now, she hopes that marriage will help her fall in love with him eventually. This idea however, is strangled by reality as even after spending several years with him she still fails to love him.

Section 1 Everybody needs a place to rest/ Everybody wants to have a home/ Don't make no difference what nobody says/. Ain't nobody like to be alone- Bruce Springsteen, “Hungry Heart” In 1980, Bruce Springsteen released a song called “Hungry Heart”. This song is a very gloomy in a sense.

In Mark Cox’s “Joyland”, Cox uses juxtaposition and symbolism to underline how infidelity exposes the complex relationship between the fantasy and reality of what it means to maintain a healthy marriage. The narrator of the poem is observing the behaviors and setting of a man and his wife while on a mini-golf course, shortly after the man cheated on his wife. In the first stanza of “Joyland,” the narrator introduces the mini-golf course that the man and his wife are playing at: “Here, between teen lovers spooning each other ice cream, / and the press of a five-putting family of four”(1-2). Cox uses imagery and juxtaposition to highlight the contrast between the fantasy and reality of loving another person. The narrator describes “teen lovers”

stories of the tragic effect of a love so strong that it can kill sets the table for the

In Caitlin Flanagan’s Is There Hope for the American Marriage, she establishes the foundation for what the American Marriage means in today’s world by arguing that marriages are likely to collapse over time. With this being said, Flanagan goes on to depict the fragility of marriage during times of adversity, and how susceptible the couples can be when searching for alternative bonds from people other than their own partner, even if it means making moral sacrifices. Through a series of anecdotes from sources like herself to politicians, she further expands on this idea that the ideal marriage is nothing but a hoax for the likelihood of publicity. Flanagan includes sources from sociologists, such as Andrew J. Cherlin and Maria Kefalas, both whom

Kate Chopin’s “The Story of an Hour” and Nathaniel Hawthorne’s “The Birthmark” examine the complex relationship between a husband and wife. The two works take two different approaches to convey the same message: Marriage is not a fairytale, it requires sacrifice and unselfish behavior in order to work. Relationships are difficult to begin and harder to maintain. Mr. and Mrs. Mallard and Aylmer and Georgiana are two relationships that shatter the surreal perception of marriage and expose readers to the raw truth, marriage is not a fairytale.

We live in a society that has increasingly stomped on love, depicting it as cruel, superficial and full of complications. Nowadays it is easy for people to claim that they are in love, even when their actions say otherwise, and it is just as easy to claim that they are not when they really are. Real love is difficult to find and keeping it alive is even harder, especially when one must overcome their own anxieties and uncertainties. This is the main theme present in Russell Banks’ short story “Sarah Cole: A Type of Love Story,” as well as in “The Fireman’s Wife,” written by Richard Bausch. These narratives, although similar in some aspects, are completely different types of love stories.

“Why Did I Get Married?” directed and produced by Tyler Perry is a movie based on four couples who take a reunion vacation to the Colorado Mountains in order to reunite with friends from college. On this vacation things didn’t go according to plan. Throughout the movie there was heartbreak, infidelity, suppressed feelings, conflict, and secrets raging throughout each of the couples’ relationship in some aspect. With these unfortunate events occurred at various times throughout the film it cause their trip to evolve from a place to relax, enjoy friends, and time off from work into an emotional and tense atmosphere with the involved couple seeking validation from the other couples on the reason why their marriages are the way they are. Even though the movie ended on a good note in their celebration of Janet Jackson’s character (Pat) receiving an award one of the marriages did not survive. This couple’s relationship will be my focus for this paper.

The short story On The Bridge by Todd Strasser is about two boys, Adam and Seth, who are hanging out after school on a bridge that overlooks the highway. Seth was the character that demonstrated maturity towards the end of the story. He showed some examples of this when Adam got them into some trouble. For example, when Adam flicked his cigarette onto the windshield of a car below the bridge, the drivers came up behind them. “But suddenly he [Seth] noticed that all three guys were staring at him. He quickly looked at Adam and saw why. Adam was pointing at him.” It was this point where Seth started to question his friendship with Adam, because they had gotten into trouble because of Adam, and then he blamed it on Seth. After the men left, Seth

The stark divide between love and marriage shown right the way through cannot be comprehended fully by the twenty-first century reader: in today’s society marriage and love are mutually exclusive - you very rarely get one

Moreover, this relationship forms to satisfy the couple’s shared desire and to nullify the “threat of ultimate dreariness [which] seems to hang over even the happiest moments” (896).

Marriage unites two people for better or worse, in sickness and health, until death they do part. In earlier times, some people might say wedding vows were taken more seriously; other say divorce was different back in the day. Looking at Katie Chopin and Nathaniel Hawthorne, who both exemplify martial vows in their short stories, “The Story of an Hour” and “The Birthmark.” It is clear in one instance, it was because divorce was different but then on the other hand the stories demonstrate the seriousness of the wedding vows. However, these stories express a husband-dominated relationship, in which the men possess ideals such as possession, perfection, and being all knowing.

Marriage is a commitment of spending the rest of one’s life with someone he or she cherishes deeply. It is the joining of two people in a bond that lasts until death, but in practice is increasingly cut short by divorce/ separation. Most people claim that they want their marriage to last a lifetime, and who wouldn’t? However, over half of all marriages in the United States end in divorce. In 2010, Paul Amato published a statement on divorce in the prestigious Journal of Marriage and Family. He states, “At the end of the 20th century, 43% - 46% of marriages were predicted to end in dissolution.” In the short poem written by Washington Irving “Rip Van Winkle”, Rips relationship with his wife was horrible because of the point of view, characters, and symbolism.