Essay Buddhist Art and Iconography

Greco-Buddhist art is the artistic form of Greco-Buddhism, a cultural syncretism between the Classical Greek culture and Buddhism. Greco-Buddhist art is characterized by the apparent idealistic realism and in-depth portrayal of Hellenistic art. Representations of the Buddha alongside traditional Greek deities have helped outline the artistic canon for Buddhist art throughout Asia up to the present. Additionally, it is also a strong example of cultural syncretism between eastern and western civilizations

people around the world are Buddhists. It began about 2,500 years ago when Siddhartha Gautama at age 35, known as the Buddha, was “awakened or enlightened”. Buddhism basically means you must lead a moral life, be aware of your thoughts and actions and try to develop wisdom and understanding. It explains a purpose to life, tries to explain injustice and inequality and provides a way of life that leads to happiness. Buddhism began in India, and the earliest Buddhist art is found there. It is the fourth

231730 AHRAM LEE Discuss the production and iconography of a Choson Buddhist painting. Fig. 1 Sakyamuni Buddha and Attendant Bodhisattvas, 1565. Korea, Choson dynasty (1392-1910). Hanging scroll, colors and gold on silk, 69.5 x 33cm. Production of the painting When observing this painting, Sakyamuni Buddha is seen seated on a tall throne, surrounded by two standing bodhisattvas. All three figures have similar small sharp features such as elongated faces, small mouths, high

! Essay: Formal and Stylistic Analysis of Buddha Amitabha Naiwen Zhang 02/10/2014 Professor Jones ! The sculpture Buddha Amitabha is a typical Sui Dynasty style art piece that represents the will of people who wish to have peace and joy. Their life goals is achieve enlightenment. Their believe of the existence of the western paradise where they will suffer no more from anything. It is also a piece of love and good fortune that was sent from the women to their family. ! Buddha Amitabha is a bronze

Buddhist art, like most kinds of art, cannot be reduced to a specific set of visual characteristics. However, within a certain time period and region, there are recurring details in many Buddhist works of art. The First Sermon (2ndc – 3rdc: Gandhara), which depicts Buddha delivering his first sermon, is no exception to this fact. The design and visual characteristics of The First Sermon serve as clear evidence that the work was created during the rule of the Kushan empire, specifically in Gandhara

B). Although the two Buddha heads came from the same area and virtually the same time period, their radical differences in iconography and style, allude to the drastic changes in Buddhist beliefs. Through trading on the Silk Road, the ideas and beliefs of Buddhism were spread throughout Asia, eventually reaching Thailand. We can see an example of this through the iconography and style that Buddha head A possess when compared to earlier Buddha heads from Gandhara and Mathura. For an example, Buddha

between the divine and the earth. In one way or the other, purpose of the religion is to view it all as connected to ‘god’. According to myths and beliefs, everything is related to the divine. BIBLIOGRAPHY Zimmer, Heinrich- Myths and Symbols in Indian Art and Civilization, ed. Joseph Campbell, USA, the Bollingen Series 6, Pantheon Books 1946 Sastri, Krishna H- South Indian Images of Gods and Goddesses, Madras Government Press, 1916 Fergusson, James- History of Indian and Eastern Architecture Vol.1, London

As Vidya Dehejia says in the book, “Buddhists in early India used visual storytelling as a way of popularizing their faith.” The Great Departure at Sanchi and Amaravati are the two masterpieces that share the significant scene for all the. Through this paper, the two depictions, at Sanchi and at Amaravati, are considered to find the similarities they share and distinguish the differences they depict – as iconography, narration and visual elements that share the story. The Great Departure at Sanchi

Although Siddhartha Gotama spread the religion of Buddhism in India, his teaching had a great impact on other countries. Buddhist first made their way to China via the silk route; this was a network of caravan tracts that linked China to the rest of central Asia to the Mediterranean region. Buddhist monks also made their way into China with Buddhist scriptures and Buddhist art in their possession. This is the first time that Buddhism made a substantial impact on the Chinese. Quickly many Chinese

Socrates and Plato, Confucius and Lao Tzu. In India, it was the age of the Buddha Shakyamuni, or simply the Buddha, after whose death a religion emerged that eventually spread far beyond the reaches of its homeland. In order to understand Buddhism and its art we must first know who the Buddha was. Siddhartha Gautama, who later became known as the Buddha, was born as a prince to the royal family of Kapilavastu, whose kingdom was located in the Himalayan foothills. At the time of his birth, sages predicted