Canicula Snapshots Of A Girlhood El La Faza Analysis

In this article Mexicans: Pioneers of a Different Type Gonzalez gives us an outlook different from what we generally read when taught about American History. His effort is to explain how each of the different Latino groups came. What was happening in their home towns that caused them to leave. If people want to accept it, eventually they will have to. That this country is bound to go through an enormous Latino population explosion. Gonzalez writes “Mexican Americans meanwhile, face a frustrating identity problem like that of Puerto Ricans” (pg97). Being a Mexican American myself I could agree that it is at times frustrating identifying. We are either too American to be Mexican. Or too Mexican, to be American. In 1749 because of what was called the promise

Walls and Mirrors: Mexican Americans, Mexican Immigrants, and the Politics of Ethnicity. By David G Gutiérrez. (Berkeley: University of California Press, 1995).

Tanya Barrientos explained her struggle with her identity growing up in her writing “Se Habla Español”. Barrientos describes herself as being “Guatemalan by birth but pure gringa by circumstance” (83). These circumstances began when her family relocated to the United States when she was three years old. Once the family moved to the states, her parents only spoke Spanish between themselves. The children learned to how read, write and speak the English language to fit into society at that time in 1963. (83) Barrientos explained how society shifted and “the nation changed its views on ethnic identity” (85) after she graduated college and it came as a backlash to her because she had isolated herself from the stereotype she constructed in her head. She was insulted to be called Mexican and to her speaking the Spanish language translated into being poor. She had felt superior to Latino waitresses and their maid when she told them that she didn’t speak Spanish. After the shift in society Barrientos wondered where she fit it since the Spanish language was the glue that held the new Latino American community together. Barrientos then set out on a difficult awkward journey to learn the language that others would assume she would already know. She wanted to nurture the seed of pride to be called Mexican that her father planted when her father sent her on a summer trip to Mexico City. Once Barrientos had learned more Spanish and could handle the present, past and future tenses she still

In the boiling pot of America most people have been asked “what are you?” when referring to one’s race or nationality. In the short story “Borders” by Thomas King he explores one of the many difficulties of living in a world that was stripped from his race. In a country that is as diverse as North America, culture and self-identity are hard to maintain. King’s short story “Borders” deals with a conflict that I have come to know well of. The mother in “Borders” is just in preserving her race and the background of her people. The mother manages to maintain her identity that many people lose from environmental pressure.

In the film “Mi Familia,” we follow the story of the Mexican-American Sánchez family who settled in East Los Angeles, California after immigrating to the United States. Gregory Nava and Anna Thomas introduce the story of this family in several contexts that are developed along generations. These generations hold significant historical periods that form the identity of each individual member of the family. We start off by exploring the immigrant experience as the family patriarch heads north to Los Angeles, later we see how national events like the great depression directly impact Maria as she gets deported, although she was a US citizen. The events that follow further oppress this family and begins separate identity formations. These

The formation of segregated barrios and the development of a wealth of community-provided services showed that Mexican-Americans were not content to be marginalized by the United States. Instead, they were embracing an empowering new sense of self-determination and referring to themselves as “Mexicanos or as members of a larger, pan-Hispanic community of La Raza.” At this time La Raza referenced individuals of the Mexican “race”, whether they were in Mexico or in the United States, and was particularly important in the United States, where race was more important than citizenship. In the late 19th and early 20th century United States, race was determined by purity of blood, and there were only two races—white and black. White meant the individual had “pure blood” (European blood); black meant that the individual’s blood included indigenous or African influences. Being white meant being able to exercise one’s constitutional rights and being treated as a normal member of society’s dominant group. Being black meant that, regardless of whether he or she was a citizen, the individual would face discrimination similar to that which I described earlier. When the Spanish conquerors mixed with the people of Latin America, forming the mestizo, or mixed race, population that now composes most of the region, they removed themselves from a “white” classification in the United States. Thus, by engaging with the concept of La Raza, which connotes a mestizo race and population, Mexican-Americans rejected the binary nature of race in the United States and embraced what made them different—their indigenous-mixed blood and the cultural heritage that accompanied it. While the abuse directed towards Mexican-Americans may have

Summary- In her essay “Se Habla Español,” Tanya Maria Barrientos discusses her struggle of being an English speaker with Latino heritage, her story to search for a sense of belonging. In childhood, she tries to Americanize herself and stay away from any Latino features, including Spanish. Later in her life, as the society become more welcoming to different ethnic groups, it is natural for her to embrace her own group; but her limitation on Spanish causes Barrientos feeling distant. However, Barrientos believes that there are others in the same dilemma and she encourages those to take the pride to be who they are.

Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been

Although I can’t specifically relate to Gloria Anzaldúa’s struggle between her languages in “How to Tame a Wild Tongue,” I can relate to her “kind of dual identity” in which she identifies with neither Anglo-American cultural values nor Mexican cultural values (1566). Being half white, half Chinese, I struggle identifying as either identity, especially because my mom (who is Chinese) never learned Cantonese and largely became Americanized in her childhood. It’s an uncomfortable position to be in when racial and ethnic identity are so significant in America and when I must interact with the world as part of both the majority and the marginalized. Considering my own struggle and the conflict Anzaldúa describes, it became clearer to me the way race relations in American not only marginalize people of color but train our consciousnesses to damage ourselves. Before I turn back to Anzaldúa, a novel I’ve recently read, William Godwin’s Caleb Williams has also been on my mind, particularly in Godwin’s portrayal of how police surveillance transforms us into agents of our own oppression. Although Caleb is a white man, he also experiences a split consciousness as his values and characteristics are whittled away by the paranoia of constant surveillance.

Within the Mexican community, competing notions of racial identity has long existed. Aware to gradations of color in race and their shading of white and non white identity, Haney Lopez introduces the

In defining one’s identity, many different factors are considered; such as one’s nationality, characteristic, personality, ability, experience, religion, and etc. Especially for those people who live in America, so called country of immigration, has much more complicated identities than those Asian country people where mixed people are rarely noticed. Thinking about the concept of identity, some people easily categorized themselves as simple factors and terms which could describe their surface; white, black, Asian, European, pretty, ugly, nice, mean and so on and so forth. And that is the most point where majority people stopped to list their identities from exploring more in complicated range. However, there are many people who dig more than common people; one great example would be Denise Chavez, who is the author of the novel called Loving Pedro Infante, who kept asking herself about her identity to approach more accurate and clear ideas. In her work, reader could see the confusion of Tere, the main character of the novel, went through her life as Latin-American female in dealing with finding one’s true identity and how she accept her as who she really is. Denise Chavez, who is obviously Latin-American lady, mirror her own life experience through the character she created and introduce to readers about tough life she lived in America as Mejicana. The main character of this novel have a clear understanding and strong idea about herself throughout the novel, even if

In the countries of immigrants like the united States, people from different cultural backgrounds bring their own cultures and traditions to live and work together. In the normal situation, one kind of culture will hold a dominant position. It is good for the people who have the dominant cultural background. However, that makes people from another cultural backgrounds confuse, especially for second or third generations of the non-dominant cultural background people. For these people, cultural assimilation and retroculturation are two necessary processes. They will influence non-dominant culture of people and their next generations. In Manuel Munoz’s work “Leave Your Name At The Border”, he points out the cultural assimilation by discussing the changing of Hispanic people’s names. Name is very important because it is the symbol of the culture, but many Hispanic people change their names to the American style in order to get the better lives in the united States. The interesting phenomenon is that, after several generations, the descendants of the first immigrants start to interest in their original culture because their own cultural symbols make them special. The different traditions are the representatives of different cultures. In Julia Alvarez’s work “Once Upon a Quinceanera”, she talks about retrocultration and the very important celebration of Hispanic girls, Quinceanera. In her work, Quinceanera is not only an important tradition for young girls, but the tie between

     It is hard for them to seek true identity when Whites did not want to give any acceptance to their culture. Between language and culture barriers, Mexicans could not find any means to gain freedom in America. The discrimination facing them not only set them back as a society, but did not allow them to grow personally. We see this throughout The House on Mango Street and Zoot Suit. Both of these books give clear examples how Mexicans on a personal level could not keep struggling with the stereotypes being pushed on them.

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

She said this though she was Mexican too. But she was born here in the U.S, and he was born there, and it’s not the same, you know” (Cisneros 68). This also shows Clemencia’s boundary living. In an interview with Aranda, Sandra Cisneros dramatizes the double unbelonging through Clemencia’s inability to function in either Anglo or Mexican discourse (Wyatt). With the imagery portrayed of both sides of the border, the reader can clearly imagine exactly what Clemencia’s mother means with this statement.