Celie Johnson Case Summary

Shug Avery is Mr. Albert’s long lost love and she comes in to move in with Mr. Albert’s family since she had gotten very sick and needed the support. The minute Celie saw a picture of Shug she had fallen for her, finding her very beautiful. Shug has supported Celie in every possible way after she realized that when Celie puts her full effort in helping her even though she was rude to her when they had first met. Shug helps Celie with self-identity, which help builds her confidence. “She say my name again. She say this song I’m bout to sing is call Miss Celie’s song. Cause she scratched it out of my head when I was sick.” (Walker, 73). In this quote Celie recognizes that someone has done something for her, they have valued her enough to do something sweet as this. Celie realizes that she has one more person who cares and loves for her. This leads Celie to believe in herself be able to take control, since she is aware that she has someone next to her. Shug also has the effect on Celie to take control when Celie confronts Mr. Albert telling him that she is leaving him, “You bitch, he say. What will people say, you running off to Memphis like you don’t have a house to look after?” said by Mr. Albert who was referring to Celie. This is a big step for Celie because she is going to be living the life she wants with the person she loves, Shug Avery. Celie has wanted for so long to get out of the

Shug Avery is not only a friend to Celie but also a lover. It is by being a lover that Celie learns self-respect and a little happiness in her life. Like when Shug Avery showed Celie how to enjoy herself. Listen she say, right down there in your … is a little button that gits real hot when you do you know what with somebody. It get hotter and hotter and then it melt. That the good part. But other parts good too, she say… (P. 79). I found this real important as it showed Celie she can enjoy herself and there is more to her then just being a slave to Mister.

Throughout the story, several women were extremely mistreated by men. The oppression of women is unmistakable in The Color Purple. It is particularly exposed in association between Celie and her farther. At a very young age Celie was subjected to oppression. Celie was raped repeatedly and pregnant twice by her stepfather and was told to keep quiet about it. "You better not never tell nobody but God, It'd kill your mammy" (stepfather). I believe this is when Celie began to fear men for most of her life. This act towards any woman is very demeaning.

Told repeatedly that she is ugly and stupid, she hardly knows better" (Cheung 165). Cheung understands Celie to believe lies told to her face about herself, causing her to have no voice in her own life.

However, the pair forms a nurturing relationship in which they take care of one another.  These days Shug is all about love, and touch and feeling.  As Shug says of her love of cuddling, "I love to hug, period, she say.  Don't need nothing else right now" (Walker 152).  Celie learns from Shug how to care about people once more, including caring for herself.  Celie begins this journey to independence and love of self and others through her relationship with Shug.  At one point she and Shug have physical relations, but it is Walker's purpose to show this as a means of providing each other comfort, nurturing, and humanity - not as a display of homosexuality.  The entire episode is treated in the novel as a nurturing act, akin to a mother compassionate mother nursing her needy child, "Then I feels something real soft and wet on my breast, feel like one of my little lost babies mouth.  Way after a while, I act like a little lost baby too" (Walker 118).  We can see in

Celie, in The Color Purple, goes through certain events in her life in which she finds hope. Although she has a terrible life, Celie manages to escape from all of the evil. When she was younger she was emotionally scarred by her father after her mother had passed due to being very ill (James Web). Her father would brutally rape and slap her to mourn the loss of his wife. Celie’s father then sells her to a man named Mister,

As Nettie receives opportunities Celie could never fathom, their relationship comes to a halt. Celie stops receiving letters from her sister and is left to take care of her husband’s obnoxious children from a previous marriage, and is verbally/physically abused on a daily basis by both her husband and his children. Celie’s husband has a torrent affair with Shug Avery, a blues singer with a practical mentality who does not endure any mistreatment from anyone, regardless of their gender. When Shug Avery falls into Celie’s care, Shug Avery teaches Celie a thing or two about self-confidence and the strength she must find within herself to stand up to her husband. Towards the end of the novel, Shug Avery encourages Celie to leave her husband and move with her to Memphis, where she can escape the pain of her past and for once in her life be happy.

Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.

Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more

     Shug is a woman who does whatever she wants whenever she wants. She is a free spirit but she does have values and is a major contributor in the transformation of Celie. Shug enjoys her life and tries to spread the happiness to those around her. She is aware of her own physical beauty and uses it to control men. For women like Celie, it isn't that easy. Celie's father tells Albert, 'She ugly. She ain't smart either.'; (9). This is where Celie develops her low self esteem. Shug tries to make Celie realize that she is a beautiful person by getting to know her and loving her.

The relationship between Celie and Shug is not a good one at first, but then through out the movie, The Color Purple, their relationship grows into a friendship, then a sisterhood. In the beginning of the movie, when Mr. is going to town often, it is obvious it is to go see a woman because of his excitement, then the audience finds out who the woman is when Celie notices the flyer for Shug Avery’s performance on the mirror of the dresser. When the audience first meets Shug Avery, it is when Mr. brings her home in the back of the wagon and has Harpo carry her inside. The first impression of Shug is not a good one because of her attitude. When Shug first sees Celie, she called her ugly and laughed in her face. Then Shug told Mr. to have “that

Being a black female in the south during the early 1900’s, at a time when white and blacks were socially segregated and women were absolutely inferior to men, was one of the many challenges Celie would be faced with in her lifetime. Born in 1895, Celie was raised on a farm in a small town in Georgia where formal education took a back seat to physical labor and household maintenance, and the Church was the main focal point of socialization among local town members.

Celie also values her sister Nettie greatly and protects her when it comes to their step-father, Alphonso raping the girls. Celie says “I ast him to take me instead of Nettie while our new mammy was sick.” the casual tone of the preceding line adds to Celie's lack of self-worth; she is so used to being raped by Alphonso that it no longer makes any difference to her. As Celie transitions to the Mister’s household, she is still treated with disrespect by the Mister himself and even one of his sons. In a letter to God, she writes “I spent most of my wedding day running from the oldest boy… He picks up a rock and laid my head open.” Celie grows older in this household and submits to more abuse from her new husband.

She has to deal with the loss of her kids, but one day she gets to see one of them. She always called her little girl Olivia, but when she met the woman who had her child, she said, “We calls her Pauline.” (pg.16). That made Celie sad, but then the woman says, “But I calls her Olivia.” She just said that she looked like an Olivia and this made Celie happy.

Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving