In the novel The Color Purple by Alice Walker, the main character, Celie, is abused a multitude of times by Mr. ______, her husband. This abuse, paired with earlier abuse at the hands of her stepfather, shapes Celie’s opinions on abuse. The abuse Celie suffers begins to change her into an abuser herself, showcased by her suggesting to Harpo to hit Sofia to control her, but Shug helps to change the impact the abuse has had on Celie into empowerment, along with helping Celie get out of her situation by moving to Memphis. The abuse that Celie suffers for so many years has changed her, making her into a submissive young woman who can’t stand up for herself, even when she is not at fault; “He beat me today cause he say I winked at a boy in church. …show more content…
______ to become independent. She helps end the abuse of Celie by promising to have Mr. ______stop beating Celie: “He beat me when you not here, I say. Who do, she say, Albert? Mr. ____, I say. I can’t believe it, she say. She sit down on the bench next to me real hard, like she drop. What he beat you for? she ast. For being me and not you. Oh, Miss Celie, she say, and put her arms around me. Us sit like that for maybe half a hour. Then she kiss me on the fleshy part of my shoulder and stand up. I won’t leave, she say, until I know Albert won’t even think about beating you” (pg 74-75). Celie confides in Shug that Mr. ______ beats her, and Shug promises to not leave until Mr. ______ stops hitting Celie. Shug also directly removes Celie from Mr. ______ by having Celie move to Tennessee with her; “That’s it, say Shug. Pack your stuff. You coming back to Tennessee with me” (pg 177). Once they are in Memphis, Shug also says; “Besides, she say. You not my maid. I didn’t bring you to Memphis to be that. I brought you here to love you and help you get on your feet” (pg 211). Shug wants the best for Celie, and helps Celie to set up her own business of selling pants, and forcing Celie to become independent from Mr.
In the movie, Celie was one who had very low self-esteem since childhood. She felt worthless within her first marriage which was forced on her because she was sold to a man she called Mister who only needed someone to care for his kids. Perhaps if she would have had the opportunity to address those issues within her life with these few stages she might have thought more of herself. One article listed some stages that should be examined in one’s life to determine where to find one’s self. It stated,”
Shug Avery is not only a friend to Celie but also a lover. It is by being a lover that Celie learns self-respect and a little happiness in her life. Like when Shug Avery showed Celie how to enjoy herself. Listen she say, right down there in your … is a little button that gits real hot when you do you know what with somebody. It get hotter and hotter and then it melt. That the good part. But other parts good too, she say… (P. 79). I found this real important as it showed Celie she can enjoy herself and there is more to her then just being a slave to Mister.
Celie practically struggled for happiness her whole existence. Her father sold her to a man who had no intent of loving or caring for her. Celies’ husband whom she refers to as Mr. physically and verbally abused her. Mr. felt that the only way to keep a woman in check was to beat her and he did just that throughout the movie. Like any woman would though the abuse Celie lost herself and respect for herself. Living with Mr. was a life full of darkness and hatred. Life with her husband was no better life than life with her stepfather. It took years for Celie to become brave enough to fight back for what she accept as true and gain understanding of how to convey amusement and have little outlook on life. After years of abuse, Celie no longer was afraid of Mr. She no longer cared for her husband or the
However, the pair forms a nurturing relationship in which they take care of one another. These days Shug is all about love, and touch and feeling. As Shug says of her love of cuddling, "I love to hug, period, she say. Don't need nothing else right now" (Walker 152). Celie learns from Shug how to care about people once more, including caring for herself. Celie begins this journey to independence and love of self and others through her relationship with Shug. At one point she and Shug have physical relations, but it is Walker's purpose to show this as a means of providing each other comfort, nurturing, and humanity - not as a display of homosexuality. The entire episode is treated in the novel as a nurturing act, akin to a mother compassionate mother nursing her needy child, "Then I feels something real soft and wet on my breast, feel like one of my little lost babies mouth. Way after a while, I act like a little lost baby too" (Walker 118). We can see in
Celie's transformation from Mr. ____'s slave into an independent women is successful thanks to two strong women that become role models for Celie in her everyday life; Shug Avery and Sofia. Sofia is a role model in a more unconscious way for Celie then Shug is. Sofia's whole appearance and behaviour is proud, she lets no one sit on her and Celie is, at first, jealous of Sofia's self-confidence and tries to destroy it by giving her husband Harpo the advice to beat her to make her obedient; "I think about this when Harpo ast me what he ought to do to make her mind. [---] I think bout how every time I jump when Mr. _____ call me, she [Sofia] look surprise. And like she pity me. Beat her. I say"2. When this does not work, Celie realises that Sofia is someone to become more alike, not someone to destroy.
Have many people have ever been in a situation where they are being hurt? In The Color Purple by Alice Walker, there is a girl named Celie. Celie gets sexually assaulted by a white male truck driver and his name is never revealed. The man impregnates Celie and eventually takes away her kids and sells them. Alice Walker uses events that take place that transforms the way Celie is in the beginning and end of the book in a positive way.
Other women she meets tell her to stand up and fight for herself, but Celie thinks it is better to survive and not risk disastrous consequences. That being said, her and Janie both experience the confinement and servitude like conditions their husbands put them through. Physical abuse is not something Mr. ______ , Celie’s husband, shy’s away from. To him, Celie is not valuable and he beats her simply because she is not Shug Avery. Of the abuse she reports on this, “Harpo ast his daddy why he beat me. Mr. ______ say, cause she my wife. Plus, she stubborn. All women good for-- he don’t finish” (Walker 22). Alice Walker left that phrase empty because she knew the reader would only need those few words to take away from it the point. It is clear that Albert thinks Celie’s life is worthless and because of this, the sins he commits against her do not matter. It is understandable that for most of the novel Celie thinks it is not wise to stand up for herself as she has witnessed a fraction of the repercussions it may cause. In this moment she grasps some courage and shouts, “I curse you, I say. What that mean? He say. I say, Until you do right by me, everything you touch will crumble. He laugh. Who you think you is? He say. You can’t curse nobody. Look at you. You black, you pore, you ugly, you a woman. Goddam, he say, you nothing at all”(206). At this moment Mr._____ is threatened by Celie, she shows strength and it surprises him. His only defense is to insult her and yet he does so with some characteristics he too possesses. Until this moment Mr._____ (Albert), looks through Celie and treats her as an object that he can abuse and manipulated as his disposal. Janie and Celie’s husbands both view them in a similar manner. Although their personalities and internal mindsets differ, both of these women inch towards refuge towards the end of each
Shug Avery is someone Celie admired from a young age. Shug’s exuberance and charm with people are qualities Celie never dreamed of having herself until Shug walks into her life and Celie does more with her life by actually overcoming the abuse and becomes someone more. “I ast her to give me the picture. An all night long I stare at it. An now when I dream, I dream of Shug Avery.” (Walker 7). Shug comes into Celie’s life as her husband’s mistress who was very ill but not lacking in character. She treats Celie with disrespect at first, but after living with her for some time and being nursed back to health by her Shug gains a respect for her. She teaches Celie how to speak for herself and to defend herself against Mr. Shug is the one who helps Celie escape by taking her on her tour where Celie learns how to expertly sew pants. This is another major step towards independence because Celie is no longer financially dependent on anyone but herself because she creates a successful business by making pants. Upon her return to her home, she inherits her father’s home thereby completely separating her from the men who held control over her. She can now receive her sister’s letters and make her own money. The people who love her surround her and her personality develops unhindered by abuse. Celie’s idol came through to set her free and now idolizes her to an extent.
Within The Color Purple by Alice Walker, women are treated as inferior to men therefore they must obey them. Through the strength and wisdoms Celie gains from other women, she learns to overcome her oppression and realize her self worth as a woman. The women she has met throughout her life, and the woman she protected since young, are the people that helped her become a strong independent woman. Sofia and Shug were there for Celie when she needed someone to look up to and depend on. Nettie was able to push Celie to become a more educated, independent person. The main source of conflict in this book is Celie’s struggle with becoming an independent woman who needs not to rely on a man. Throughout the book we see her grow as a person and
Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.
Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more
At a very young age, Celie begins writing letters to God. In her letters she explains her fears about her stepfather raping her, her mother and sister being beat, and her fears for her sister, Nettie. This epistolary novel (a novel in which the narrative is carried forward by letters) takes place during the early twentieth century, where slavery still existed in the South, and black people lived discriminating lives. Even though many black Southerners formed tight-knit communities, physical, mental and sexual abuse was still brought on to
Thrown into young adulthood at the early age of 14, at 21 years old Celie now begins the true process of developing intimacy with an unlikely character for the time. A long lasting friendship and mutual love affair between Celie and Shug has begun, and will later prove to be her saving grace as her confidence, identity, purpose, and will increase. Shug plans to leave
Celie also values her sister Nettie greatly and protects her when it comes to their step-father, Alphonso raping the girls. Celie says “I ast him to take me instead of Nettie while our new mammy was sick.” the casual tone of the preceding line adds to Celie's lack of self-worth; she is so used to being raped by Alphonso that it no longer makes any difference to her. As Celie transitions to the Mister’s household, she is still treated with disrespect by the Mister himself and even one of his sons. In a letter to God, she writes “I spent most of my wedding day running from the oldest boy… He picks up a rock and laid my head open.” Celie grows older in this household and submits to more abuse from her new husband.
Shug constantly threw diatribes at Celie. Celie endured Shug’s attacks, too stunned by her infatuation with Shug, to care. Mr.____ is Shug’s sycophant which entices jealousy in Celie. Celie starts to think self-deprecating thoughts because she is not as beautiful as Shug or as wanted by Mr.____. Soon after Shug and Celie start to have a sexual relationship. “Us kiss and kiss till us can’t hardly kiss no more” (Walker 113). In the 1930’s African Americans weren’t accepted as equals to whites so a lesbian relationship would be even scarcer at that time. With religion still a substantial factor in Celie’s life she had to bend her morals into accepting her new sexuality. Shug opens up many doors for Celie and instills in her that she too is worthy of being loved. “Well, she say, looking me up and down, let’s make you some pants” (Walker 146). These pants are a symbol of Celie’s psyche transformation as she becomes more independent and stands up for herself against her husband. With Shug, Celie overcomes her fear of men and no longer has a submissive-psychological stance when dealing with situations and that is a gift Celie is deserving