One by one they defeated their personal demons and strode forward to place themselves between Chaos and Ophelia. Only Ophelia, Belinda and Doyle still remained under the spell of the black thing.
Raphael said, “You are defeated, your power is nearly gone. Return to the chaos and trouble us no more.”
“You delude yourself, I am not from the chaos, I am Chaos, I am the formless void, the hidden one, the persuader, the puppet master. Brookman was one of my puppets, as was George Jefferies. It was I who whispered in the ears of the four brothers and brought about the destruction of Wanoah. Thaddeus Garth did as I bid, along with numerous others who control Earth. Python heeded me as well as the Sai and the beast you called the everhungry. If you
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If you let go of their hands and step back, I'll let you and your lover live.”
Riley was confused, she looked around wildly, she was about to bolt. Derek stepped up and put his hand on her shoulder.
Derek said, “Send him away Riley, he wouldn't ask you to step back if you had no power to use against him. You have to save Ophelia.”
Riley raised her arms still clenching the hands of the Gray Knight and Raphael. The thing that called itself Chaos began laughing again and reached out toward her. The black void spread outward toward them and threatened to engulf them. Riley gritted her teeth and a brilliant white light rose out of her hands. It pushed the blackness back and spread out around the shadow and pushed
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He grew smaller and smaller until only a man sized figure was left. The figure crumbled to the ground and the laughter continued. The blackness faded from the figure and a deformed lump of a man was all that was left. Then the laughter faded away and was replaced by ominous silence.
After Chaos was gone, Raphael expected Belinda, Ophelia and Doyle to immediately revive. He was dismayed when they did not.
Elmer and the others burst into the clearing five minutes later.
“Sorry we're late,” Elmer apologized. “We couldn't find you until Chaos faded away.”
Sato pushed over the lump of a man on the ground and saw Dr. Wright's deformed face staring back at him. He breathed in great gulps, like a fish out of water, one eye was a slit, the other was three times the size it should have been, his nose was twisted sideways. His body was a grotesque parody of a man, full of lumps and cavities and strange twists, his heart was partially out of his chest and beat with a strange unsteady rhythm.
“Killl meee Johnnnny.” Wright begged.
Sato pulled out his sword and stuck it in the exposed heart. He had to stab it several times before it finally stopped beating. When he was done, Sato walked a short distance, dropped his knees and retched into the
He falls in to the ocean waters. He let out a blaring shriek for help, and no one came. Next, when he got cold headed he started swimming to the nearest island he could see. He finally gets to the island and he starts to rest. Then, when he wakes up he looks around and sees a pool of blood around him.
The man, had he not died from the demon, was surely dead now. Blood pooled around the man's body, his corpse sprawled in an unnatural position.... unmoving...
In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play. The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.
In a flash, I slashed through the final surviving subordinates of Brocuse with the beam katana, leaving only him alive. Spluttering in shock from my response, Brocuse stumbled back and fell onto his rump, a look of absolute horror etched across his face.
In modern society, many adolescent girls are becoming young adults under the pretenses of false selves. When dealing with issues such as divorce, sex and violence, drugs and violence, and mass media, girls are learning to create a false identity in order to live up to stereotypical standards of beauty, popularity, and success. The book Reviving Ophelia, by Mary Pipher, Ph.D., discusses the accounts of several different girl’s therapy sessions, conducted by Dr. Pipher, which deal with aggression, disorders, and insecurities that are causing mental, physical, or emotional issues within adolescent girls trying to overcome the systematic oppression placed upon them. Throughout the book, several different girls’ stories were relatable to my own personal experience of adolescents in relation to the unrealistic expectations that create social, physical, and mental issues for many adolescent girls. One of the main hardships I was able to relate to throughout the book that Pipher describes as creating depression for girls, is divorce (Pipher, Pg. 136).
Perceval could still recall their faces vividly. And thinking of them had never stopped hurting. “My father was Yale, my mother Madlen, and my sister Deryn.”
People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.
He woke up in a dark room. He was numb and dizzy. The figure of a man kept on flickering through his head. He couldn’t move. He had no memory. His whole body was full of pain and agony.
He opened his sack and as he grabbed a potato he saw a outline of a person, as the mysterious figure came closer, he ran, scampering. The figure moved quick as a mouse, and as he ran, his face appeared, and just as suddenly black hair covered his face, as if a mask was concealing his
Hamlet and Ophelia were two young people in love and were supposedly driven mad by their relationship and passion for one another. When they actually went mad, it was after the death of each of their fathers. When Ophelia entered and was singing and talking to the King and Queen in Act 4, Scene 5, the King
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
Throughout the story of Hamlet, there is a lot of betrayal and revenge seeking people. These ideas of revenge make people, such as Hamlet, seem insane. He is seeking revenge against his uncle, King Claudius, for killing his father and then marrying his mother. Hamlet then goes crazy and insane when the ghost of his dead father asks him to seek revenge. His friends and family think he is full of pure madness, but he is actually faking it so it is easier for him to get revenge.
HAMLET: A LOVE STORY? To die – to sleep, No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to: ‘tis a consummation Devoutly to be wished. (III.i.60-64) Throughout history, death has been an object of humanity’s fascination.
character. Ophelia’s dependence on others is, sadly, what lead to her death. She could not
Ophelia, as a person, is essentially formed by the men in her life. This is not a radical idea: it has been embraced by centuries of Shakespeare critics. However, to go slightly deeper, one could consider what exactly the absence of Hamlet, Polonius, and Laertes has on her identity (outside of madness). This scene serves to force her into a new persona, as one without a personality.