Chaos And Ophelia-Original Writing

The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim

People have mostly seen women inferior to men because women have been thought of as simple-minded and could not take care of themselves. Shakespeare’s Hamlet shows how men treated and thought of women during the 1500s. There was an order most did not interfere with; however, some did. In the 1500s, women were supposed to conform to men’s wishes. Throughout the play, Ophelia first obeyed her father and brother’s wishes, ignored the social norms later, and then went mad, which caused her to never gain her own identity.

  In Shakespeare's tragedy, Hamlet, the audience finds a docile, manipulated, scolded, victimized young lady named Ophelia. Ophelia is a foil to Hamlet. Plays have foils to help the audience better understand the more important characters in the play.  The character of Ophelia is necessary so that the audience will give Hamlet a chance to get over his madness and follow his heart.

Hamlet and Ophelia were two young people in love and were supposedly driven mad by their relationship and passion for one another. When they actually went mad, it was after the death of each of their fathers. When Ophelia entered and was singing and talking to the King and Queen in Act 4, Scene 5, the King

The figure stepped forward, towards the downed man. Its eyes glowing an eerie yellow, which reflected in the fearful eyes of the man,... eyes of a monster. The monster closed in on the man, a deep guttural laugh escaping from the monster.

In modern society, many adolescent girls are becoming young adults under the pretenses of false selves. When dealing with issues such as divorce, sex and violence, drugs and violence, and mass media, girls are learning to create a false identity in order to live up to stereotypical standards of beauty, popularity, and success. The book Reviving Ophelia, by Mary Pipher, Ph.D., discusses the accounts of several different girl’s therapy sessions, conducted by Dr. Pipher, which deal with aggression, disorders, and insecurities that are causing mental, physical, or emotional issues within adolescent girls trying to overcome the systematic oppression placed upon them. Throughout the book, several different girls’ stories were relatable to my own personal experience of adolescents in relation to the unrealistic expectations that create social, physical, and mental issues for many adolescent girls. One of the main hardships I was able to relate to throughout the book that Pipher describes as creating depression for girls, is divorce (Pipher, Pg. 136).

Perceval could still recall their faces vividly. And thinking of them had never stopped hurting. “My father was Yale, my mother Madlen, and my sister Deryn.”

He woke up in a dark room. He was numb and dizzy. The figure of a man kept on flickering through his head. He couldn’t move. He had no memory. His whole body was full of pain and agony.

In a flash, I slashed through the final surviving subordinates of Brocuse with the beam katana, leaving only him alive. Spluttering in shock from my response, Brocuse stumbled back and fell onto his rump, a look of absolute horror etched across his face.

He opened his sack and as he grabbed a potato he saw a outline of a person, as the mysterious figure came closer, he ran, scampering. The figure moved quick as a mouse, and as he ran, his face appeared, and just as suddenly black hair covered his face, as if a mask was concealing his

Throughout the story of Hamlet, there is a lot of betrayal and revenge seeking people. These ideas of revenge make people, such as Hamlet, seem insane. He is seeking revenge against his uncle, King Claudius, for killing his father and then marrying his mother. Hamlet then goes crazy and insane when the ghost of his dead father asks him to seek revenge. His friends and family think he is full of pure madness, but he is actually faking it so it is easier for him to get revenge.

He falls in to the ocean waters. He let out a blaring shriek for help, and no one came. Next, when he got cold headed he started swimming to the nearest island he could see. He finally gets to the island and he starts to rest. Then, when he wakes up he looks around and sees a pool of blood around him.

Ophelia, as a person, is essentially formed by the men in her life. This is not a radical idea: it has been embraced by centuries of Shakespeare critics. However, to go slightly deeper, one could consider what exactly the absence of Hamlet, Polonius, and Laertes has on her identity (outside of madness). This scene serves to force her into a new persona, as one without a personality.

HAMLET: A LOVE STORY? To die – to sleep, No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to: ‘tis a consummation Devoutly to be wished. (III.i.60-64) Throughout history, death has been an object of humanity’s fascination.

character. Ophelia’s dependence on others is, sadly, what lead to her death. She could not