Character Analysis Of Mrs Mooney

“Let me,” Ludington called, “I can ride as well as any man!” A young woman of only sixteen told her father one night during the Revolutionary War. Sybil Ludington volunteered to round up her father's troops when the original messenger could not go any farther. Sybil traveled over three times farther than the well-known story of Paul Revere. She rode farther, alone, and in horrible weather to bring four hundred soldiers to aid Henry Ludington. Sybil, though her remarkable story is largely ignored by historians, should be as well-known as Paul Revere for her bravery and contribution to the war effort.

1. Throughout the story suspense is aroused and maintained excellently. This is achieved by the character the author creates. Mr. Martin is characterized as a neat and cautious man, who never took a smoke or a drink in his life. Our suspense is aroused when the author states that it has been “a week to the day since Mr. Martin had decided to rub out Mrs. Ulgine Barrows”. This arouses our suspense because we are told Mr. Martin is planning to murder this woman. The suspense is maintained with Mr. Martin’s thoughts. We as an audience are given his thoughts through the use of the 3rd person omniscient point of view. His thoughts are mostly on the issue on his dislike of Mrs. Barrows. Because of this, he

Polly also discusses the man that was involved in her circumstance and how he was rewarded, while she was punished. From this, she generalized that the law was unfair. Using a rhetorical question, she asks “Can it be a crime (in the nature of things I mean) to add to the number of the King's subjects...?” which turns the common belief that a higher population is good against the argument that having children out of wedlock is bad. She also asks “What need is there…of your additional fines and whippings?” which suggests that the law is overstepping its bounds

The character Mrs. Mallard from Kate Chopin’s “The Story of an Hour” can be considered both sympathetic and unsympathetic for various reasons. She could be seen as a sympathetic character because of the times Mrs. Mallard’s character came from. On the other hand, she could be seen as unsympathetic for how her character is very self-centered. We see this in how she is constantly rationalizing with herself that her feelings of joy at her husband’s death were well founded. There are also several other variables that must be taken into consideration when deciding if Mrs. Mallard is a sympathetic character, or not.

“I jolted awake. My sheets were soaked through with sweat, blood, and the foul-smelling black substance that marked a victim of yellow fever. Yellow fever,” despite her desperate cries for mercy, yellow fever struck young Matilda Cook with its evil hand, along with thousands of other unfortunate victims. An unpredictable future haunted the families of Philadelphia as this unbearable sickness slithered in between their homes. In the novel Fever, Laurie Halse Anderson described the fictional epidemic that occurred in 1793 to the citizens of Pennsylvania. She passionately painted the picture with blended colors of pain, perseverance, and hope. Despite unbearable pain, the protagonist pressed on with strength and hope. While her character certainly deserves admiration, Matilda Cook is not the only strong character in this story, her friends Eliza and Nathaniel share some of her inspiring traits as well as some of their own.

Readers more fully understand the force of Zeena’s controlling personality by observing the effect her domineering tendencies have on both her husband, as well as his new love interest, Mattie. When Zeena takes in homeless Mattie to serve as an unpaid housemaid, Zeena’s harsh, tyrannical proclivities increase. Instead of Zeena’s efforts quelling the growing infatuation between Ethan and Mattie, Zeena’s heightening nastiness only make the lovely, obedient and good-natured Mattie more appealing to Ethan. The lovers now share a common bond and a common enemy, feeling trapped with a monster in their midst. During the first few months of Mattie’s stay, Ethan desires “to see Mattie, defy Zeena, and trembled with fear of the result…”(pg 52). Even after months of staying in the Frome household, Mattie still feels this effect. “since the previous night, a vague dread hung on the sky-line. It was formed by Zeena’s obstinate silence, of Mattie’s sudden look of warning…” (pg

The introduction of Mrs. Auld in chapter six of Narrative of the Life of Frederick Douglass is one that hold a lot of importance not only to Douglass but to the reader as well. Douglass portrays her in a way that allows her to be human. The reader is allowed to not only see the change in her but to experience it. The rhetoric surrounding her even changes as she does. At first, Douglass uses emphasis when she is first introduced, this is done by stating the same idea about the character in various places within the first paragraph. As her character changes, Douglass uses juxtaposition to switch his rhetoric to turn Mrs. Auld to stand for a bigger concept rather than just a human. Douglass in a literary sense holds the reader’s hand by explaining Mrs. Auld’s change step by step of what Mrs. Auld was, what she became, and what happened in between to cause it. Douglass uses the presence of Mrs. Auld to demonstrate the dehumanizing effect that power has on the nature of a human.

This reveals that their understanding is so limited that they find the exploitation and risk involved in prostitution funny. They like the way Suzy is so relaxed about sex if a guy don’t want a flop, why he can just set in the chairs”. She talks about it like any other commodity and accepts that it is a woman’s purpose. Suzy undermines the rival brothel 'Clara's House', by suggesting that even though it may be more fashionable, the girls have STI's - “if any you guys want look at a kewpie doll lamp and take your own chance getting burned, why you know where to go”. This shows that women like Suzy are forced to be competitive and to make themselves a business as they have no other way. George accepts this and prefers “a good whore house” to having a relationship. The price is his only focus and concern as he says “I ain't puttin out no two and a half”. This is an outrageous approach to women and sex which should not be accepted by the modern reader. But as previously stated, we trust George, and don't feel much sympathy for Curley's wife, being a woman in this society, until we understand the victimisation of women in a society where they are forced into a male stereotype.

In Chapter 28, Mr. Derby called Polly a liar and she is never allowed in the house again in the beginning of the chapter. At the end of the chapter Mr. Derby says he is going to send Polly to a whore house and Amari will have a replacement and Tidbit will be sold.

“The Boarding House” is a story that starts off in the beginning with complications, but the main conflict of the story is that Mrs. Mooney, Mr. Doran, and Polly all want different thing. Mrs. Mooney, mother of Polly, want to find a husband for Polly. She wants to bring Polly out of the lower social class and to find her a marriage that will not end in failure like Mrs. Mooney did. Polly also wants a relationship, but is going about it all wrong. Polly is ruining her reputation in the processes. Mr. Doran is a man who wants to have it all. He wants to have an affair with Polly and not ruin his

She did have some wisdom, though. Miss Bates was not totally ignorant. Indeed, there is much practical wisdom, genuine concern, and touching kindness peppered throughout her humble flow of eager-to-please manner. She had trouble recognizing when she was doing or saying something wrong. On the other hand, Miss Bates is a “great talker upon little maters” and was “full of harmless gossip” that she wants everyone to know. Miss Bates is the spreader of town news and is interested in everyone’s affairs, another reason her neighbours might have found her annoying at times. Even though Miss Bates is silly and meddles in everyone’s lives, she is a harmless old woman who is loved very much for her generous nature and for the kindness she always offered other people.

The audacious actions executed by Mrs. Dubose are used to illustrate how she is a fundamental character when it comes to demonstrating true courage. Throughout the years Mrs. Dubose was alive she was unafraid to speak her mind knowing that others had their own views and opinions they would later express. The readers are made aware of this during the time when Mrs. Dubose was speaking to Scout and Jem saying,

“The Boarding House” is one of the most interesting stories in the book. First we meet Mrs. Mooney, Polly Mooney the main character’s mother. Because of her history, mostly her exhusband she has become a very tough self sufficient women. Then we have Polly and her love entrust Bob Doran. At first it seems like Bob a thirty five year old matured man is taking advantage of this young sweet nineteen year old girl. As the story goes on and the Mrs. Mooney knows of the affair and lets it happen and then wants something from it we are still not sure. Then Mr. Doran’s indasigen when he was thinking of what had to be done. “Perhaps they could be happy together.......” It just made him seem so innocent and like a victim(Joyce P.58). But just like the two other stories I discussed the end tells all. Just before Mr. Doran was going to go down to meet with Mrs. Mooney Polly was sitting with him on the bed crying

It is often said that marriage is the extension of a family. Through marriage, one family is linked to another. In this regard, we have a third kind of women who are victims of the institution of marriage. In The Boarding House, Mrs. Mooney’s daughter Polly is the victim of the ingrained institution of marriage. After she learns of the affair between her daughter Polly and Mr. Doran, Mrs. Mooney forces him to marry her daughter in a rather tactful and cunning way:

Socrates, a Greek philosopher once said: "Each one must know himself." Unfortunately, most of us are not aware of our true character. Social conventions are the main cause making us repress what we really think and feel. Only when unexpected events happen, we do have an opportunity to take a close look at our hidden self. "The Story of An Hour" by Kate Chopin reflects the dramatic development process of Mrs. Mallard's character through the death of her husband; it demonstrates that the true identity cannot be sheltered forever.