Character Analysis Of The Duke Of Illyria

Orsino's love, however, is a courtly love. He claims to be in love with Olivia but seems rather to be in love with the idea of love and the behavior of a lover. Orsino is a Petrachan lover who chooses an object that will not return his love. Because he is not ready for commitment, he courts Olivia in a formal way. By sending his messengers to her house instead of going himself, he does not have to speak to her directly. Early in the play, Viola realises that Orsino's love for Olivia is denied and that she would also reject all men for a period of seven years. Viola believes that Orsino might not be rejected if he visited Olivia himself and says to him: "I think not so, my lord," but Orsino, not wanting to see Olivia himself and wanting to keep up the role of the disappointed lover, insists that Cesario woo her.

wonder if he is really interested in her or just this idea he has of

The Duke has little to no patience and Feste tries to make him aware of this flaw.  Feste believes that people are better off due to their enemies and worse because of their friends.  He explains that a person's enemy will tell them the truth, where a person's friend will lie to them and not make them aware of a personal flaw they may have.  Orsino displays his short patience through his obsession with Olivia.  He sends Cesario, his messenger, to Olivia's house daily to try to win her love over.  She sees his messenger so often because of Orsino's constant persistence that she ends up falling in love with Cesario and not the Duke.  Feste attempts to convince Orsino to stop obsessing over Olivia and try broadening his thoughts of who he loves.  Feste endeavora to help Duke Orsino, but he does not welcome the constructive criticism given to him by the clown.

Orsino provides an example of the male norms in Twelfth Night, by always showcasing his power and control. In act 2, Orsino and Viola begin to talk about love. Orsino says to Viola, “No woman’s heart /So big, to hold so much; they lack retention. /Alas, their love may be called appetite, /No motion of the liver, but the palate, [...] /But mine is all as hungry as the sea, /And can digest as much” (2.4. 105-111). Orsino is telling

The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the

The fantasy of Olivia he supposedly unconditionally loves is not about Olivia, but all about himself. Not only this, but Orsino is easily convinced to return the deep affection of Viola, possibly because the Duke focuses entirely on his success and desires in love rather than genuine affection. Perhaps, Orsino only developed these feelings for Olivia because he wanted more luxurious things in life. Orsino had great food, servants, and a giant castle. The one thing he lacked in was love. Therefore, the Duke wished to have the most beautiful countess in all of the land: Olivia, to continue owning more and more luxurious things. Through this, Shakespeare conveys that an egotist and wealthy man cannot genuinely love if he does not fixate the gain of love on himself. Not only this, but it also continues the previous message that one might be irrationally obsessed with the idea of love rather than a person due to all of the pleasures there are to

Different types of love and marriage play a significant role in Shakespeare’s twelfth night, whether unrequited like with Antonio and Malvolio; or something seemingly unattainable like with Duke Orsino. Love is prevalent as one of Shakespeare's central theme emphasized in the Twelfth Night. With that, we see Shakespeare communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. However, this essay will solely elaborate on the character Duke Orsino and his exploration of love. Through Orsino’s actions, Shakespeare conveys several messages still applicable today, some of which are about the fine line between superficial love and genuine love, love's incoherency, and love's

One can observe Orsino's love for Olivia as obsessive. Orsino’s first words “If music be the food of love, play on,” introduce him as a love-sick character whose mind revolves around a woman who does not return his feelings (I.i.1). Olivia constantly populates his mind and he does not cease his pursuit for her love, even after she expresses distaste towards him. Shakespeare mocks love-sick individuals for acting like fools and putting themselves through misery. After learning of Olivia’s marriage, Orsino realizes he has lost her and lashes out at Cesario. He threatens him by stating “I’ll sacrifice the lamb I do love to spite a raven’s heart within a dove”(V.i.33-34). Shakespeare uses Orsino’s love for Olivia to differentiate between good and bad love. Unrequited love can cause an individual to pursue violent actions in blind rage. Orsino shows how love is consuming, crippling, and hinders the ability to live out life.Orsino believes his love for Olivia is true, but he is actually in love with the idea of love, and believes he can only obtain it from Olivia. Shakespeare tries to inform the audiences that they could mistakenly believe they are in

    The meaningful term “love” can be applied to differing relationships in Shakespeare’s tragedy Othello. In this essay let us examine under a microscope the “love” that we find throughout the play.

Yet he still continues to get a “yes” from Olivia. He grows rambunctious and upset when he says.” O’ she hath the heart of a fine frame, to pay the debt of love but to a dead brother” ( Shakespeare page 11 33-34) He lacks sympathy towards Olivia for her problems, but he has time to listen to his own desires. Nonetheless rather grieving with her, he goes and gives her his words of love. Duke Orsino knows that Olivia is unsure and this is an act of selfishness. Furthermore, he craves something he can’t have, Olivia’s love. Love is to crave to the extreme, it’s hunger that lovers hope they can never fully

In Act 5, Orsino delivers a speech to Olivia in order to express his broken heart and pine over his unreciprocated feelings. However, by drawing out the speech with allusions, excessive language, and metaphors, Shakespeare portrays Orsino as an overemotional and romance-driven character. Compared to Orsino’s first

Shakespeare presents Orsino as furious and irritated at Olivia’s constant refusal of his love and starts noticing how Olivia is not the perfect woman he claims she is while discreetly implying a shift of his romantic feelings for someone else (Cesario/Viola).

At first he pleads for the “excess of it, that, surfeiting” (I.i.2). For, music nourishes the soul; therefore he wants more of it. However, later in the soliloquy Orsino says that because of love, music “tis not so sweet now as it is before” (8). Shakespeare is already showing how Orsino tries to force passionate love for Olivia that it is not as sweet and fulfilling as it should be if it was genuine true love. This theme goes throughout the play and even comically plays out in Olivia’s forged love for Malvolio. Any type of false love in Twelfth Night comes to a crash landing at the end.

In the opening scenes, Shakespeare displays to his audience the affluent society of Illyria, where aristocracy is its major component, festivity is the social norm, and leisure is the way of life. Orsino and Olivia, elegant and wealthy members of the nobility, are at the center of people’s discussion—they seek love; Sir Toby and Sir Andrew, the rich knights ranked high in the social hierarchy, “care not for good life” (II.iii.34)—they seek pleasure. However, the Illyrian society of aristocratic customs and sense of licence is established upon the laborious work of those who are excluded from the indulgence in festivity, and whose financial ability and social status do not afford this social liberation.

When Olivia declares that not even "wit nor reason"(143) can hide her passion, she suggests that she would love Cesario even if it were against logic, as a same sex couple would be. Despite the unacceptability of a same sex romance in Shakespeare's time, the hints toward this reading seem visible enough to have been thought of then as well as today. Although probably not intended to the extent of a lesbian courtship, the situation of a woman wooing another woman presents a comical picture for the audience, perhaps even more so in the Elizabethan era with two male actors wooing each other as women. Shakespeare is able to pose the question of homosexual love by using "Cesario" as a shield to protect both the characters within the play and the audience from having to deal with the question directly.