Character Changes In The Iliad To Troy

In book three of Iliad, “illustrious king” (9.126) and his Achaean armies fight the Trojans to stop wife stealing but despites that he still dishonors and takes Achilles prize, Breseis. Agamemnon in the Iliad can be seen as the mortal Aphrodite. In book three of Iliad, Helen disobeyed Aphrodite and she responds with rage and so does “lord of men” (9.112) in book one. Agamemnon feels that Achilles disobeyed him, so he answers with wrath just to show “how much greater [he] [is] than [him]…. for hoping to rival [him] strength for strength” (1.219-221). His statement makes Achilles furious with rage. “Why, why in the world if not for Helen with her loose and lustrous hair? Are they the only men alive who love their wives, those sons of Atreus? Never!” (9.411-414). Achilles expresses his feeling on how contradicting the whole Trojan war is and that is he going to involve himself, it will be for Bresies only. Bresies is who he loves not

Thesis statement: Within the Iliad, the consequences of Helen’s actions and the motif of beauty are demonstrated through her self-blame, passions, and conflicting intentions, which ultimately results in the destruction of Troy.

Even as his wife Andromache pleads “Pity me, please! Take your stand on the rampart here before you orphan your son and make your wife a widow” (Iliad VI. 511-512) to persuade him to stay at home, he chooses kleos over his family. Hector is described by Helen far differently than she speaks of her own husband.  “But come in, rest on this seat with me, dear brother, you are the one hit hardest by the fighting, Hector, you more than all – and all for me, slut that I am, and this blind mad Paris” (Iliad VI. 421-423).  Helen embraces Hector for his bravery and honor, and asks even that he rest from battle.  Her polar opinion between the two brothers serves as an important facet for dissecting the importance of kleos even within a family. Homer shows Helen’s shame and contempt for her husband as he does nothing to defend her or his home against her love for Hector as he fights so gloriously for Troy.

In Homer’s epic, the Iliad, the legendary, has no two characters that are so similar yet so different as Greek warrior, Achilles, and the Prince of Troy, Hector. Achilles is the strongest fighter in the Greek side, and Hector is the strongest Trojan. They are both put into the mold of a hero that their respective societies have put them into; however; it is evident that they are both extremely complex characters with different roles within their society and with their families, and with the gods.

    Most people think of a hero as a strong, superior, good-looking person that could never make a mistake. However, in a story called The Odyssey, a connection to real life reveals imperfections to be common in heroes. Each person has their low points and highlights, regardless of their “rank”. The author and epic poet, Homer, exemplifies our main character, Odysseus, to take on this idea of a hero throughout his writing. The time period took place in Ancient Greece, allowing Greek culture to relate to the poem. Different aspects of such culture and history may have influenced the works and creativity of Homer as well. A major point includes The Trojan War because it focuses in on Odysseus’ journey to bring Helen back home by devising a plan to destroy warriors in the city. Acknowledge this factor when reading The Odyssey, for not only evidence of heroism, but also other major points of archetypes, in which the device reflects the insights of readers in modern time and what is seen from Ancient Greek culture.

Nowhere in the Iliad is Hector's superiority more obvious than when he is contrasted with his brother Paris, the man who bears the sole responsibility for the chaos and terror that engulfs Troy. Hector finds Paris "polishing (and) fondling his splendid battle-gear, his shield and breastplate, turning over and over his long curved bow" (VI, 243-245).

By taking the wife of Menelaus, he had dishonored him. While his brother is described as a great warrior, Paris is a described by Homer as a pretty boy that has success with women due to his charm. However, none of those traits seem to matter because he shies away from battle and he is mainly the object of disdain. In chapter 3, Paris didn’t have the courage to fight Menelaos for his own wrong doing. In chapter 6, as Hector arrives back to the city to make a sacrifice he sees Paris whom is not involved in the fighting. Another character that is depicted as dishonorable is seen in Book 2. Agamemnon decides to test the desire and courage of his soldiers by suggesting a retreat. The results were definitely counter to what Agamemnon intended, his troops quickly prepared their ships to depart. Odysseus quickly rallies the troops and reminds them of Calchas prophecy. However, one soldier Thersites whom is described as deformed and ugly (perhaps a metaphor because of his dishonor) argues that the war isn’t worth fighting. Odysseus quickly scolds Thersites and infers that Thersites has no honor because he does not wish to continue to fight. Odysseus then goes on to hit Thersites with a scepter and the Achaeans agree to fight again.

Over the thousands of years that the epic story the Iliad has survived, there has no doubt been some form of alteration to Homer’s original. Last May, Wolfgang Petersen directed a movie based on the Iliad. This movie, Troy, has proven to be a very loose adaptation of Homer’s original, as are almost all stories that are made into movies, unfortunately. With its timeless storyline, amazing scenery, gorgeous actors/actresses and most of all, its reported two hundred million dollar budget, it is easy to see why Troy was hyped up to be a box office hit. However, the film critics were harsh on this movie, as they had every right to be, and it ended up being a total flop. Compared to Homer’s Iliad, Troy is rather

Wolfgang Peterson tackles the job of bringing the epic of Homer's The Iliad to the big screen in his film Troy. Iliad being a lengthy text, it is impossible to include every detail in a movie. Therefore, there are obvious deviations from the book such as the length of the Trojan War, and the absence of celestial participation in the war. There is also an absence of mortal female characters such as Chryseis, Hecuba, and Cassandra in the movie. In contrast, though, the female characters who are included in the film are developed more elaborately than they are in the book.

Looking down from Olympus, Aphrodite overheard the prince of Troy, Paris, claiming Helen to be the loveliest woman in the land. Aphrodite was outraged!

Virgil portrays the main female characters of the Aeneid as stubborn, selfish individuals who manipulate those around them to accomplish their goals. As seen throughout the first six books of the poem, Juno acts against Aeneas because he is destined to found Rome and destroy Carthage— a city dear to her heart. Juno also disrupts the order in the mortal world because she is still hurt about the time when Paris, a Trojan male, does not recognize her as the most gorgeous woman on earth. Virgil also portrays Venus as obstructive and self-centered because her goal is to ensure that somebody from her lineage founds Rome so that she can receive worship for such accomplishment. Due to this behavior, one can argue that the women of the

Contrastingly, the gods are purely mentioned in the film with the exception of the appearance of Thetis to Achilles. Gods are only prayed and sacrificed to, but they do not make an appearance in Troy. The gods have a major role in the Iliad however; they are depicted as having a grand amount of control over what happens. For instance, the gods had control over the battle between Paris and Menelaos. Paris escapes with the help of the goddess Aphrodite, who wraps him in a thick mist and carries him back home: “But Aphrodite caught up Paris / easily, since she was divine, and wrapped him in a thick mist / and set him down again in his own perfumed bedchamber.” (3. 380-2). However in the film, Hektor ends up killing Menelaos. As readers of the Iliad, it is known that Menelaos is supposed to survive. As the gods do not appear in the film, viewers do not have the opportunity to know what the gods are thinking or planning. Only readers of the Iliad are able to witness a conversation held between the gods. The film therefore provides no foretelling of what will happen in the future, while the epic does. There is also no sign of communication between the gods and humans in the film. While in the Iliad, gods tend to appears in dreams or even disguised as another person. Nevertheless, gods and anything close to mystical are not displayed

A major difference between the two relationships is whether or not an outside force is pushing the relationship. In book three lines 486 to 489, Aphrodite forces Helen to go back to the bedroom with Paris. Initially, Helen does not want to go stating that it would be “disgraceful to share that coward’s bed once more” (, 476). Helen very clearly does not want to go back and be with Paris, but cannot go against Aphrodite’s wishes which is shown as “she [goes] along, in silence” (, 488). Hector, on the other hand, makes the choice to go back and see his wife in book six. Unlike Helen going along is silence, Andromache “came running up to meet him” (V, 466). Andromache’s eagerness, as shown by her running, supports the idea that her relationship with Hector is not forced. This is a huge difference from Helen’s reluctance of being with Paris due to it being forced by Aphrodite.

Homer’s epic The Iliad, is a great tale of war and glory. It takes place during the last year of the ten year Greek-Trojan war. The Greeks have been fighting with the Trojans for quite some time, and just when peace seemed like a possibility, the youngest prince of Troy, Paris, acts out selfishly and steals the beautiful wife of Menelaus, Helen. This instigates the fighting again. Throughout The Iliad, Homer tells of two heroes, both similar, but also very different in their character; the great and powerful Greek, Achilles, and the strong, loving father, Prince Hector of Troy. In Homer’s The Iliad, Hector and Achilles differ as heroes in regards to pride, duty, and family love, the latter being self-centered and prideful, while the

Beginning with one of the earliest texts studied during the school year, The Iliad, which is an epic poem of war and heroes, has left its mark in history in remarkable ways. The story begins when a man named Paris abducts the beautiful Helen and causes as war to breakout amongst the Greek and Trojan armies. The poem depicts the epic hero Achilles who will be one of the most