Comparing Edgar Allan Poe And Emily Dickinson's Poetry

Emily Elizabeth Dickinson and Edgar Allan Poe are two of the biggest poets in American Literature from the 1800s. They had many things in common from their writings about death and sadness, because of their unfortunate losses in life, to the fact that they were both born in Massachusetts. They were also different in many ways. They were different in the way they looked at life and wrote about their experiences from it. While it is obvious they had many differences, they also had many things in common from their lives to their styles of writing making them amazing writers.

Emily Dickinson and Walt Whitman are very similar, yet very different in the ways they write their poetry. Dickinson is more accustomed to a quiet lifestyle in Amherst Massachusetts whereas Whitman comes from a more exciting background with living in the city and traveling from place to place. Although they are differ in the ways they grew up they both tend to focus on nature in their poems.

The lives of Walt Whitman and Emily Dickinson have many similarities and differences. Here, we will focus on the similarities in their lives in order to bring to attention a correlation between Whitman's poem I Saw in Louisiana a Live-oak Growing and Dickinson's poem # 1510. Both poets wrote during the time of Romanticism, even though Whitman was Dickinson's senior by some eleven years. This however did not influence the way the writing styles of many of their poems coincided.

The works of Edgar Allan Poe and Sylvia Plath convey feelings of sorrow, in attempt to release their emotions and show the reader their true mental struggles. Although these writers were alive at extremely different time periods, they shared characteristics in the way they wrote and the messages emanate in their poems and other writings. However, their works vary from each other as Sylvia often focuses on her depression through pathetic fallacy and nature while Poe focuses on the evil within and the acceptance of death of the people closest to him. Edgar Allan Poe and Sylvia Plath similarly dealt with various obstacles in which they wrote about, but the way in which they expressed these issues in their works of literature differed immensely.

In the poem “The Raven”, by Edgar Allan Poe, the speaker grieves the loss of his beloved Lenore, and through the use of different poetic techniques, Poe expresses the speaker’s feelings towards notion of death. Poe uses numerous of poetic devices throughout the poem such as similes, personification, diction, repetition, as well as tone to accurately depict the suspenseful moment of the man’s encounter with the raven. “The Raven” is one of Poe’s most famous work and it has influenced society for years. Majority of the events that took place in Poe’s had a major impact on Poe’s writing style, which primarily consisted of morbid, melancholy tones, and almost always ended or began with some beautiful lady dying. Poe is known for his genre of modern

Emily Elizabeth Dickinson, or called Emily Dickinson for short (1830 – 1886) and Mary Oliver (1935), are the two poets who contributed great works of art to American society during the late nineteenth and early twentieth century. In spite of several characteristics that can be found in both Emily Dickinson and Mary Oliver poems, there are undeniably things that distinguish them from one another, although outside both are very famous poets of the poems that they wrote at that time, but actually inside, every poem that they bring the reader has a different meaning and quite deep in reader hearts. For example, as we read the poem “Alligator Poem” by Mary

I'm Nobody! Who are you? by Emily Dickinson reminds me of the song, "You belong with me" by Taylor Swift. These two works speak of the author being behind the scenes in life. The writers are unnoticed by society and watch life from the back of the room. Content to watch life play out for others, without the inconvenience of social rules and etiquette. Swift proudly sings "She's cheer captain and I'm on the bleachers" (Swift). Dickinson and Swift, in reality, are nothing alike, Swift is a brash famous woman, while Dickenson was a recluse. This work is excitedly unemotional while imparting wisdom. Dickinson's poem playfully speaks of human's social fears through voice, conventional symbols, and stanza.

There was a time when poetry was not present in my life. When I was younger, there was no form of art that I really loved or had a connection with. It wasn’t until 8th grade, when we were assigned to read an assortment of Emily Dickinson poems, that I began to understand the influence poetry could have. At a time when I was feeling invisible and insecure, her poetry made me feel the exact opposite. I took great comfort in knowing that someone had also experienced feelings of loneliness and optimism at the same time. Dickinson revealed attributes about myself that I didn’t even know had existed until then.

Edgar Allan Poe is considered to be one of the greatest American writers of all time. His writing is dark and sinister. He wrote of death, murder, psychosis, and obsession. One could only imagine what would bring a person to write such morbid stories. Perhaps, it may be attributed to Poe’s childhood, a past that was sad and far from average. Both of his parents died when he was only three years of age (Shelley). The death of his parents caused a separation from his siblings and he moved to live with his relatives (Shelley). In later years, Poe endured poverty and the loss of his wife-to-be to another man (Clark). Possibly, without those troubling experiences, Poe couldn’t have imagined such eerie and enthralling tales. Some of his most

Emily Dickinson was an American poetess during the 19th century, born in Amherst, Massachusetts, December 10, 1830. Dickinson died at the age of 56, on May 15, 1886. Although her family was prominent, she was most unsociable, being intensely solitary. People considered her as an eccentric, as she showed disinclination towards guests, which in some cases, even caused them to leave, leaving most of her acquaintanceships founded upon by correlation. Dickinson was known for her adherence for wearing white clothing, and her introverted personality. She remained unwedded for life, and rarely ever left her front gate of her homestead. Emily Dickinson started writing poetry in her youthful years, and was encouraged by Benjamin Franklin Newton to continue her writings. During her teenage years, she had uncovered poetic works through verses of Ralph Waldo Emerson and William Wordsworth, she also deeply admired by John Keats and Elizabeth Barrett Browning. Her poetry was deeply affected by the Book of Revelation, and her Puritan background, that influenced her to explore concepts like love and death, and write in styles that made her be noticeable to the crowd. Critics believe that her biggest influence in poetry was Reverend Charles Wadsworth, whom she had met on her trip to Philadelphia, and fell in love with him. It is believed that her flow of verses came when Wadsworth left, which gave rise to heartsick poems, as she had considered him as her “closest

Since the emergence of written history, many fables regarding war have encompassed a significant portion of prosodic literature. Two of the foremost war poets of the 19th and 20th century—Emily Dickinson and Rupert Brooke—have both written about profound implications of war on society and also upon the human spirit albeit in two very different styles. The book, Catcher in the Rye by J.D Salinger, theorizes through Allie, that Emily Dickinson was indubitably the superior war poet. Furthermore, when we analyze their works as well, we realize the invariable fact that Dickinson’s work delves into war with a much more holistic approach as well. She not only honours the soldiers for their valiant efforts, but also deftly weaves notions of liberty and civilian duty in regards to war as well as compared to Rupert Brooke who carried a romanticized imagery of martyrs within his poetry. In summation, Emily Dickinson is a superior war poet for her incisive analysis of death, and human nature in correspondence to war as compared to the patriotic salvos of Rupert Brooke’s poetry.

Throughout all of his works, Edgar Allan Poe followed a common theme of love, death, and insanity. His stories and poems were different from anything else published during that time period. The horrors and suspense described in his story led many people to believe Poe must be somewhat insane. However, when taking a look into his mostly tragic life, it is no wonder Poe never wrote happy stories. Depression and grief was almost all Poe was accustomed to, especially after losing the love of his life, his wife Virginia. The intense heartache Poe felt for that loss is evident in several of his works, but in his poem “The Raven”, the reality of that heartache becomes even more powerful.

Creating the Melancholic Tone in “The Raven” Edgar Allan Poe’s "The Raven," representing Poe’s own introverted crisis of hell, is unusually moving and attractive to the reader. In his essay entitled "The Philosophy of Composition," Poe reveals his purpose in writing “The Raven” and also describes the work of composing the poem as being carefully calculated in all aspects. Of all melancholy topics, Poe wished to use the one that was universally understood, death; specifically death involving a beautiful woman. The apparent tone in Edgar Allan Poe’s “The Raven” seemingly represents a very painful condition of mind, an intellect sensitive to madness and the abyss of melancholy brought upon by the death of a

Emily Dickinson a modern romantic writer, whose poems considered imaginative and natural, but also dark as she uses death as the main theme many times in her writings. She made the death look natural and painless since she wanted the reader to look for what after death and not be stuck in that single moment. In her poems imagination play a big role as it sets the ground for everything to unfold in a magical way. The speakers in Dickinson’s poetry, are sharp-sighted observers who see the inescapable limitations of their societies as well as their imagined and imaginable escapes. To make the abstract tangible, to define meaning without confining it, to inhabit a house that never became a prison, Dickinson created in her writing a distinctively elliptical language for expressing what was possible but not yet realized. She turned increasingly to this style that came to define her writing. The poems are rich in aphorism and dense

Walt Whitman and Emily Dickinson's works have numerous differences. Compared to Dickinson's short and seemingly simple poems, Whitman's are long and often complex. Both pioneered their own unique style of writing.