Fortune and Nature in Canterbury Tales and As You Like It
The medieval world was a complicated place, full of the "chain of being," astrological influences, elements and humors. A man's life was supposedly influenced by all manner of externals acting by destiny or chance. "Fortune" and "Nature" are two terms that include many of these factors, representing chance and inborn qualities. Shakespeare mentions the two frequently, most notably in an extended dialogue between Rosalind and Celia in As You Like It. Geoffrey Chaucer's Canterbury Tales also provide many examples of Fortune and Nature's combinations in human affairs. His Pardoner's Tale, Miller's Tale, and Wife of Bath's Tale all depend on the effects of these two metaphysical
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Alison's Nature seems unclear to both John and Absolon, though Nicholas understands her well enough, and finds a Fortunate plan for removing her husband for a night. The Miller's contrived yet humorous tale would not work without the complex interaction of the character's individual Natures and the vagaries of Fortune that allow John's participation in Nicholas' plot, Absolon's attempted courtship, embarassing failure, and subsequent revenge, and Nicholas' pained cry of "Water!" to unite in the humorous finale.
The Wife of Bath arranges a similar juxtaposition for her story. Her lengthy prologue and much of her tale examines the Nature of women -- their behavior in and out of marriage. I wonder, though, how many of her habits result from Fortune as well, from being matched in her first three marriages with rich dotards who she could easily manipulate and control. Fortune throws the tempting maiden in the path of the errant knight -- "And happed that, allone as he was born, / He sawgh a maide walking him biforn; / ...By verray force her rafte hir maiden- head." (ll. 891-2,894) Fortune also provides the knight's last-minute meeting with the miraculous hag who rescues him -- "And in his way it happed him to ride / ...No creature sawgh he that bar lif, / Save on the greene he sawgh sitting a wif." (ll. 995, 1003-4). The fairy hag orates at length on "gentilnesse" as a property of Nature (inborn quality and obvious action)
In the late 1300s Geoffrey Chaucer began wrote The Canterbury Tales, a story which follows the religious journey of twenty-nine people, who represent many aspects of Medieval society, to the Canterbury Cathedral in southeast England. While on the pilgrimage the host of the tavern, where all the pilgrims meet, suggests that the pilgrims each tell a story for the group’s entertainment. Chaucer intended for all the voyagers to tell two stories, but he unfortunately died before he could finish the book and only got to write one story apiece. However, the goal of the storytelling contest is to tell the most moral story possible, and the one who wins receives a free meal, which the rest of the pilgrims will pay for. Although some of the other stories have good moral messages, “The Pardoner’s Tale” and “The Wife of Bath’s Tale” are on different ends of the moral spectrum. “The Pardoner’s Tale” focuses on a pardoner who preaches against greed. While “The Wife of Bath’s Tale” exemplifies what all women want in their relationships: power. Although both “The Pardoner’s Tale” and “The Wife of Bath’s Tale” demonstrate the value of the opinion of elders, the stories differ in their moral values and their storyteller’s values.
The disparity in the outcomes of the hag's marriage and Alison's marriages in Geoffrey Chaucer's "The Wife of Bath's Prologue and Tale" depends in part on the women's differing expectations of their husbands. The hag's modus agendi depends on a knight's obligation to honour his pledge, whereas Alison's modus operandi depends on her husbands' conduct after marriage, i.e. on her circumstances. Having saved the knight's life, the hag asks the knight to permit her to be his wife. Moreover, she wants to be his love. The knight must marry, since marrying the hag lies within his might. Since the hag's definition of being his wife includes her loving him, he is duty-bound to
Alison presents herself as a very open-minded individual, not just a woman. She uses sexual desire to obtain what she wants from her husbands. She was a pioneer for the sexual liberation of woman in her time. She describes how she maintained authority over her husbands by manipulation and deceit. Three of which were old, the fourth was a philanderer and the last one, Jankyn was an abuser in the beginning. She explains that she “took [Jankyn] for love and not wealth” (272). Despite his resistance to allow Alison sovereignty in the beginning, he eventually concedes and the power switches from him to her. This switch allows Alison to be in control and not have to stay within the confines of the stereotypical Middle Age woman and wife. Their relationship is then happy and peaceful once she has dominion in the marriage and she was, “kind to him /…/ and he to me” (280). Alison is content with herself and the life she has lived. The portrayal of Alison gives women a voice and
Adapting to someone’s piece of art like this is like taking a craft, and altering it or to build off it to produce a new piece of art. Sometimes adaptation mimics the original piece. Other times the resemblance is so slight that it can be considered completely stray from the plot and theme.
Geoffrey Chaucer’s Canterbury Tales became one of the first ever works that began to approach the standards of modern literature. It was probably one of the first books to offer the readers entertainment, and not just another set of boring morals. However, the morals, cleverly disguised, are present in almost every story. Besides, the book offers the descriptions of the most common aspects of the human nature. The books points out both the good and the bad qualities of the people, however, the most obvious descriptions are those of the sinful flaws of humans, such as greed and lust.
The Canterbury Tales depict many characters that, although fictionally created by Geoffrey Chaucer, may give the reader the opportunity to analyze and interpret their tales as a way of determining their personalities. The Wife of Bath and her prologue accurately supports this statement, as her intentions become expounded due to her questionable actions. The Wife of Bath exhibits in her prologue that she lacks respect and gratitude towards the men she beguiles into marriage and does so by falsely claiming direction from God. She shows not only deceit towards her many husbands, but also does not possess the ability to care about others before herself.
Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.
The Canterbury Tales were written by Geoffrey Chaucer at the end of the 14th century. This masterpiece is one of the greatest classics of English Literature, it was and continues to be still very popular. Many manuscripts survived and it was the first work to be printed by William Caxton. It is a story about pilgrims travelling together, who tell stories on their journey to Canterbury, to pay tribute to Saint Thomas Becket. As it is a collection of tales, it varies in genre (there is beast fables, romances, fabliaux, saints’ lives…), subject, mood, length (some tales are 80-page long whereas some are much shorter), form (in verse –several verse-form are also found- or in prose). For this
There is no question that contradictory values make up a major component of The Canterbury Tales. Fate vs. Fortuna, knowledge vs. experience and love vs. hate all embody Chaucer's famous work. These contrasting themes are an integral part of the complexity and sophistication of the book, as they provide for an ironic dichotomy to the creative plot development and undermine the superficial assumptions that might be made. The combination of completely contradictory motifs leads to the unusual stories and outcomes that come to play out in the tales. And these outcomes draw focus on the larger universal issues that in many cases transcend the boundaries of vernacular periods to all of
There is many similarities through the tales in the Canterbury Tales, written by Geoffrey Chaucer. All of the tales can easily be related to another tale through characters, symbolism, the plot, or morals. Some examples of these relations can be found in The Millers Relating to the Knights tales with almost Identical Characters. And The Franklin's Tale is similar to the Pardoner's Tale with Greed. And, The Knights Tale, The Miller’s Tale, and The Pardoners tale are similar in many different aspects. The tales in The Canterbury Tales can all be related to one another, find a unique match, making each tale be a pair or even a triple with another story.
The Canterbury Tales, begun in 1387 by Geoffrey Chaucer, are written in heroic couplets iambic pentameters, and consist of a series of twenty-four linked tales told by a group of superbly characterized pilgrims ranging from Knight to Plowman. The characters meet at an Inn, in London, before journeying to the shrine of St Thomas a Becket at Canterbury. The Wife of Bath is one of these characters. She bases both her tale and her prologue on marriage and brings humor and intrigue to the tales, as she is lively and very often crudely spoken. Her role as a dominant female contrasts greatly with the others in the tales, like the prim and proper Prioress represents the
Palomon says, " The Beauty of the lady whom I see wandering yonder in the garden
Throughout centuries human beings have evolved, but various traits of human nature remain the same. An epic poem named “The Canterbury Tales” written by Geoffrey Chaucer provides examples that demonstrate traits of human nature that are still relevant in our world today even if this piece of literature was written hundreds of years ago.The Canterbury Tales is framed by having multiple people from different social lives and statuses share stories which demonstrates how these pilgrims think and act, in other words their human nature, on their way to the martyr St. Thomas in a pilgrimage. These characters portray different traits of human nature such as having religious aspirations, falling in love, and thinking in an evil way in their stories which are all still lively relevant in today's society.
The Canterbury Tales is a story that incorporates a multitude of stories told by a multitude of characters. Written by Geoffrey Chaucer, he devises a novel in which each character has to narrate a total of four stories as part of a competition; on their way to visit Saint Thomas Becket, the characters would tell two stories going and two stories returning from the journey. The perspective changes through each story, and each story is introduced by a general, opening, third person prologue. Though many of the characters got to share some ideas, Chaucer unfortunately passed away before his story’s entirety. As a result, a winner was never officially clarified. Needless to say, it is evident that the clear winner would be the Miller’s Tale.
The Canterbury Tales, a masterpiece of English Literature, written by Geoffrey Chaucer, is a collection, with frequent dramatic links, of 24 tales told to pass the time during a spring pilgrimage to the shrine of St. Thomas a Becket in Canterbury. The General Prologue introduces the pilgrims, 29 "sondry folk" gathered at the Tabard Inn in Southwark (outside of London). Chaucer decides to join them, taking some time to describe each pilgrim.