Comparing Momaday And Brown

Larson’s use of lucid imagery produces a clear image in the audience, allowing one to interact with the text and truly imagine the wonders of the fair. Chicago itself was frequently described as a “blighted hellish place” overwhelmed with “smoke and garbage” (123, 247). Even the sight chosen for the fair was “one square mile of desolation” (95). These revolting descriptions leave the audience with a picture of destruction and filth, making the completion of the fair seem almost impossible; this makes the later depictions seem even more magical and grand. Despite the bad weather, arguments over funds, economic turmoil, and time constraints, the World’s fair was finally finished. The Fair was completely revolutionary with things ranging from “clean public restrooms” to “electric street lights” (247). Larson illustrates, “lapis lagoons. Electric launches trailing veils of diamond. Carmine blossoms winking from bulrush and flag” (252). The pictures Larson installs in the minds of the audience truly reflect the fair. “Lapis lagoons” produces a calming image of a beautiful blue lake; this causes the reader to associate the park with a natural aura, even though the event is in the middle of a bustling city- which is on its own an enormous feat. “Veils of diamonds” create a cool, crisp, and fresh feeling that truly reflect the breathtaking effect the fair has on the visitors.

In the story “Four Stations in His Circle”, Austin Clarke reveals the negative influences that immigration can have on people through characterization of the main character, symbols such as the house that Jefferson dreams to buy and the time and place where the story takes place. The author demonstrates how immigration can transform someone to the point that they abandon their old culture, family and friends and remain only with their loneliness and selfishness.

Didion’s tone was serious, ominous, and dark, and was very different from Thomas’s tone which was more positive. Although acknowledging the destructive nature of the fires caused by the Santa Ana winds, Thomas generally talked about positive results of the fires. She describes the “amazing sight” of the fire as she watches “the flames lick up a hillside” and ends the essay by reminding the reader that the “chaparral will return.” By this, she means that many of the plants in chaparral country need the heat of the flames to reproduce, so within a few weeks, new plants will rise from the ashes. The fire also helps get rid of the dead plants that need to be burnt so they can get out of the way for new plants to come in. Didion has a very different tone regarding the winds. She describes the various hints of change with dark words. To her, there is an “eerie absence of surf” and the “heat was surreal,” instead of it simply being hot with no waves in the water. The author particularly chooses words with creepy connotations to make the reader feel a similar feeling to the uneasiness that the Southern California natives feel. These contrasting tones make the authors' opposing views on the winds very evident.

Though the viewers focus first on the centered figures, it is easier to first analyze the surrounding settings to understand them. The stone wall foreground and the open fields of the background each embodies one of the girl’s thoughts. The back landscape is filled with warm, airy colors of blue and orange, as if it were under a bright sun. On the other hand, the foreground’s stone walls and concrete floor has dark, cold, shadowy, earthy colors that seem to appear as if under a stormy cloud. The sunny land suggests free, pure, spacious land previous to the industrialization. Yet, the darkened foreground due to the overcasting shadows resemble the currently dirty,

Through the use of various devices, such as imagery and simile, Marquart keeps on adding description to the upper Midwest. During the author’s first sentence, both imagery and simile can be found. The imagery being used appeals to the sense of sight. “… you’ll encounter a road so lonely, treeless, and devoid of rises and curves…”. The author uses imagery to make the reader imagine the road as if the reader was there.

Harriet Ann Jacobs is a girl who is locked away, away in a place that only Dr. Flint knows. She is a struggling girl who wants to be free and go out and be free, although, she cannot. She speaks about how much she dislikes where she is living and she wishes she could be somewhere else, although, she has seen worse things happen outside. As she talks about her current living status and her memories, she incorporates or talks about them very well. In this passage or section, she uses rhetorical strategies to add a different feel and perception of her life.

Immigration makes up of the United States. The life of an immigrant faces many struggles. Coming to the United States is a very difficult time for immigrant, especially when English is not their first language. In Oscar Handlin’s essay, Uprooted and Trapped: The One-Way Route to Modernity and Mark Wyman’s Coming and Going: Round Trip to America, both these essays describes the life of immigrants living in America and how they are able to make a decent amount of money to support their families. Handlin’s essay Uprooted and Trapped: The One - Way Route to Modernity explains how unskilled immigrants came to adapt to the American life working in factories to make a living. In the essay, Coming and Going: Round Trip to America, this essay describes the reality of many immigrants migrating to the United States in the midst of the Industrial Revolution. Many were living and adjusting to being transnational families. Both these essays show how the influx of immigration and industrialization contributed to the making of the United States. With the support from documents 3 and 7, Thomas O’ Donnell, Immigrant Thomas O’Donnell Laments the Worker’s Plight, 1883 and A Slovenian Boy Remembers Tales of the Golden Country, 1909, these documents will explain the life of an immigrant worker in the United States. Although, the United States was portrayed as the country for a better life and a new beginning, in reality, the United

In this poetic memoir, Engle shares her memories of her childhood in meticulous detail. She is a person who comes from two different cultures -- Cuba and California. In the quote below, Engle describes how she falls in love with the Cuba farm and how much the farm means to her. Writing in the “Enchanted Air: Two Cultures, Two Win”, Engle said: “ I fall in love with the farm where my abuelita and her ancient mother were born. My dazzled eyes absorb the lush beauty of a land so wild and green that the rippling river on my great-uncle’s farm shimmers like a hummingbird, all the dangerous crocodiles and gentle manatees deeply hidden beneath quiet waters. Surely there must be mermaids here, and talking animals, the pale, humpbacked Zebu cows and graceful horse that roam peaceful hillsides, moving as mysteriously as floating clouds in the stormy tropical sky.” (Engle, 9) This quote shows Engle falls in love with the Cuba farm because she extols beautiful farm landscape, quiet countryside, and untrammeled animals. At first, Engle describes the green river, crocodiles, manatees, Zebu cows and horse with five different adjectives -- “rippling”, “dangerous”, “gentle”, “humpbacked” and “graceful”. Five different adjectives show the characteristics of these five things and show the first reason to fall in love with the farm -- Engle loves this beautiful and harmonious Cuba farm. The benefit of using adjectives is that the readers can easier to imagine a vivid picture of the beautiful riverside scenery. The second reason to fall in love with the farm is Engle loves mysteriously things on the farm.

The author of Brush Fire establishes a soothing and poetic tone. Thomas’s choice of words and the diction of the essay reveals this. Throughout Thomas’s essay, she views the wildfires in Santa Ana as “an amazing sight” and “gorgeously beautiful.” “On this evening, neighbors have arrived, too, their dogs and children in tow. Some have brought soft drinks. Most have cameras...” (Thomas). Thomas describes her neighbors admiring the wildfires to show how others also glamorize something destructive. On the other hand, The Santa Ana has more serious and dramatic tone. Instead of viewing the wildfires as beauty, Didion shares her experience as “uneasy” and “makes people unhappy.” In Didion’s essay, she mentions how the Santa Ana wildfires are destructive and creates a depressing atmosphere to the area. She also includes statistics of where and when the wildfires struck the southern parts of California. Both Didion and Thomas’s choices of words are used in order to demonstrate the tone they are attempting to convey, whether the Santa Ana winds were sinister or graceful

Each year in Southern California, the fall is marked by the arrival of the Santa Ana. These winds are described in two different texts, “Brush Fires” by Linda Thomas and “The Santa Ana” by Joan Didion. Both pieces address the relationship between the wind and the community, using rhetorical devices to convey their views. Thomas presents a wind that is essential to nature. Didion, on the other hand, sees the wind as a characteristic Los Angeles, that can sometimes be detrimental. The writers also have contrasting experiences with the fires causes which cause drastic differences in tone, portrayal of the winds, and the overall message within each text.

Strayed describes her surroundings in vivid detail, from the heat of the Mojave Desert to the weight of her massive hiking backpack. Imagery is used much more frequently at the beginning of the memoir, as further on in the book Strayed says she had “come to take [the scenery] for granted” (223). She also uses imagery more often in the beginning because she describes more of the scenery in the beginning and does not reflect as much on the past, as she is more focused on “concentrating on… my feet thudding against the dry and rocky trail, the brittle leaves and branches of low-lying bushes” (50). However, as she nears the end of the trip, she spends less time detailing the scenery because she is spending more time coming to terms with her upbringing and her mother’s death. Strayed uses imagery most of all in order to more adequately describe her surroundings to the

The illustration in #7.16, Trestle Work, Promontory Point, Salt Lake Valley by Andrew J.Russell is an image of a railroad track connecting two paths with men working on the site. Russell believed that the west was a great location to conduct his work because of the openness and freedom that was out there. Also to observe the natural scenery that it has to offer, which many have traveled to obtain such freedom and visual aspects of nature. As for #7.17, El Eaches or Three Brothers by Carleton E. Watkins is a description of a landscape winter forest by a lake, his purpose for this image was to capture the viewer's attention with the richness and the detail of the forest. For an individual to absorb the composition of the mountains in the picture

A) I believe that the phrases “the dry September of the dirt roads,” “grassless yards of the shanty-town,” and “a brilliant splash of sunny yellow against the dust” contribute to the atmosphere by revealing specific details of the setting. When the author uses the phrases “the dry September of the dirt roads,” and “sunny yellow against the dust,” it portrays the setting as dry and dusty. This is further supported by the phrase “grassless yards,” which allows the reader to picture the landscape as bare, dry ground. The term “shanty-town” means an area consisting of a large amount of roughly made houses.

I am analyzing the form and content of a stylized painting entitled The Palisades by John William Hill. This was found in the collection section of themetmusuem.org which was painted during the pre Raphaelite movement; when artist emphasized meticulous detail in what was observed rather than imagined nature. This artwork shows the aesthetics of nature, depicting a peaceful scenery with spacious green acres during the year of the 1870s. During the late 18th centuries, natural resources weren’t highly industrialized and that in itself shows how nature was essential for all human species. I argue that this painting shows how everything in nature connects and communicates with one another.

The next literary device used in this short story is personification. Personification shows in the text, "The trees which were already brown and beginning to tremble with a wintery shave." The passage indicates personification because trees do not tremble. Because of this representation, Maupassant is trying to explain what the season and the surroundings are like as well as its effect on the setting.