Comparing Othello and Canterbury Tales The use of manipulation and misleading for personal gain has proved to be successful for many people throughout history.
Famous poet, Geoffrey Chaucer, and famous play writer, William
Shakespeare, illustrate characters who possess these manipulating qualities in their personalities. Geoffrey Chaucer’s Pardoner, from The Canterbury Tales, and William Shakespeare’s Iago, from
Othello, are good examples deceiving characters. These literary figures manipulating techniques are very effective on the other characters in Chaucer’s and Shakespeare’s works.
Iago’s main motivation for his manipulation is his hatred of the main character, Othello. Iago's reasons for his hatred of
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Othello must feel that same horrible jealousy that Iago feels.
Iago has a very effective way with words. When Desdemona,
Iago, and Iago's wife, Emilia, arrive in Cyprus, Cassio welcomes
Emilia with a kiss, then says to Iago, “Let it not gall your patience, good Iago, That I extend my manners. ‘Tis my breeding
That gives me this bold show of courtesy” (2.1.97-99). Cassio is making a big point of what a charmer he is, but Iago shoots him down by saying, “Sir, would she give you so much of her lips as of her tongue she oft bestows on me, you would have enough”
(2.1.100-102). He's saying that if Emilia kissed Cassio as much as she nags Iago, Cassio would have more than enough kissing.
This apparently casual devaluation of Emilia and her kisses is a deception; a little later we learn that Iago is intensely jealous and suspects Cassio of having an affair with Emilia. Also, Iago convinces Cassio that the best way to get his job back is to appeal to Desdemona, then sends him off. Alone on stage, Iago asks us why we think he's a villain, since his advice to Cassio is free and "honest," and after all he is called “honest Iago.”
Answering his own question, he comments, “When devils will the blackest sins put on, They do suggest at first with heavenly shows, as I do now.” (2.3.351-353). Iago knows that he is a devilish hypocrite, but he seems to be
Iago told Othello that he would discuss Desdemona with Cassio, and that he would talk about the affair. Iago does not do this, and instead he talks about Bianca with Cassio, and Cassio laughs at things Iago says. Othello sees Cassio laughing and just assumes he is laughing at Desdemona, which in return upsets him very much. Iago used several tactics to set up Othello for deception in this case.
Othello trusts Iago and now Iago is trying to take his wife from him for someone else. Furthermore, “He takes her by the palm...sir in.” (pg. 71). Iago watches Cassio and Emilia because he thinks they had an affair he watches them carefully so he can figure out how to convince Othello that Desdemona and Cassio are having an affair. Another example involves the plan to help Othello kill Desdemona. “Do it not with poison. Strangle her in her bed, even the bed she hath contaminated” (pg. 185). Othello believes that Iago is most honest, thus he believed killing his wife Desdemona was the right thing to do. Iago brainwashed Othello into believing the wrong thing was the right thing. The characterization of Iago is created by the use of dramatic irony. The audience knew how devious Iago is, but the characters fell for his mischievous acts.
By the middle of the play Othello’s mood and demeanor seem to shift from being peaceful and patient to very anxious, paranoid, and gullible. For example when Othello is talking to Iago and Iago suggests that maybe his wife is not being faithful to him, it becomes Othello’s obsession to get down to the bottom of it and catch her. “I have been talking with your suitor here, a man that languishes in your displeasure / Who is’t you mean / Why, your lieutenant, Cassio. Good my lord” (III.iii.41-43). In this dialog between Othello and Iago, with just two sentences Iago causes Othello to lose trust in his wife and believe she is being unfaithful to him which grows stronger and stronger each scene of the play. Because Iago is extremely cunning and manipulative, he is able to control almost anyone he chooses and he is in control of Othello’s emotions because he knows the things Othello fears. Iago is pretending to be Othello’s friend but secretively is going behind his back and bringing him down. Iago convinces Othello that Cassio is having an affair with Desdemona. “I humbly do beseech
Iago plants ideas in Othello’s head, uses the innocent actions of others as his proof; and Othello, who is not practiced in worldly matters, believes his the misnomer of the “honest Iago”, and eventually is consumed by the lie.
Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.
Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
Othello’s love for Desdemona was so deep he could not bear the thought of another being with her; “If she be false, O! Then heaven mocks itself. I’ll not believe’t.” Iago uses the characters of Cassio and the obsessive Roderigo as his weapons in his cunning plan. Iago drives the idea into Othello’s mind that Desdemona has been unfaithful, inciting him into a state of jealousy. “Excellent wretch! Perdition catch my soul, but I do love thee; and when I love thee not, chaos is come again.” Othello growing insecurities about his wife’s faithfulness only adds to his psychological suffering which in turn acts as a catalyst towards the suffering of other characters involved in the play.Iago tells these lies with the intention of driving Othello insane as well as establish his dominance and influence the situations of those characters close to Othello. Evidence of this comes in one of Iago’s soliloquies from act two, scene one; “That Cassio loves her, I do well Believe’t: That she loves him, ‘tis apt and of great credit.” This section shows that he is trying to convince himself that his own manipulative lies are true and is trying to reassure his motives by justifying his own actions. By convincing Othello
William Shakespeare’s Othello, the Moor of Venice is a play of great manipulation and jealousy. Iago is the antagonist character of the play Othello. Iago becomes irate and filled with jealousy when Othello names Michael Cassio as his lieutenant, because Iago believed he should have been the one promoted not Michael Cassio. By manipulating everyone around him, Iago portrays himself as an honest noble man whom can be trusted. Iago being known for the honest man he earns everyone’s trust and therefore learns their weakness for his ultimate plan of destruction. Iago’s greatest skill is disguising his manipulative schemes of destroying and betraying the ones around him with what he leads people to believe as honesty. Iago uses their
The evil character Iago has a plan to hurt and make Othello jealous from the beginning because he is incredibly jealous of him. Iago continually makes trouble by taking Othello’s special handkerchief and giving it to Cassio to make it appear as though Desdemona is cheating on him. Emilia, Iago’s wife proclaims to Iago, “You told a lie, an odious, damned lie! Upon my soul, a lie, a wicked lie! She false with Cassio?
different point of view. To effectively manipulate one must know the weakness of the targeted person. Therefore, using their emotions to enable the manipulation easily. Othello is a tragedy, written by William Shakespeare in the seventeenth century. The play by William Shakespeare includes the character of Iago. Iago is the antagonist in Othello, who cleverly plans out his tactics. Viewing the character of Iago from an analytical point of view shows Iago exposing himself to be a psychopath. Iago can use the weakness of the characters to set up scenes, and earns himself the title “The Honest Iago.” Consequently, psychopaths act as pleasurable people, but in reality, they are different in private. A psychopath sees themselves as preferable and worthy of the respect of others. The complex character of Iago sees himself as being superior to Cassio and is inclined to seek vengeance on Cassio and Othello. The character of Cassio is similar to Othello since they both appear to be impeccable. In Othello, the complex character of “Honest Iago” creates a psychotropic weapon by using the vulnerability of the character’s emotional state to create the perfect tactics.
Iago suggested that Cassio should speak with Desdemona to see if she could speak in the behalf of Cassio but he was actually plotting against Cassio. He had been unhappy since the last time he had seen Othello because he had taken away his position as second in command and thought speaking with his wife Desdemona would resolve the problem. Iago implied that Cassio and Desdemona might be having an affair because he looked very suspicious after leaving Othello’s wife. Iago told Othello that all Venetian women cheat on their husbands, Othello is not from Venice so he would have not known this Stereotype.
Cassio is a courtier with good looks, fine manners and a good education. Iago uses this to his advantage because he knows that Cassio is a ladies man who innocently flirts quite often. Thinking to himself while Cassio talks with Desdemona, “Ay, smile upon her do, I gyve thee in thine own courtship”, Iago ruminates on the idea that Cassio’s fine manners will be his downfall and how his flirtatious predispositions will only benefit Iago’s plan. Cassio is much younger and attractive than Othello, and this will help Iago manipulate Othello into believing Desdemona wants Cassio. Iago then schemes to get Cassio stripped from his position as Othello’s lieutenant.
Shakespeare is very well known for his inclusion of tragic flaws throughout the storylines of his novels. Hero’s, as courageous as they may seem, are just like any other person and go through flaws throughout their lifetime regardless of the extent of their situation. In Shakespeare’s novel Othello, with all the events twisting the readers mind from one side to another, there are many distinct qualities that portray Othello’s tragic flaw. Iago was portrayed as an honest character but with his careful deceptions jabbing in Othello’s mind, he is far from honest. Othello’s tragic flaw is that he trusts others opinions more than his own perceptions and Shakespeare develops this flaw by using convincing persuasive appeals and strong syntax throughout
The Canterbury Tales, a masterpiece of English Literature, written by Geoffrey Chaucer, is a collection, with frequent dramatic links, of 24 tales told to pass the time during a spring pilgrimage to the shrine of St. Thomas a Becket in Canterbury. The General Prologue introduces the pilgrims, 29 "sondry folk" gathered at the Tabard Inn in Southwark (outside of London). Chaucer decides to join them, taking some time to describe each pilgrim.