Comparison Of Hektor And The Death Of Ravana

In book one of the Iliad, a plague is placed on the Achaian army because Agamemnon wouldn’t release Chryseis, a maiden he’d taken as a prize for sacking a Trojan-allied town. Agamemnon refuses to give up Chryseis until Achilleus surrenders Briseis, another maiden, to him as consultation. This insults Achilleus’ pride and is the first event in the epic to fuel his burning rage (1.8-1.611). Due to his leader, Agamemnon, wounding his pride, he refuses to fight for the Achaians for the first 15 books. However, the tide turns in book 16 when Patroklos, Achilleus’ friend, is killed (16.816-16.821). His rage causes him to join the Achaians once more and develope aristeia, where a hero in battle has his finest moments. He nearly single-handedly slaughters the Trojan army by splitting their ranks and pursuing half of them into the river, where he recognizes Lykaon (21.1-21.35).

A description of Achilles’s rage in Homer’s The Iliad is shown when Odysseus says to Agamemnon,

Edgar Allan Poe is a famous well known writer known for his dark and gothic horror stories such as “The Tell-Tale Heart” and many others. The well-known author had a rough life which dealt with a lot of death, so most of his stories revolve around this idea. In “The Cask of Amontillado” and “The Masque of the Red Death” Poe uses similar themes or darkness to convey tone and conflict throughout the story. His writing style is dark and revolves around one main concept: death. Edgar Allan Poe uses diction and syntax, setting and conflict, and characterization in his writing style to develop his stories.

#1. Discuss the character of Achilles in Homer’s Iliad. What is the nature of the existential crisis in which he finds himself, and why is his relationship to both gods and the other Greek warriors so unusual? What realization does he arrive at during his period of withdrawal from the battlefield? What does it mean to say that he is probably the first true individual as well as the first “problem character,” in Western literature? Finally, discuss the reader’s response to his behavior. In what ways does Achilles repel our human sympathies? In what ways does he maintain or regain them? In this context you will certainly want to discuss his

The Iliad begins with the clash between Achilles and Agamemnon. Agamemnon has little, if any, respect for the gods. This is displayed by his irreverent

Homer’s character of Achilles perfectly demonstrates the relationship between glory and grief of war. In the Iliad, Achilles rejoins the battle after the death of his companion Patroclus, although Achilles never has time to process the death

“…my other companions, who in their numbers went down before the glorious Hektor” (378, Iliad, 18.102).

And this shall be a great oath before you: some day longing for Achilleus will come to the sons of the Achaians, all of them. Then stricken at heart though you be, you will be able to do nothing, when in their numbers before man-slaughtering Hektor they drop and die. And then you will eat the heart within you in sorrow, that you did no honor to the best of the Achaians (65; bk.1, ln.239-244).

The Iliad opens in the predicament of the Greeks who have somehow incurred the wrath of the gods. It is here that Agamemnon, supreme commander of the Grecian army, demand that Achilles give up his “prize” (Briseis) to replace his own “prize” (Chrysies) which he has to give up to appease the gods. Agamemnon has to

“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.

The importance of honor is shown when characters in the Illiad have chosen the glory of fighting, over their own lives. Two main examples are shown in Hektor and Achilles. Hektor is displayed

The poem in Book 1 lauds Achilles as the finest warrior of the Athenian army. Nonetheless, when his commanding general, Agamemnon refuses to return to return the captive Chryseis to her father, the priest of Apollo, and a plague ensues, Achilles becomes an insubordinate (disrespecting his commander) by demanding that he return

The article in titled Between Lions and Men, Images of the Hero in the Iliad by Michael Clarke is a very innovate piece of work. In the article Clarke puts forward the idea of how the referencing of wild animals in the Iliad is symbolic and highly significant to the ethical and psychological problems of heroism within Homer’s Iliad. The focus that Clarke is placing in relation to the animal similes within the Iliad is the lion similes. As the Iliad is focused on Achilles and his death, it is no wonder that the lion similes are associated with this so called hero. Achilles and how he associates himself with the wolf and particularly the lion is the focal point of this article. In this essay I will analyse and comment on the argument put forward by Clarke in his article Between Lions and Men, Images of the Hero in the Iliad.

“…Apollo knocked the helmet off his head and under his horse’s hooves it tumbled… / Disaster seized him—his fine legs buckling—he stood there, senseless… / Hector… came rushing into him right across the lines and rammed his spearshaft home, stabbing deep in the bowels…” (Homer, 438-439) Patroclus’ death is devastating to the Achaean armies’ morale and, more central to the story, it further disrupts Achilles’ already unbalanced sophrosyne. The torment that Achilles endures here epitomizes the human condition.

Agamemnon states, “The girl I will not give back; …far from her own land, and being in bed as my companion…” (1.29-31) He is simply the cruelest and abominable character in the Iliad; telling a daughter’s father that he will never see her again and that she will be his partner in bed until death. The lack of compassion needed to say such a thing to a grieving father remains incomprehensible. He also said, “Never let me find you again, old sir, near our hollow ships, neither lingering now, nor coming again after.” (6.106-120) He explains to the father that if he ever sees him again, he will kill him on sight. Agamemnon’s strength and leadership abilities could promote him to be a great leader, but he fights for the wrong