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Cosmopolitanism In Kwame Anthony Appiah's Open City

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Globalism invites us to connect across boarders and cultures. It offers us the means to travel across the world by plane, train, automobile, or in the case of Open City by foot. Much of Open City takes place in moments of transit – whether that means taxis, plane-rides, or aimless walks in the city, Julius inhabits a space of constant flux. Yet, despite this continual movement, Julius finds himself stuck in transit, unable to connect. Due to his cosmopolitan outlook and alienation, Julius fails to take a stand on anything, and so he must walk.
“No flags… something more interesting,” (186) says Julius choosing a stamp at the post office. What he is delivering is Kwame Anthony Appiah’s, Cosmopolitanism, but what this detail delivers to the text is important context to one of the subtle themes of Open City: Cosmopolitanism. With globalization and thus increasing access to different countries and cultures, there is a question of whether or not cosmopolitanism is a desirable outlook to move toward. For Appiah, there are two “strands” of cosmopolitanism– one strand pushes past nationalism in the way it opens up the conception of community. This not only means conceiving of ourselves as citizens of the world, but extending our duties and obligations beyond those immediate to us (pg number). One might think of Peter Singer’s famous essay “Famine, Affluence, and Morality” wherein he argues that we have a great moral obligation to worldwide humanitarian efforts, despite our physical

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