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Critical Analysis Of A Rural Road Bridge At The Dundas Subdivision

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Using the same rural road bridge above the Dundas Subdivision that produced the cover photograph in the month of June, I returned in the middle of September, this time with a 400mm mounted up and hoped that the curve in the background would be lit as I was aware that it is open on the north side near there, while the foreground would be in shade from the trees and brush along the verges of the right of way. Centering myself between the rails with the tripod mounted 400mm, the scene was framed up and a meter reading was taken based on the light hitting the brightest portions of the scene. As this was the position I focused on, despite it being approximately a half mile from my location. When we decide to photograph the light instead of …show more content…

Why is this we wonder as new and unaware photographers? When we observe a scene such as this, the iris of our eyes (aperture) continually opens and closes relative to the mixture of light levels of a scene as we look at the various tones. Our brains are then able to seamlessly smooth out these variances in light levels and contrast. The camera on the other hand has a fixed iris (aperture) and does what we tell it to do if we are in full control of it operation. This difference between human vision and camera vision is why we are often dissatisfied with the outcome of many of our photographs taken under difficult lighting conditions should we have chosen to let the camera make exposure choices through its various automatic program modes. These disappointments are often then blamed on us not having a good camera, since these poorly exposed photographs seem like a disaster, they lead us to revert back to only taking lowest common denominator images, instead of learning to understand light and how our cameras see that light in order to create more interesting images. The photographic pioneers did not have the luxury of multi segment metering, auto exposure, auto focus, burst mode, instant feedback on a swivelling LCD or “live view”, and yet they made compelling photographs with cameras many today would consider stone age. What then is our excuse for taking so many harshly lit lacklustre “Rule of Thirds” wedges? The decisions we make in the face of

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