Critical Note: Ode to a Nightingale

The poet orders his listener to behold a “solitary Highland lass” reaping and singing by herself in a field. He says that anyone passing by should either stop here, or “gently pass” so as not to disturb her. As she “cuts and binds the grain” she “sings a melancholy strain,” and the valley overflows with the beautiful, sad sound. The speaker says that the sound is more welcome than any chant of the nightingale to weary travelers in the desert, and that the cuckoo-bird in spring never sang with a voice so thrilling. Impatient, the poet asks, “Will no one tell me what she sings?” He speculates that her song might be about “old, unhappy, far-off things, / And battles long ago,” or that it might be humbler, a simple song about “matter of today.” Whatever she sings about, he says, he listened “motionless and still,” and as he traveled up the

Thus, through the initial impression of the man of the bird’s brave and challenging movements by the utilisation of poetic techniques, the reader is able to visualise the bird’s characteristic it inherits and gain a deeper understanding of nature and the impression of humanity distinctively.

Birds are a common sight in most places people tend to be. These winged creatures are seen in bustling places like the pigeons that are in urban and suburban areas, the woodpeckers in rural regions, the crows on farms, and even in cages within buildings. In fact, these elegant creatures are so common a sight in society that they are often overlooked and underappreciated. This is similar to how women were and sometimes still are treated within society; they are given little appreciation when they are present and doing as they are told, but when they do not do as they are told they become a problem. This parallel that can be drawn between women and birds is used throughout Kate Chopin’s novel, The Awakening, in which its main character Edna Pontellier is often likened to and symbolized by a bird. Throughout the novel, the bird acts as a theme and symbol of both Edna and women in general.

This chapter is about the young Emperor gets her sickness. Takiko plays on the Kyoto and its soothes the young Emperor which it helps her survive through it.

Nevertheless, in the poem ‘Nesting time’, Stewart interprets a personal experience in first person of the appearance of a bird that lands upon his daughter and forgets the thought of the harsh world. Stewart’s descriptive language repeatedly explains the poem as if seen in his viewpoint, beginning with an interjection, ‘oh’ communicating of his incredulity of an ‘absurd’ bird. Symbolizing the bird with strong coloured imagery its ‘mossy green, sunlit’, described to be bright and joyful, with sweetness shown with the type of bird, ‘honey-eater’, Douglas Stewart takes the time to describe its admiration juxtaposed to the dangerous world surrounding it. While visualizing the birds actions, ‘pick-pick-pick’ of alliteration and repetition of its

Birdsong is a novel set in the period before, during and after the First World War. Automatically one would think of the loss of life that was suffered during this time, but the loss of life is not the only form loss suffered during this time. Standing side -by -side with the loss of life is the loss of love and the loss of faith. Faulks uses vivid descriptions and contrasting images to place the reader at the scene and make them empathise with the characters. Loss is one of the most poignant themes in the book, and is one that fuels a majority of the lines written.

“But a caged bird stands on a grave of dreams... His wings are clipped and his feet are tied/so he opens his throat to sing…” (M.A 26-29). This quote describes the birds emotions as it loses its dreams, it doesn't lose its hope so it repeatedly sings hoping it will reach a bird for assistance. It also portrays a very positive them as the reader figures out that its perseverance pays off. “...and his tune is heard/on the distant hill…”(M.A 19-20). This is validating the fact that the bird’s prayers have successfully been retrieved and help is nearer than it has been thought.

The title of the poem, “Sympathy”, represents the feeling that the speaker has toward a bird enclosed in a cage. The speaker relates to the bird by repeating the words “I know” and following them with an action of the bird, revealing that he has also

In the third stanza, the persona emphasizes the point that everything seems to be going wrong. He adds that the days are twice as long and the birds have forgotten their song. This only shows us that the persona probably experiences sleepless nights and awaits for morning with much eagerness - the birds seem to take longer to announce that morning has come by their singing (Johnson 1). To collaborate this with the idea that everything reminded the persona of the departed, it seems that the persona spends his days and nights thinking about the dear person or object.

In literature, it is generally agreed that 'The Nightingale invites the beholder to explore something beyond the merely human '. Both Keats and Finch imitate this concept in 'Ode to a Nightingale ' and 'To the Nightingale ' by using poetic form and language to show the qualities of a bird that inspires them to look beyond the physical and in Finch 's case, challenge the confines of human restriction whilst asserting poetry as a human necessity.

Katherine Paterson did an excellent job in the novel Of Nightingales That Weep, to show what Takiko’s appearance, thoughts, speeches, and actions were, what other characters thought and said about her, and the narrator comments. One way she showed how Takiko looked like is by having another character explain both her excellence in the Japanese instrument ,the Koto, and her beauty. A direct quote from the story says, “They say,” Kira Continued, “that your music is as beautiful as your face.” (Katherine Paterson, pg.49) Katherine Paterson shows Takiko’s thoughts, speech, and actions by letting the reader understand what's happening in Takiko’s perspective. One example quote is, “The Emperor was wide awake now, his head forward, listening intently

At the bird’s appearance and apparent vocal articulation, he is at first impressed, then saddened. He compares this evening visitor as only another friend which will soon depart, just as “other friends have flown before” (58). But the raven again echoes quite aptly his one-word vocabulary, thus leading the man on to think more deeply about the possibilities that exist at this juncture. Somewhere deep inside him, he has realized that it doesn’t matter what question he poses, the bird will respond the same.

Florence Nightingale was born in Florence, Italy. Her parents named her after the city she was born in. She was born on May 12,1980, she was raised mostly in Derbyshire England. Many people when they hear Florence Nightingale think about her as a nurse and for her fight for better hospital care. Florence did a lot more in her life than achieve better hospital conditions, and become a nurse. She was a brilliant mathematician, and used statistics to apply them to achieve her reforms. Florence was a well-educated woman in a number of fields other than math;

Florence Nightingale, a well-educated nurse, was recruited along with 38 other nurses for service in a hospital called Scutari during the Crimean War in 1854 . It was Nightingale's approaches to nursing that produced amazing results. Florence Nightingale was responsible for crucial changes in hospital protocol, a new view on the capabilities and potential of women, and the creation of a model of standards that all future nurses could aspire towards.

“Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret.” (Keats) In “Ode to A Nightingale,” John Keats is the narrator who is in a state of drowsiness and numbness when he sees a nightingale and then goes on to explain his encounter with the bird. Although the surface level meaning of the poem is a man expressing his thought to and about a bird, there is a deeper meaning that can be seen when you investigate the literary devices used. Keats uses imagery, tone, and symbolism to display the theme of pain and inner conflict between life and death.