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Criticism In Dante's Inferno

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Dante’s Inferno paints elaborate imagery of Hell, sin, and the struggles of humans. Throughout the poem, Dante combines both religious and nonreligious aspects and shows instances of both in negative and positive lights. Despite being a devout Christian, Dante’s poem, specifically in canto 1, introduces ideas that contradict that of the catholic church. Dante’s piece makes claims regarding protection from sin and reaching salvation without members of the clergy or even religious figures. Through its content, characters, and even the way in which is written, this piece takes away focus from the church and in some ways, criticizes it. In this way, Dante protests the practices of the catholic church in Italy while retaining a strong Christian following.
At the Introduction of the Poem, Dante is alone and has strayed from the path of righteousness. Not only that, but he reveals that he was asleep and did not recognize how or when this occurred. It is interesting that as a devout Christian, Dante would admit to sin so readily. Not only that, but as a catholic he would be expected to be saved under the simple trust in the catholic church. From the first lines of the poem, Dante is stating that the church was not enough to save him and even as a practicing Christian he was still not righteous. In fact, throughout the start of the canto, Dante is alone and scared; the church is not with him in these troubled times. When he does in fact find solace, it is with the unchristian Roman poet Virgil. Although Dante writes that the Roman gods Virgil worshipped are false, he still gives him a sacred role usually saved for the clergy. Virgil is a literary idol to Dante and a representation of wisdom and knowledge. Dante’s implication that Virgil stands a better guide then the clergy puts individual insight above that of blind faith in the church. This completely goes against the policy of the Catholic church which claims to be the only source of Divine intervention and salvation.
In the first canto as well as the 26th, Dante ridicules Florence for it sinful nature. Near the beginning of his poem, Dante encounters three beasts which represent sin. When Virgil explains the three beasts to Dante, he states that the beasts

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