Cultural Awareness In Light Girls And Dark Girls

As stated above, African-American women have been subjected to measure themselves against white women. White women are viewed, in this society and since the beginning of the concept of race, as the epitome of beauty. Logically, African-American women attempt to emulate the white standard. This creates an inferiority complex, because the epitome of beauty is white woman, than any other race can be deemed as inferior; this deteriorates African-American women’s self-worth. To remedy worthlessness, many body modification techniques have been made to fully mimic white women in terms of beauty. This emulation still is being done and it is continuous, because of the psychological ‘white fantasization .

What does it mean to you to be a black girl? If you aren’t one, what do you see when you visualize a black girl? If your imagination limits you to just an afro-centric featured, loud and slang-loving, uneducated woman, then this piece is addressed to you. The persistence of the stereotypes concerning average black girls have chained us all to the earlier listed attributes. One side effect of this dangerous connection is the wide opening for a new form of discrimination it creates. Whether it is depicted through slave owners allocating the preferable duties to lighter-skinned black woman, or in modern times where a dislike in rap music categorizes you as not really black, segregation within black communities occur. Tracing all the way back to elementary school, my education on the subject of racial segregation has been constricted to just the injustices routed by dissimilarities between racial groups. What failed to be discussed was the intragroup discrimination occurring in the black society from both outside observers and inside members. Unfortunately, our differences in the level of education, in physical appearance, and in our social factors such as our behaviour, personality or what we believe in have been pitted against each other to deny the variety of unique identities that we as black individuals carry.

Places like Taco bell claim that they are Mexican Restaurants but they have no authentic Mexican food, they have food that Americans made and started saying that it's Mexican and it's not even good so when people eat there they have this low expectation for Mexican food because Taco bell tastes so bad when in reality in Mexican food we have different varieties of delicious plates. It is disgraceful that they use my culture to make business and the food isn't even good.

If a black woman had dark skin she would resemble a man, therefore making her ugly in society’s standards. This pressures black women to constantly be "compatible with the white female standard of beauty" (Ashe 580) in order to be socially accepted in society. Intuitively black women understood that in order to be considered desirable, the less black they had to look. This unfortunate perception of beauty stems from a long pattern of "sociohistorical racial injustices" (Bealer 312) towards darker skinned African Americans. Maria Racine states in her review that since slavery black people who approximated closer to whites were sexually sought after by black slave men and white plantation owners and were considered to live a somewhat "easy coexistence" because of their appearance (Racine 283). Since it’s start, colorism laid the pathway of racial prejudice towards dark skinned individuals. The result of treating dark African Americans as subhuman beings led to the altering of the black psyche by creating a "pervasive hierarchy" of beauty that black woman constantly combated or were forced to accept. (Bealer 312).

In the context of physical appearance, black woman are only featured with body parts- mainly their “large, rotund behind” (Perry 137). The presentation of the face is mainly limited to white or lighter-complexioned women. The highest idealization of women is one that possesses a “‘high-status’ face combined with a highly sexualized body read by the viewer as the body of a poor or working-class woman” (Perry 137). Perry further substantiates her claim by stating that “women are created or valued by how many fantasy elements have been pieced together in their bodies” (137). She debunks the opposition arguing that the bodies of black women are appreciated by pointing out that only a minority of black women have such attributes, and those without are pressured and struggle to achieve such proportions.

As I sit here and think about what it is to be Black in America. I realize how there are so many factors that affect African American people daily. One of the most damaging forces tearing at young black people in America today is the popular culture's image of what an "authentic" black person is supposed to look like and how that person is supposed to act. People assume all black males where raised in a single parent home. People assume that if you are a black male, that you sale drugs or you are really great in some type of sport. If you are a black female, they assume you will have kids by different men, referred to as “baby daddy” or they may not even know who the fathers of their children are. This same society expects African

My phenotype defines my race and ancestry as Black due to “physical appearance and constitution, including skeletal structure, height, hair texture, eye color, and skin tone” (Matthew and Emirbayer 2009, 337). My ethnicity is that of African American in difference to Blacks from the Caribbean Islands of Blacks that have emigrated from Africa. Matthew and Emirbayer says that Black culture exist as two distinct cultures defined by two classes—the middle class and the poor or “the underclass” and “instead of the Black community, we think in terms of sub communities” (349). I believe that could be further expand by geography, as my culture includes aspects of the economically deprived South, the ghettos of Los Angeles aa well as the White, middleclass suburb of Irvine. It is indeed complicated.

The arrival of the African-American identity began with slavery and the slave master’s behavior toward the field slave and the house slave. In other words, the identity of the African-American was given by European slave masters instead of their personal creation. African women were raped and the slave master’s preferential treatment of their offspring created a hierarchy among the slaves. As author Roger Smith (2004) explained, power and privileges were given to those with lighter complexions over those who are darker. In the days of slavery, “light skin blacks were assigned to the house while blacks with dark skin had to work the fields.” (p.1). The promise of educational opportunities were also given to slaves with lighter complexions. The indoctrination of Jim Crow Laws and white supremacy proved to keep the institution of slavery going even after its abolishment. Subsequent to the abolishment of slavery, blacks traveled to northern states and cities and created their own societies. According to author G. Reginald Daniel, in his book, More than Black, Blue Vein societies consisted of pluralistic elites within the African-American community. “Membership in these societies were determined by individuals’ phenotypical and cultural resemblance with European Americans” (p. 4). The structural set up of these societies created an illusion of escaping the common stereotypes of blacks.

Many black girls go thru social identity issues on a daily basis. Skin color has created division even within black people because fairer skin tones are highly praised in the Negro community. Discrimination is used everywhere against black girls with a deeper skin pigment per example, makeup brands neglect the commercialization of darker shades of foundation, hair products for women of color

Throughout many decades, African American women have been able to set their own standards of beauty. Lonnae Parker, a writer for The Washington Post, states in her article Black women heavier and happier with their bodies than white women, poll finds, that “Freed from that high-powered media gaze, generations of black women have fashioned their own definitions of beauty with major assists from literature, music, and help from their friends” (Parker, 2012). The importance of this quote is that they were getting help from their culture, the music and literature is essentially the culture that helped them to define their own standards of beauty. By being isolated

Even with the concept race not being genetic, discrimination has prevalent in society and in the society Una Marson lived in where she writes “ I like me black face And me kinky hair. I like me black face. And me kinky hair. But nobody loves dem I jes tink it’s fair.” Marson describes an instance where she loves who she is, from her dark skin to her kinky hair but no one else does. Her constant instance that she loves her features, in some ways makes the reader believe that she only recently come to accept herself for who she was. A problem many people face growing up, but the feeling of not living up to a fair skinned and haired standard is common among many ethnic communities. With women who have darker being told they were ugly and being rejected the opposite sex who wanted light skinned or white women so there children come out pretty (Newmany). Although she know feels confident in with herself and her identity, she knows that due to other racist beliefs they won’t like her because her skin is dark and her is kinky. It’s not fair and in 2016, it’s still not

I was in a constant battle between allowing myself to have a form of self-expression that seemed fit to my colorful personality and submitting to behaving in a way society deemed fit for black women. In fact, a major problem within the black community is self-hatred. Black people grow up thinking that their culture is a joke because of the way the media portrays them. They tend to stray away from their own culture and find themselves judging their own kind the way other races may judge them instead of embracing the beautiful things that the culture has to offer. Khakpour discusses the backward representation

In today’s media, bodies of color, particularly black female bodies, are underrepresented and poorly represented by stereotypical images that are constructed by patriarchy and white supremacy. When stereotypes are distinctly visible and exposed in the media, they tend to be easily adopted by individuals, even though they are untrue. These stereotypes are quite problematic because they stand in for actual knowledge and real life experience. White supremacy is used as framework to contextualize Western ways of thinking of how we understand the knowledge presented about bodies of color. Mass media is a system of knowledge and power reproducing that attempts to maintain white supremacy by oppressing people of color, particularly women of color. In this paper, l will explore how hegemonic tropes of knowledge have been presented historically and how they are reinforced through representations in the media.

Participants in the study reported feelings of inadequacy in comparison to their lighter skinned counterparts in everything from school competitions to mate selection. These feelings of inadequacy remained prevalent from childhood through adulthood. Media also plays a key role in how the skin tone bias is perpetuated. Rap and Hip-Hop music videos often portray lighter skinned women as the love interest of the main character or the woman the male finds sexually desirable (Wallace, Townsend, Glasgow, & Ojie, 2011). Movies and television programs targeted towards African Americans may also have a light skinned woman as the successful, attractive character with a juxtaposing character who is darker, loud, obnoxious, and often fits into the “sassy sidekick” trope. A popular Black situational comedy in the 1990s, Martin, was a prime example of this (Walter et al., 1992). The main character’s girlfriend Gina, was a successful, beautiful lighter skinned woman and her best friend, Pam, was dark skinned and often the recipient of Martin’s jokes about her appearance. Exposure to these repeated stereotypes for Black women only furthers the notion that light skin is somehow superior to dark skin. This could mean that for African American women, having darker skin is a risk factor for developing body dissatisfaction.

Recent research indicates that people find darker skin tones to be more attractive and beautiful, than pale skins. Most people would be surprised to learn this, considering that there are several countries in the world that consider light-skinned people the most beautiful. Some time back, tan was considered a disgrace. It was mainly associated with people who spent countless hours laboring in the sun. On the other hand, working class women made every effort to ensure that they did not get exposed to the sun. However, the perception of beauty has changed since then and tanned people are considered more beautiful and attractive than those with pale skins.