Demon/Skilled Lover Literary Analysis

In this world what people often forget about that a human can do is cause mass destruction, things one should remember can be forgotten easily and just as fast as it came it leave, this can be seen in the books around us. Authors share their opinion through the words they write talking about society and how if we keep going the direction we are going we will find ourselves in deep trouble, the messages authors are trying to send can be seen through social commentary, many books have powerful messages behind them; especially in dystopian novels and movies. They show these messages through diction,syntax, imagery, and character development; for examples the books and movies; Fahrenheit 451, Incarceron, Wall-E, and Hunger games. The authors Ray Bradbury, Catherine Fisher, Andrew Stanton, and Suzanne Collins all convey a message through their works through syntax, diction, camera angles, and imagery; emphasizing their warnings of what they fear may happen.

Despite differing story lines, Charlotte Gilman’s The Yellow Wallpaper, John Steinbeck’s The Chrysanthemums and Kate Chopin’s The Awakening, depict the same suffering; the isolation that women have been forced to endure throughout history. In the time period that all three characters were placed, it was culturally acceptable for wives to be dominated by their husbands; their responsibility revolving around the needs of their children and those of their spouse. Most women simply did not have a means or an idea of how to rebel against their husbands. The women in all three stories are protagonists who have poor relationships of emotional attachment with their spouses. While the main character of Gilman’s story endures multiple psychotic

Power and control plays a big role in the lives many. When power is used as a form of control, it leads to depression and misery in the relationship. This is proven through the themes and symbolism used in the stories Lesson before Dying, The fun they had, The strangers that came to town, and Dolls house through the median of three major unsuccessful relationship: racial tension between the African Americans and the caucasians in the novel Lesson before Dying, Doll’s House demonstrates a controlling relationship can be detrimental for both individuals and The Stranger That Came To Town along with The Fun They Had show that when an individual is suppressed by majority they become despondent.

“There must be something in books, something we can imagine, to make a woman stay in a burning house; there must be something there. You don’t stay for nothing.”(Pg. 51) Main character Guy Montag is a servant to a society that is controlled by censorship and the fear of knowledge; Montag has spent his life burning books, to prevent the spread knowledge. But a series of events cause Montag's mind to change, and result in him breaking free from his society. The internal struggle of dynamic character Guy Montag, as to whether he should go on believing the lies his society has told him, or risk his life for something as simple as words on a page, brings readers into the corrupt society of Fahrenheit 451. In the novel Fahrenheit 451 author Ray

“The Devil and Tom Walker” by Washington Irving, “The Black Cat” by Edgar Allan Poe, and “Prey” by Richard Matheson all utilize grotesque or bizarre occurrences and a mysterious nature as their two themes. These authors used these themes for individual purposes that were not the same but all to give a lesson. Washington Irving wrote about how money can’t buy you happiness, Edgar Allan Poe wrote about how you cannot hold on to the past, and Richard Matheson wrote about how you cannot take control of your loved one’s life.

“Then, moaning, she ran forward, seized a book and ran toward the kitchen incinerator. He caught her, shrieking. He held her and she tried to fight away from him scratching,” (63). In the novel Fahrenheit 451 follows the protagonist, Guy Montag, and his interactions with society discouraging and encouraging his discovery of the illegal books. Along the way he understands who are the poisonous people in his dystopian world and who are not; changing his perspective to lose trust in his wife Mildred, from previous quote, and finding safety with Faber, a retired professor he came by one day in a park. In the novel Fahrenheit 451 the author demonstrates the idea that when there is censorship in the world, ignorance will follow because when a subject is hidden from one anything they do regarding it is under the impression of their lack of knowledge surrounding the topic, this becomes more relevant when Ray Bradbury acknowledges the emotions of people who have read books and whom haven't and their general opinions of them.

The short story, “The Daemon Lover” follows a narrator that strongly believes she is in an eternal relationship with her husband-to-be. As her wedding day arrives, her fiancé is nowhere to be found, leading her to starvation as she waits for him to appear, while also going the distance in search for him. Through the use of symbolism, personifications and foreshadowing, the author, Shirley Jackson, is able to portray the narrator’s unrequited love. One primary example in the text is that the narrator was unable to go to a store to eat, because she wanted to wait until her husband, Jamie, had arrived. She states that, “there was nothing to eat in the apartment except the food she had carefully stocked up for their life beginning together: the unopened package of bacon, the dozen eggs in their box, the unopened bread and the unopened butter; they were for breakfast tomorrow” (Jackson 3). The food she mentions in the story represents the love of the narrator for her husband to be. It signifies that she is willing to provide everything she can, but the same is not returned to her. In addition, she repetitively mentions unopened packages – a reflection of her own love for Jamie. Both the unopened packages and her love are untouched and left to

In the book Everything I Never Told You, there are many different elements and techniques used within the book. The technique that I want to go into more depth on is the use of symbolism. I specifically want to focus on the symbolism in regards to Lydia, Hannah, and Nath’s love of astronauts and space.

The journal that the narrator writes in in another symbol that Gilman used to express the changes in the narrator throughout the story by the pressures felt from her husband. After the introduction of the story the narrator starts to talk about her everyday life now that she is in the rental house: “ I am sitting by the window now, up in this atrocious nursery, and there is nothing to hinder my writing as much as I please...as John is away all day”(Gilman 2). This part of the narrators entry in the journal shows the amount of influence her husband has on her life. She states that she can write because her husband isn’t there, which is a clue that she feels she has to hide her true self from her husband because he wants her a certain way, and by writing, she is disrespecting his wishes, which at the time were the only wishes that mattered. This can also be shown later on in the story when John comes home: “ There comes John, and I must put this away, - he hates to have me write a word”(Gilman 2). Here is another prime

This paper takes two steps to have a brief view on The Demon Lover, from New Historicist point of view.

The events in Elisabeth Bower's 'The Demon Lover'; can be explained naturally. The story being as vague as it is leads most to concur with the title of the story and imagine that there is a supernatural aspect in the story. In the short story, Kathleen has returned to her home in London that has been abandoned during the bombing of World War II. She is not expected, yet she finds a letter addressed to her on a table in the hallway. Twenty-five years has past since the leaving of her former lover during World War I. Kathleen's lover is had been presumed dead after months of being missing in action and she has moved on. She is now married to a William Dover and living the countryside with her immediate

In "The Demon Lover," by Elizabeth Bowen, Kathleen Drover returns to London from her house in the country in order to gather some things that she and her husband had abandoned during the bombings of the war. It is a humid, rainy day in late August and her once familiar street is now mostly deserted. The caretaker of her house is supposed to be out of town for a week and her arrival is assumed unknown. Mrs. Drover enters the old musty house and discovers a letter addressed to herself and it is marked with the present date. Curious to know if the caretaker is back in town and a little annoyed by the letter seeming to have no urgency in being mailed to her, she proceeds upstairs to her old bedroom to read it. In utter shock and complete

The mood of the story shifted from nervous, anxious, hesitant even, to tense and secretive, and shifts again to paranoid and determination. Her anxiousness is evident whenever she talks to John. She always seems to think for lengthy time when attempting to express her concerns about her condition to him. The mood shift from anxious to secretive is clear when she writes “I had no intention of telling him it was BECAUSE of the wall-paper.” (9). She wants no one to figure out the affect the wallpaper has on her and she wants to be the only one to figure out its pattern. The final mood shift to determination is obvious when she writes “But I am here, and no person must touch this paper but me – not ALIVE!” (11). She is steadfast in attempting to free the woman from the wallpaper. She even goes as far as to lock herself in the room to make sure that she is not interrupted. The major conflicts of this story are the narrator versus John over the nature of her illness and its treatment and the narrator’s internal struggle to express herself and claim independence. During the entire story her and John’s views about her treatment conflict with each other, especially when it comes to her writing. He even makes her stay in the room upstairs instead of in a prettier room downstairs that she would prefer. She often keeps her views to herself or writes them down in

Roy Conli once said “When you're telling a story, the best stories, every character has an arc. Every one. And that arc is usually about finding yourself, or about at least finding something about yourself that you didn't know.” This is a prevalent theme in many examples of Young Adult Literature (YAL or YA). Three books that demonstrate the critical transformation between childhood and adulthood by exploring difficult social issues, finding personal identity, and letting go are a Monster Calls by Patrick Ness, The Outsiders by S. E. Hinton, and Speak by Laurie Halse Anderson.

Chinua Achebe was a Nigerian novelist, poet, professor and critic. He is mainly known for his trilogy that investigates, using fiction, the history of Nigeria. The trilogy begins with Things Fall Apart, followed by No Longer at Ease and ended with Arrow of God. Furthermore, in this critically analytical essay, through a feminist perspective, a chapter of his second novel, No Longer at Ease, published in 1960, will be discussed. The setting of the novel is Lagos, Nigeria and Umuofia, Nigeria during the 1950s, before Nigeria attained independence from Great Britain. The novel, No Longer at Ease begins with Obi Okonkwo on trial, charged for accepting a bribe. However, using flashback, the author takes us back to the point before Obi’s departure