Descent to the Underworld in the Aeneid by Virgil and the Odyssey by Homer

In both Homer’s Odyssey and Virgil’s Aeneid, the heroes make the dauntless adventure into the underworld. Both of theses visits occur around the middle of the stories, and they bring information about the lives of heroes ' loved ones. The heroes also get very important information from these loved ones; information that they require to continue on their journeys. However these are not the only things that are similar about the heroes visits. The influence of the Homeric writings of the Iliad and the Odyssey on Virgil’s writings is clear - especially in Book VI of the Aeneid. Throughout this paper we will talk about the similarities that occur throughout the two poems, and how the two authors beliefs shine through. These beliefs are two very different views on the idea of death. Homer’s Iliad depicts death as something that is something souls do not enjoy. Whereas Virgil’s Aeneid depict it more as a final rest for souls – something that relieves them of the troubles of life.

Is a hero only characterized by their success? If a leader’s last actions carry them to victory, are their flaws unimportant? The Odyssey by Homer narrates the ancient myth of a leader coming home from war in Troy who faces many trials, and despite returning home alone without any of his crew, he is looked upon as a hero for having survived. His ultimately sole success continues to define him, although the bitter truth being that he was the leader of his men when they all perished. As flaws of the all-mighty Odysseus and his crew are presented through their responses to the challenges they experience on their journey, people of the modern world may begin to understand that there exist several flaws that plague all men, whether they live now or lived thousands of years ago, and whether they are leaders or followers. The Odyssey is important in its characters’ responses’ to their trials ability to evoke emotional reactions that cause the reader to ponder their own tendencies by revealing the human nature of pride to be the fuel of the impulsiveness that oscillates fate.

Homer’s “The Odyssey” takes place ten years after the events in “The Iliad”, to which the Odyssey is an indirect sequel, and the fall of Troy; even though the story is believed to have been composed some time during the eight century B.C.E. it is estimated to be set sometime between 1300 and 1000 B.C.E. in Mycenaean Greece during the Bronze age. In this novel all Greek heroes have returned home after the fall of Troy, except for Odysseus who after a three year journey has been held captive by the goddess Calypso, who has fallen in love with him, on her island, Ogygia. After the ten years have passed Odysseus is presumed dead, his wife Penelope is courted, and his estate is auctioned off by the Suitors, the young men of Ithaca who attempt to win Penelope’s favor and hand in marriage.

In Phaedo and the The Odyssey, the main characters, Socrates and Odysseus, provide examples of different lifestyles. When conversing with his followers for the last time, Socrates’s thoughts demonstrate his views on the life of a philosopher. Comparatively, Odysseus lives the life of an epic hero aiming to return home. In their respective stories, both characters confront death, either their own or another character’s. Due to the developments in Phaedo and The Odyssey, I will argue that people's views of the afterlife stand as the main determination for how they believe they should live their lives.

It can start a war or end one. Give you the strength of heroes or leave you powerless. It can be snared with a glance but no force can compel it to stay. Love. It was the downfall of Troy and the triumph of Odysseus. The dual nature of love in Greek myth as both destruction and salvation may have led to Plato’s unique conceptualization of love. In The Symposium he speaks of two Aphrodites: Common and Heavenly. The first has domain over physical attachments and is considered vulgar. The second, being divine is concerned with the soul, not the body. It is a heavenly love, a love of the mind, the spirit. It is also exclusively for same-sex partners. Although Plato’s conception of love may not have been the prevailing notion of the time, it is

Hades, also known as Aides and Aidoneus, was the son of Kronos and Rhea, and the youngest brother of Zeus and Poseidon. He was the ruler of the mythological subterranean region called the underworld, which was inhabited by the “shades” or spirits of the dead. It was also home to dethroned or exiled deities who had been overthrown by Zeus and his allies. Hades and his brothers, Zeus and Poseidon, dethroned Kronos and the other Titans and then divided up earth among the three of them. Zeus reined the sky, Poseidon the sea and Hades ruled the underworld. The name “Hades” has been synonymously used for both the god of the underworld and the underworld itself. It is necessary to distinguish between Hades the location and Hades the god of the Underworld, the god of the dead. Hades comes from a Greek root meaning "unseen," "hidden," or "unknown." In Egypt, the equivalent of Hades is Amenti which means "hidden place" or "place of the hidden god," ; and in the roots of the word hell, had a sense of "hiding" or "concealing." Unlike the Christian concept of heaven and hell, which have separate locations, the Greek underworld was home to the souls of the virtuous and the damned, the good and the bad. In Hades the souls were separated in different sections or realms of the underworld, but all of the realms were apart of the same subterranean location. Individuals’ conduct on earth was the defining factor in deciding which realm they would be sent to; much like the judging of the

All throughout The Odyssey,

Throughout The Odyssey, Odysseus is described as cunning. His thoughts are always working towards the best outcome for himself and like a good chess play, he always remains one move ahead. Odysseus’ cunning can be observed through his interactions with the nymph Calypso in Book Five and the Phaeacian Princess Nausicaa in Book Six. During these interactions, Odysseus flatters the females and evokes pity for his suffering in order for the situation to work to his advantage. He is not always honest, but his command of language allows him to win people over with his lies. Odysseus wishes to get home as quickly as possible and is willing to lie and flatter to complete the journey.

The Odyssey Analytical Essay: Down, Down, into the Underground Death causes souls to be lost forever into the bottomless pits of the unknown, but is that believed to be true? In the epic poem written by Homer, The Odyssey, Odysseus travels to the underworld, given a chance to uncover the past and unlock his true potential where he proves that self-knowledge is the key to success.

In the epic, The Odyssey, by Homer, Odysseus proves to be a very respected and admirable leader. Before he leaves for the Trojan War, Odysseus is king of Ithaca, an island home to his dear wife and son. He is respected by his people and known for being a very powerful and intelligent man. In Troy, Odysseus leads his men to victory with his cunning and power, destroying their city. It has now been ten years since he saw his family, and returning home safely alongside his crew is his highest priority. However, he and his men are faced with trials like they have never seen, and Odysseus must take charge and command them using the skills he is most known for: his bravery, his genius, and his unwavering resolve.

In the Hebrew Bible and The Odyssey there are heroic figures that play an important role through out each of the books. These heroic figures from the Bible and The Odyssey have many similarities and differences that reflect the different cultures they are from. These heroes are called upon by greater beings, such as gods, to complete difficult journeys and or tasks that the god has made them destined to complete. Each of these legendary heroes demonstrates a particular culture’s needs. Through these journeys and or tasks they are forced to overcome challenging obstacles and make sacrifices.

Myth: Truth or False? Myth is a story with characters, narrators, and plots. When we buy into myth is false, we buy into veritas which means truth. The Greeks and the Romans, Latin-imperial (Americans), had different ideas about myths and what is truth. The Greeks saw myth as aletheia and lethe, the concealment and unconcealment of what is revealed in the myth, the story.

As society has progressed, composers have adapted and appropriated the archetypal quest so as to reflect the values of the time’s culture appropriately. This has been a necessary course of action, to ensure their writing conveys the quest and its respective elements in a manner that will be understood by the responder in the relevant time period. The texts ‘The Odyssey (Homer 8th Century BC), In the Shadow of No Towers (Art Spiegelman 2004) and The Picture of Dorian Gray (Oscar Wilde 1890) have appropriated the archetypal quest in their respective time periods to reflect the values of their context.

The Aeneid, written by Virgil, was written in Rome between 30 and 19 B.C. Virgil wrote many of his writings during the time of Octavian, the estranged nephew to Caeser. During the beginning of the times of Octavian and the time of these writings Rome was in a state of civil war, which later turned into the most peaceful place in the world. Many people were torn from their homes and new boundaries were created. It is important to know the culture and gender roles of the people, the person in power, and the system of government in place at the time of the writing.

Two epic poems from two great civilizations depict their authors' varying views of the Underworld: The Odyssey and The Aeneid. The Greek poet Homer describes the hardships of Odysseus and his struggle to return home to his beloved wife and family after the Trojan War in The Odyssey. The Roman poet Virgil composed The Aeneid for the first emperor of the Roman Empire, Caesar Augustus, in order to rebuild Rome after the civil war had ended. The Aeneid portrays a demigod, Aeneas, whose mission is to create a grand city that will be known as Rome. This paper analyzes the differences and similarities in how Virgil and Homer view the Underworld in The Odyssey