The Love Song of J.Alfred Prufrock - The Distress of J.Alfred Prufrock
The human psyche is divided into three distinct aspects: the Persona, the Shadow, and the Anima/Animus; at least, it is according to Jungian Psychology. Drawing heavily on the theories developed by Freud, Jung's psychological concepts tell us that if these three facets are not properly integrated - that is, if one of the three is overly dominant, or repressed, or all three are in conflict with each other - then an individual's energies - his libido - will be out of alignment, causing psychological distress and unconscious problems.
The Love Song of J.Alfred Prufrock, if read Archetypaly, reveals to us such an individual. J.Alfred Prufrock, the nebbish
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Time for you and time for me,"
At times his Persona is in charge ('...prepare a face to meet the faces that you meet'); at other times, his Shadow surges forth ('There will be time to murder and create'). As he recognises, both vie for dominance, and each takes its turn holding the reins ('Time for you and time for me').
Unfortunately for Prufrock, this is an entirely unhealthy state of being. Neither aspect should be dominant at any given time - Prufrock should be in charge, having integrated both parts of himself into a healthy, cohesive whole. Without this synthesis, this acceptance of his darker urges and mundane appearance, his psychological energies are left unfocused - possibly leading to his extreme indecisiveness.
The unhealthy rigidity of his Persona is painfully apparent throughout the entire poem - it paralyses him completely in social situations, leading to intense insecurity ('And how should I presume') and shyness ('Do I dare?'). On the other hand, his Shadow urges and strains to do far, far more ('Shall I...', 'Should I...'), but, restrained by the Persona, manages to only express itself in fantasy.
So far, though, only two parts of Jung's psychological triumvirate have been dealt with.
The poem “Richard Cory” by Edwin Arlington Robinson is the exact opposite “The Love Song of J. Alfred Prufrock”. It is a brief poem that uses very simple vocabulary. The poem is a description of the man Richard Cory. Plenty of imagery is used to describe just what type of man Richard Cory was. The speaker of the poem seems to be a collective we. The speaker is all the people who saw and knew Richard Cory.
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
In T.S. Eliot’s “The Love Song of J. Alfred Prufrock”, the speaker, Prufrock feels alienated
Detail 1: Although Hamlet and Prufrock in “The Love Song of J. Alfred Prufrock” are confronted with completely different situations, these two characters prove they are possessed of similar personality traits. Just like Hamlet, Prufrock is an emotional, over-analytical and indecisive character.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
Loneliness is a feeling that we have all felt here and there. A man in the poem “ The Love Song of J. Alfred Prufrock” by T.S Eliot feels trapped which caused him to have disorders. Nothing has never changed from living in the same city and not using his time wisely. He tried numerous ways to approach women but his low self esteem stopped him from moving forward. Although Prufrock seems like a miserable person, Prufrock suffers from obsessive compulsive disorder, depression, and paranoia that caused him to feel this way.
Prufrock's dilemma represents the inability to live a meaningful existence in the modern world.[24] McCoy and Harlan wrote "For many readers in the 1920s, Prufrock seemed to epitomize the frustration and impotence of the modern individual. He seemed to represent thwarted desires and modern disillusionment."[22]
The monologue style of “The Love Song of J. Alfred Prufrock,” is interesting because it doesn’t clearly identify whether or not the speaker is talking to another person or his inner self. A monologue is like a conversation, but uses the language of poetry. This particular dramatic monologue tells the story of J. Alfred Prufrock, a man who is so wracked with insecurity and worried about how others perceive him that he is afraid to live his life.
Prufrock begins his “Love” song with a peculiar quote from Dante’s Divine Comedy. It reads: “If I believed that my answer were to a person who could ever return to the world, this flame would no longer quiver. But because no one ever returned from this depth, if what I hear is true, without fear of infamy, I answer you.” In the Divine Comedy these lines are spoken by a damned soul who had sought absolution before committing a crime. I think that Eliot chose this quote to show that Prufrock is also looking for absolution, but for what he is unsure.
'I have measured out my life with coffee spoons'; (line 51), shows how Prufrock thinks of his own life, unexciting and unheroic. In his mind he has nothing to offer these women. He returns to wrestling with his thoughts that allow him to desire the love the women have to offer but talk himself out of the task by gentile reminders of the risk. He tells the reader that he knows these women and even begins to rehearse an opening remark, 'Shall I say, I have gone at dusk through narrow streets / And watched the smoke that rises from the pipes'; (lines 70-71). This thought is quickly lost however as Prufrock imagines how easy it would be to be a creature that had no need for love, 'I should have been a pair of ragged claws / Scuttling across the floors of silent seas'; (lines 73-74).
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
The poem “The Love Song of J.Alfred Prufrock” by T.S Eliot is one extended metaphor depicting the trials the character must go through in his attempt to achieve his quest for the ideal. In this case, the ideal is the world inhabited by the ladies he wants to talk to. The perils the character, Prufrock, has to contend with are low self-esteem and his fear of rejection. The poet illustrates his character’s low self-esteem with the image that Prufrock paints of himself as a man “With a bald spot in the middle of my hair” (39). Prufrock’s poor self-image is also evident in his
The human psyche has perpetually been characterized by a nagging sense of doubt. When one makes the decision to follow through (or, rather, not follow through) with an action, it is unlikely that he does so without questioning whether he made the right choice; this is recurring theme in literature, evident in works such as Crime and Punishment and A Separate Peace. T.S. Eliot’s The Love Song of J. Alfred Prufrock explores the universal nature of hesitation and self-doubt as part of the human condition primarily through apt use of metaphor, syntax, and allusion.
If one applies the Freudian concepts of id, ego, and super ego to Prufrock’s troubled mind, a clear delineation of three sections is made in the poem. A short explanation of id ego and super ego is necessary in connecting them to the spaces in the text. Freud’s theory stemmed from a need to classify the parts of the ‘mind’. From this stems the organization of personality into three parts all of which are demonstrated in the “Love Song of J. Alfred Prufrock”. The id is the impulsively and instinctually driven section of Freud’s personality complex and is based on seeking pleasure. An especially important factor for “Prufrock” is that the id encompasses is sexual desire. It is largely accountable for the unconscious mind. The ego is the most rationalized and outward facing of the personalities that creates a practical approach in