Division of Social Classes through Language: George Bernard Shaw's "Pygmalion"

HIGGINS [with the look of confusion on his face]: Fine thank you, Eliza we need to…

The character was illiterate and thus excluded her from others. In the beginning of the story, the shame from the daughter and others was made prevalent as the author wrote “I learned to be ashamed of my mother” (58). The shame and prejudice began to grow when the mother goes to the school to register her daughter. The mother needed and asked for help when she was filling out the forms that were required for her daughter to go to school. The author wrote “The women asks my mother what she means . . . The women still seem not to understand. ‘I can’t read it. I don’t know how to read or write,” (60) showing that the women the mother was asking for help, did not understand her question, because her ignorance of other people. Her poor understanding of the question clearly made the mother feel even more ashamed of herself. The author goes on to write “My mother looks at me, then looks away. I know almost all of her looks, but this one is brand new to me.”(61) exhibiting how the mother never felt so ashamed and embarrassed in front of her daughter. Once the woman realizes that she was on a higher “level” than the mother, she agreed to help, the author wrote “and suddenly appears happier, so much more satisfied with everything”(61). The mother was being ridiculed and humiliated by the second, as the other

He wants his to improve Elizabeth's unsophisticated tendencies so she can blend into his life as town royalty (mayor), but again he was not always so sophisticated. After judging her speech, he moves on to criticizing her handwriting skills. He believed that way proper young ladies wrote was about their sense of a “refined womanhood,” which Elizabeth clearly did not posses. As she wrote to his dislike, he says, “Never mind— I'll finish it.” Thus, this again shows as Elizabeth attempts to please her father’s wishes he grows more distant and cold toward her. At the end of the passage it says, “the more interesting that her appearance and manners became….the more she seemed so estranged to him.” This proves that the chance of Elizabeth making her father proud is almost impossible because he remains closed-minded toward her. The final use of the word “estranged” to describe how her actions impacted their relationship shows that even though they live in the same house they are strangers on an emotional level. The detailed encounters between Mayor Henchard and Elizabeth shows just how cold-hearted and unloving their alleged father-daughter relationship is because he never tried to accept Elizabeth for who she was before they

The narration of the mother lecturing her daughter with commanding diction leads to the theme of women conforming to domesticity and if they don’t conform then they will lead a life of promiscuity that will affect the way people perceive them. Women in the past believed that a woman’s role was that of a domesticated housewife. The narration of the third point of view in this story and the commanding diction of it places an importance in the reinforcement of this idea, that if a woman doesn’t follow social norms, she will eventually turn to a “slut” one that her family will be ashamed of. She must set the table for lunch and for breakfast that is “how to behave in the presence of men who don’t know [her] very well, and that it the way they won’t recognize immediately the slut that [the mother has] warned her against becoming.”(Kincaid 485) through her commanding diction, the mother is telling her daughter how to set a table, how to cook, she

Pygmalion by George Bernard Shaw is a play that shows a great change in the character Eliza Doolittle. As Eliza lives in poverty, she sells flowers to earn her living. Eliza does not have an education. This shows through the way that she does not have the most proper way of speaking. This happens through when Eliza is speaking to the other characters when she meets then when she is still at a low level of poverty in her life. To understand the reasons Eliza is able to change and be changed into an almost Cinderella like character. With Eliza going from and growing and changing through the hardship she faces. In the play Eliza begins with no confidence and works towards having a way to reach trough from learning during her life

Class is a vital element in both A Streetcar Named Desire and Atonement with clear class distinctions expressed between Stella, Blanche and Stanley and the Tallis family and those they interact with in the first part of the novel. In Atonement, the aspect of how important and essential class is to the novel is put forward with the description of Briony’s play, “the reckless passion of the heroine, Arabella, for a wicked foreign count is punished by ill fortune when she contracts cholera during an impetuous dash towards a seaside straight away

One’s class would be one the greatest stereotypical perceptions pertaining to language and groups. In Shaw’s Pygmalion, the storyline starts with a horrible storm. This storm forces classes of all types to crowd together out to seek shelter. Ideally, the higher class would not be caught associating with the lower class. However, a mother sees Eliza talking with her son, Freddy, and immediately goes to investigate. As a mother of that time, it is believed that Freddy should not associate himself with someone like Eliza. Eliza Doolitttle is roughly eighteen years of age, speaks what is called ‘gutter language’, and she sells flowers illegally. Appearance and actions “…reveal speakers’ memberships in particular speech communities, social classes, ethnic and national groups” (Edwards, 21). Due to her obvious state of being lower class, a stereotype is immediately placed on her.

This sudden change in character shows that an upgrade in social class not only changes the way that people look at you but that it can also have many benefits as well. Going against the thesis, there is one character, Colonial Pickering. Colonial Pickering is a friend and a safe haven to Miss Doolittle. She trusts him, and with good reason, from the beginning to the end of the play, he treats her the same, like a lady. ?Colonial Pickering is a compete contrast to the character of Henry Higgins in terms of manners and behaviour. Colonial Pickering is Shaw?s evidence that wealth and poverty can mix.? (Galens and Scampinato, 245). Most characters in Pygmalion expect the rich and poor to stay separate except for the open hearted and minded, Colonial Pickering.

The girl distrusts her mother and believes her to be out of touch, while helping her father in "his real work" (468). Surprisingly, the girl's desire to avoid the manifestation of her femininity in womanly tasks, such as cooking and cleaning, influences her into feeling that her mother is "plotting now to get [her] to stay in the house [. . ]. and keep [her] from working for [her] father" (469). The girl chooses to dismiss her mother, thereby dismissing her own future role as a housewife.

This excerpt tells shows a clear explanation of class divisions, each person in the household representing a class. The Master/Mistress represents the higher class, The Lady’s Maid represents the middle class, and the Housemaid represents the lower class. Beeton describes the master and mistress as “sensible” and “kind”, and claims how greatly they depend on their servants in various areas of their everyday lives, but how they also provide them with clothing and treating them fairly. She describes the lady’s maid as doing almost everything for the mistress, and includes how they must have good taste, a good sense of fashion, and must be clean. She also explains that the lady’s maid should know when it is appropriate to speak and when it is

Pygmalion, by George Bernard Shaw, describes Shaw’s viewpoint on social class distinctions in the 1900s by describing characters of the upper, middle, and lower classes in the play. Through the characters’ descriptions, language, and actions, the distinction between classes becomes very prominent. Similarly, Galileo, by Bertolt Brecht, describes Brecht’s take on the social class structure during Galileo’s time and how the differences between classes affected Galileo’s opportunity to do scientific research. Both plays depict a society ruled by the upper-class and a lack of coherence among the upper, middle, and lower classes that leads to eventual conflict. In both Pygmalion and Galileo, the authors highlight the advantages and disadvantages of the different social classes in order to critique how the relationships between people from different classes affect their interactions with each other.

In the Victorian England period, how a person is viewed by society determines everything. What kind of jobs are available, who it is ok to marry, and even who is acceptable to interact with. How a person is viewed can change their life for better or for worse, and sadly women during this period must work twice as hard as their male counterparts to get the crucial social respect needed to succeed in their societies. How a person appears and how they dress plays a big part on how someone is viewed, but flower-girl-turned-duchess Eliza Doolittle must learn the hard way that just because a person fits the outside criteria of a lady does not exactly mean she would be treated as so, by society and most of all her mentor Henry Higgins. Throughout the play, Pygmalion, By George Bernard Shaw, the author makes the theme of prejudice against women very apparent by the way they are treated in society and the unreasonable expectations they are held up to, making it very difficult for women like Eliza Doolittle to move up in society and be seen as equal in the eyes of those above them.

“Pygmalion was written to challenge the class system, traditional stereotypes and the audience’s own views.”

Social standing is central to the plot of George Bernard Shaw’s play “Pygmalion”. The portrayal of class identity in Shaw’s play appears to be a criticism of the distinctions between high society and the poorer classes in Victorian England. Shaw’s aim was to portray how the upper-crust of Victorian society viewed the lower classes, as evidenced by Higgins’ treatment of Eliza upon her first visit to his laboratory; Higgins treats her as though she is too stupid to understand that he is insulting her. The assumption is that the wealthy view the lower classes as being somehow lesser. So what is it that Shaw is trying to impart upon the reader? Shaw appeared to show open disdain not just for the upper class of society but for society in general, and Pygmalion may be interpreted as an open criticism of class distinctions in Victorian England.

By naming his drama "Pygmalion," Shaw reminds people of the ancient Pygmalion Myth. Pygmalion, a sculptor, makes a beautiful statue and falls in love with his own creation. He prays that life may be granted to it. The gods give him his wish. The statue becomes a living girl named Galatea. In Shaw's play, Eliza, the heroine, is transformed from a flower girl into a graceful lady. This change is like that of a stone into a statue of perfect beauty. But just as