Djambalula Bark Tree Essay

The artwork being analyzed is called Nameless and Friendless and it was completed in 1857 by Emily Mary Osborn. The artwork was most likely created in England, where she was from. The media is oil paints on canvas, rather than the wood that was usually used. It is currently on display in Tate, Britain.

paintings Nobleman Hunting in the Marshes and Ti Watching a Hippopotamus. All of these art forms are labeled under humanism. In contrast, is the Musicians and and Dancers Egyptian wall painting where there are two women facing forward as well as

Overall, it seems like there are many people in society now living in our present life. Their society is developing and improving a little bit because of people at the bottom with shackled hands whom are under the influence of the three figures who have a bigger dream and look at higher world. Each of them in the painting has an object on their hands. These seem to be important clues to interpret this painting. One is holding a book, second is holding a jar or flask and third one is holding handwriting, directing or measuring tools of an architect with compass. And there is a globe

This art piece portrays a darker colored woman in the middle with twelve men sitting at the table, six men on each side. She is not wearing any sort of garments except for a simple white cloth around her spread out arms. All men are divided into three-men group based upon similar actions. The man immediate right to the woman is the only man with paler skin color. On the table, there are feast of fruits, vegetables, bread, and drinks.

The artwork is a complex mixture if colors, shapes, and tints. In the painting, there are eight figures. Seven that is to the center and left of the painting and one on the right. The seven persons on the left are all either touching each other or interlocked with someone. Of that seven, six are men and one is a female. There is a man in

To begin, the artist has depicted to people in the

The artwork is one of the main ways to express the culture of a region or a country. Therefore, art has played a very important role throughout history. When talking about art, the first thing that comes to most people’s minds is probably that art is a painting or it is a sculpture. However, art has many forms of expression, and it closely connects to human’s daily life. Besides paintings and sculptures, art is everywhere around us. I am always interested in how people have linked art with daily life throughout history. For this reason, the two pieces of artwork I chose from my visit to the Museum of Fine Arts are both objects that can be used in everyday life: one is the mixing bowl and the other is an incense burner. Though they are from different cultures, have different making processes, and have a different purpose in usage, they both are good examples to show how artists tried to apply art using different techniques to human’s daily life.

This artwork comes from Clifford Possum Tjapaltjarriwas who is one of the most innovative artists. This painting refers to the Anmatyerr Warlugulong site 300 km northwest of Alice springs, which Lungkata, blue tongue lizards, started a great forest fire, the forest fire all ancestors, died in his two sons. He lit a fire to punish his son, who ate sacred kangaroo is breaking the law. Clifford possum Tjapaltjarri won his mother and his cousin Kaapa Mbitjana Tjampitjinpa this topic. This painting depicts the forest fires before you begin, it spread to a wider area to the south and the west. Opossum in tier burnt-out prints and orbit shown in charcoal and ashes of kill. Dot eyeball of burnt-out countries said the large dark grey area and the lighter area. Born in Napperby station, northwest of Alice springs, Tjapaltjarri lived in his forefathers Anmatyerr, until the last few decades of his life. He is the tradition of the elders he community. His paintings of his obligations to culture, and his ancestors totem ancestral mapping. He was one of the most accomplished his time in the western desert region of artists. When

The artwork is a realistic portrait of a women. It is abstracted with asymmetrical balance with exotic and vibrant colors. As if the women is sitting in the corner with two

The people in the background of the painting, for example a

Initially, my eyes were drawn to the large eye located at the top, center of the piece, in between very large buildings. This eye seems to be a large clock, due to the “little hand” and “big hand” extending out of the pupil. Many old fashioned cars and faces of Caucasian people fill the busy road. Right in front of the busy traffic, on the bottom, left side of the artwork, there are three Caucasian men who are dressed up, wearing hats and nice suits. One man is holding a newspaper, the second is holding what seems to be a magazine or a mug, and the man with a very mean expression, on the left, is holding a brief case.

* Describe the visual scene of the ritual. What are the colors and textures? Are there pieces of visual art used? What to the participants look like?

Also, collaged images of woman 's genitalia were cut out and spaced all around the portrait. The spaces were carefully used to show that the collages were floating around the woman. The artist used overlapping technique to show certain collage cut-out appear closer to the viewer. He pasted some collage over and some behind the woman that you could see through with the overlapping. The collage images were abstract that you could barely tell that they were buttocks until you zoom in and see them close up.

The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink

The first painting, “Intervention of the Sabine Women” by Jacques-Louis David, depicts a sort of panoramic view of a battlefield between some soldiers that appear to be wearing helmets and gear reminiscent of the Spartans and/or romans. All of the figures are naked and they are fighting and they all appear to be very closely bunched up. Among the soldiers are a few clothed women and some children that appear to be going about themselves amongst the chaos, with the exception of a few characters that appear to be affected by the chaos. There are a few women at the center with some children that appear to be attempting to break up the battle. Based on the style and details of the painting, it most likely represents the era of ancient Rome and