Billy Wilder’s Double Indemnity is one of the best representatives of the film noir era in Hollywood as it contains all the main characteristics of the genre. The general darkness present throughout the movie is embodied in the plot which reveals the moral bankruptcy of the main characters. It is also present in the mise-en-scene choices such as the dark costumes and modest lighting with the great emphasis on shadows. The main character’s voice-over, another important film noir characteristic, brings this darkness to life and communicates it to the audience with brutal honesty. One of the scenes of the film which contains all of these features is the one where the two main characters, Neff and Phyllis, meet for the first time. This scene will be analysed with respect to the main film noir elements and techniques that were used in the making of it.
This scene introduces the femme fatale character Phyllis Dietrichson and starts a relationship between her and Neff – a relationship which sets out the plot for rest of the film. The scene focuses on Phyllis’ use of sexual appeal to gain control over Neff and try to use him to fulfil her twisted of murdering her husband. Wilder uses several filming elements characteristic to film noir in the scene in order to display the nature of Neff and Phyllis’ relationship from the very moment they met.
The scene starts with a bright shot set outdoors as Neff is heading to Mr. Dietrichson’s house – a shot uncharacteristic to film noir
In the town of Grover’s Corner Wisconsin, there lies a small farm town with all the small town aspects. The newspaper editor runs the newspaper from his own house as the doctor runs the clinic from his house. The small town being shown through the combination uses of one building, giving off the small town feel, “The town hall and post office combined; jail’s in the basement” (Wilder 4). The younger men have the jobs of delivering the milk and newspapers in the morning. “Joe Juniors getting up so as to deliver the paper” (Wilder 6). In Our Town there is Irony among the fact that the Joe Crowell graduated from the head of his high school class and his college class, then went and died in the war. Throughout the story, the author Thornton Wilder uses mood and tone to really help describe and explain what the play is telling us.
Fences, written by August Wilson, is a play about a man, named Troy, struggling to support his family during the late 1950’s. In this play, we see that Troy hurts the people closest to him. He has been uncaring towards his wife, Rose, his brother Gabriel and his son, Cory. This is because Troy had nothing to go on but the harsh example set by his father. In Fences, Troy has felt like he has been fenced in all of his life, which causes him to fence others in.
The author’s employment of various archetypal elements throughout “Peter Two” reveals Irwin Shaw’s purpose to highlight the transformative, yet destructive power that acts of violence have on people’s lives. When the reader is first introduced to the protagonist of this story, Peter, he is portrayed as an undoubtedly confident and self assured teen, who has a “conscious feeling of confidence and pride in himself” and believes that he has identified his role in society as that of the hero (Shaw 2). The pride he has in himself partially manifests from the victorious confrontation Peter has with the bully, Charley Blaisdell, resulting in Peter being seen as a hero by a harassed classmate. However, as the story progresses, Peter descends into
Our Town is a play written by Thornton Wilder set in a small town known as Grover’s Corners. Wilder conjured the Stage Manager to be a representation to the theme of the play. The theme of universality placing Grover’s Corners in view with the rest of the world. Wilder makes a point to the audience that people have a big impact and influence over the next person, whether they were important or insignificant to that individual’s life. Therefore, the Stage Manager emphasizes on this very viewpoint that the lives of certain people are overlooked so are their influences. The Stage Manager himself is a physical embodiment of Wilders own views and opinions of humans and life itself. Throughout the play, the Stage Manager plays various of roles in order to force the realization to the audience into understanding the importance human life and the influence of others.
Have you ever seen a father really not enjoy the presence of his own sons? In the book Fences, a man named Troy has a very interesting relationship with his sons. Troy puts his personal interests in front of his own son’s dream which causes conflict between Troy’s sons and himself.
“Some people build fences to keep people out...and other people build fences to keep people in” (61). In the play, Fences, by August Wilson who displays how fences symbolize different situations to represent different characters. The story takes place in Pittsburgh, Pennsylvania in the 1950’s, and in the play fences gives an outlook of providing an obstacle or barrier that is intended to keep something out or in. It shows through the protagonist character, named Troy Maxson and his wife Rose in which later they both realize the aftermath of the process of building a fence became the opposite of what they didn’t intend to happen.
Our Town by Thornton Wilder focuses on the lives of the residents of small town Grover’s Corners, New Hampshire in the early 1900s, more specifically, the lives of young George Gibbs and Emily Webb. Throughout Act I, Thornton describes the daily lives of the people of Grover’s Corners. The milkman delivers the day’s milk, the paperboy brings the morning paper, mothers prepare breakfast, and children get ready for school. The day winds down, everyone has had their supper, homework is finished, and adults arrive home from choir practice. Life in Grover’s Corners is traditional, ordinary, and unremarkable, not much goes on out of the ordinary. Act II focuses on love and marriage in the town. The narrator says “Almost everybody in the world gets married, - you know what I mean? In our town there aren’t hardly any exceptions. Most everybody in the world climbs into their graves married.” and Mrs. Gibbs articulates that “People are meant to go through life two by two. Tain’t natural to be lonesome.”(54) George and Emily get married, much like the other young couples of Grover’s Corners, and proceed to live blithely and contentedly on George’s uncle’s farm. Act III looks into the last act in a person’s life, death. Emily passes away during childbirth, and at the cemetery, she meets the spirits of her mother-in-law and many other deceased townspeople.
An issue that has been circulating is whether or not to conform. Rob Siltanen says, “... The ones who see things differently. They 're not fond of rules. And they have no respect for the status quo. You can quote them, disagree with them, glorify or vilify them. About the only thing you can 't do is ignore them. Because they change thing.[...]” ( cited) What he says is agreeable because the one that does not conform, will be the one that changes themselves,their society and even their future. This matter is an open topic of debate because one may agree that an individual does not need to conform to society 's ideals in order to find their happiness or be successful in life.
Throughout history, civilizations have built fences to keep enemies out and keep those they want to protect inside. In society today, people create metaphorical fences in order to fence in their feelings, while others create literal fences in order to keep the unwanted away. In the play Fences, the Maxon family lives in 1950’s America whose love for sports and one another are questioned at times when they need to be together the most. In the play Fences by August Wilson, two main characters Troy and Cory Maxon build a fence, literally and metaphorically, which as the book progresses, becomes a symbol that allows each character to truly understand each other.
Similar to how the hazy quality adds to the oneiric atmosphere of the shots in the Dietrichson’s household, the elements of the mise-en-scène contribute to the realistic characteristics of the first shot. Here, the viewer is presented with a seemingly perfect upper class neighborhood full of California Spanish houses. The children outside are playing baseball and an ice cream truck drives by, representing the epitome of the American Dream. The image is sharp and clear, with the light source coming from the right. However, the lighting is practically uniform in this shot. There are several hues and colors present in this shot, which is consistent with the realm of reality. Each frame of the camera is busy and cluttered, and there is a great deal of movement from both the props and the actors. However, it can also be argued that the first shot—though fairly realistic—is interrupted by oneiric qualities.
Some Like It Hot, Billy Wilder's 1959 musical comedy is filled with double meanings and sexual overtones that also includes certain aspects such as cross-dressing and homosexuality. In 1959, the topic of homosexuality was taboo. If homosexuality was at all brought up, it was in a comical manner. Viewing Some Like It Hot fifty-five years later, one can not help but wonder if the films' last line spoken by Osgood, "Well, nobody's perfect", is meant to be satirical or solely for the purpose of a laugh. In the gender bending comedy, Some Like It Hot, directed by Billy Wilder, the affirmation of heteronormativity is established through narrative, thematic, and iconographic conventions.
Lee Daniel’s The Butler, a 2013 historical drama, follows the life of a man born to slavery, finds love and has a son that fights for equal rights, fights for equal pay himself, then dies after Obama becomes president. Cecil Gaines is born to a time of slavery in 1919 in Georgia. In the beginning of the movie, Cecil’s mother is being taken and raped by the plantation owner. Cecil, clearly upset by the abrupt action looks to his father for a solution. Giving in to Cecil’s pleas, the father confronts the plantation owner and is shot and killed. Following the unfortunate series of events, the grandmother on the plantation takes Cecil under her wing. He is brought to the house and becomes a house servant. The widow educates the boy in serving and behaving properly in a house of white people. Years after starting, the boy leaves the plantation and his mother behind. Soon after, starvation gets the best of Cecil and he breaks into a pastry shop. The head slave to the owners of the shop came rushing down to find Cecil consuming the pastries.
An anti-hero in the most common protagonist in the genre of noir who mostly has some negative qualities like aggressiveness and dishonesty, also according to the Wikipedia, “An anti-hero is a protagonist who lacks conventional heroic qualities such as idealism, courage, and morality.” By the definition and reading through James M. Cain’s novel Double Indemnity, we are sure that Walter Huff in this book is the anti-hero, because of his ruthless murder. For example, Walter first uses his knowledge in insurance to kill Phyllis’ husband in order to get money and Phyllis, and he also tries to murder Phyllis since she knows the secret. In addition, at the begging of the story, Walter’s moral choice shows his characteristic; he does not choose to stop Phyllis’s idea but help her finish the murder plan. However, some anti-hero possess positive qualities, like Walter in this book, he loves Lola and can do anything for her, and he even tells his colleague the truth to protect Lola.
Charles leaves the room, and intentionally walks toward and past the two men as a challenge. They ignore him, but chase after their suspect (filmed from high above) in a desolate, abandoned lot, quickly losing his track and appearing astonished by his abrupt disappearance. The camera turns up and to the left, discovering the cigar-smoking character in profile on a rooftop. From a cinematography point of view this is the most Film Noir portion of the film. In a dark and dirty setting it introduces us to the good guys and the bad guy, culminating in a chase scene.
It is one of the best boos from Stephen King may be forever.Rita Hayworth and Shawshank Redemption is wonderful novel for prison escape-its my favorite.Stephen King who only wrote horror is briliant.I love it, because of how it makes me feel very interesting in these novels.Apt Pupil it's a pretty good one,, where the 16-year main character, Tod, fantasises about the rape of a young girl.In The Body, where 4 teenages, go off to find the body of another boy,here was a another good moment in Kins writing. Here are 4 novelas that are each at least pretty good in their feelings.They're may be not anybody's very good examples of King's writing, but maybe, in this case, the novelas being well known regardless of the medium they're told in, maybe